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Literaturangaben. - Beitr. teilw. dt., teilw. franz. Durchsuchbare elektronische Faksimileausgabe als PDF. Digitalisiert im Rahmen des DFG-Projektes Digi20 in Kooperation mit der BSB München. OCR-Bearbeitung durch den Verlag Otto Sagner.
Flacius Illyricus, Matthias, --- Flacius --- Illyricus --- Leben --- Matešić --- Matthias --- Organismusbegriff --- Rezeption --- Slavistik --- Theologie --- Werk --- Zeitgeschichte
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Contemporary culture is characterised by a peculiar desire for crime narratives. Novels, non-fiction books, films, TV series or podcasts that deal with real or fictional murders, acts of fraud or spectacular thefts attract a wide audience and often become the object of public fascination. The contributions to this volume trace this hunger for crime stories and evaluate both the aesthetic and ethical significance of them having become one of today’s leading narrative genres. With contributions by Sandra Beck, Juliane Blank, Johannes Franzen, Peter Hintz, Thomas Kniesche, Till Raether, Oliver Ruf, Simon Sahner, Dana Steglich, Eva Stubenrauch and Thomas Wortmann. Die zeitgenössische Kultur zeichnet sich durch einen großen Hunger nach Erzählungen von Verbrechen aus. Romane, Sachbücher, Filme, Serien oder Podcasts, die sich mit realen oder fiktiven Morden, Betrugsaktionen oder spektakulären Diebstählen beschäftigen, finden ein breites Publikum und werden oft zum Gegenstand der öffentlichen Faszination. Die Beiträge des Bandes spüren diesem narrativen Bedürfnis nach und stellen die Frage, was es ästhetisch und ethisch bedeutet, dass die Kriminalerzählung zur Leitgattung der Gegenwart geworden ist. Mit Beiträgen von Sandra Beck, Juliane Blank, Johannes Franzen, Peter Hintz, Thomas Kniesche, Till Raether, Oliver Ruf, Simon Sahner, Dana Steglich, Eva Stubenrauch und Thomas Wortmann.
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Die Studie erscheint zum 160. Todestag Aleksandr Puškins und im Vorfeld des großen Jubiläums 1999. Sie verfolgt das Ziel, ein Kapitel deutsch-russischer Kulturgeschichte zu erhellen und auf Verbindendes und Trennendes hinzuweisen.
deutschen --- Geschichte --- Kulturwissenschaft --- Linguistik --- Literaturwissenschaft --- Postmeister --- Puškin --- Rezeption --- Russland --- Schneider --- Stationsaufseher --- Studie
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Diese umfangreiche Studie behandelt erstmalig die gesamte Rezeption der Werke Schillers in allen relevanten slavischen Literaturen bis 1900. Sie konzentriert sich auf die Übersetzungen seiner Dichtungen in die entsprechenden Sprachen sowie die jeweiligen Reaktionen auf sein Schaffen in wissenschaftlichen Kreisen wie in der breiteren literarischen Öffentlichkeit. Hierbei wird nicht zuletzt auch berücksichtigt, inwiefern die jeweiligen nationalsprachlichen publizistischen Äußerungen zu Schiller eine eigenständige slavische Meinungsbildung widerspiegeln bzw. in ihrer Abhängigkeit von ausländischen Quellen gegebenenfalls weit eher vor allem deutsche bzw. französische Urteile zu seinem Werk reflektieren. Die Darstellung ergänzt eine detaillierte, mehr als 1.600 Titel umfassende Bibliographie der Übertragungen von Werken Schillers in sämtliche slavischen Sprachen bis 1900.
slavic literature --- translations --- poetry --- Drews --- Idealimus --- Neoklassismus --- Romantik --- Schiller --- Sentimentalismus --- Slaven --- slavische Rezeption Schillers
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Andrej Belyjs Roman "Peterburg" führt dem Leser einen positivistischen Vater, einen neukantianischen Sohn und einen Revolutionär mit Nietzsche-Vergangenheit vor. Um einen Prätext, um eine Philosophie geht es nicht. Belyjs Anliegen ist es, verschiedene Denksysteme in sein künstlerisches Werk zu integrieren, diese miteinander zu konfrontieren und so einen Dialog zu schaffen.
Andrej --- Bachtin --- Belyjs --- Erkenntnistheorie --- Kants --- Neukantianer --- Nietzsc --- Nietzsches --- Philosophie --- Philosophie und Literatur --- Positivismus --- Rezeption --- Tranzendentalphilosophie --- Zink
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The concept of Wirkungsgeschichte is gaining ground in New Testament Studies. It involves the gathering of diverse interpretations of a text, but can it offer significant exegetical results or is it merely a form of cultural stamp collecting? This book explores the background of Wirkungsgeschichte in the philosophy of Hans-Georg Gadamer and applies the theory to a single pericope, Mt 14:22-33. Traditional historical and literary examinations of this story are brought into conversation with six works of art and a number of nineteenth century theological texts. The result is an enriched interpretation which fruitfully alerts us to the narrowness of the vision of our own time and place.
Rezeption --- Hermeneutics. --- Interpretation, Methodology of --- Criticism --- Gadamer, Hans-Georg, --- Gang Jesu auf dem Wasser --- Bible. --- Criticism, interpretation, etc.
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"[The book's] subject matter is the changing interpretation within Europe of the end of the Roman Empire and the early Middle Ages from the eighteenth century to the present and how individual interpretations influenced and were influenced by the circumstances in which they were written."--Preface.
Middle Ages --- History --- Moyen Age --- Histoire --- Historiography. --- Philosophy. --- Historiographie --- Philosophie --- Europe --- Histoire médiévale --- Philosophie de l'histoire --- Mittelalter. --- Rezeption. --- Philosophie de l'histoire. --- Historiographie. --- Medievalists
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Essays by leading authors on Shakespeare drawing on contemporary and early continental philosophyGBS_insertPreviewButtonPopup(['ISBN:9780748694945','ISBN:9780748695591','ISBN:9780748694952,'ISBN:9780748694976'']);This collection of 15 essays by celebrated authors in Shakespeare studies and in continental philosophy develops different aspects of the interface between continental thinking and Shakespeare's plays. The authors draw from current continental philosophy (e.g. Lacan, Foucault, Derrida) as well as from the 19th century continental tradition (e.g. Hegel, Kierkegaard) and from the early roots of continental tradition (e.g. Aristotle, Ibn Sina). The chapters address the span of the tragedies, comedies and history plays in the light of thinkers as diverse as Aristotle, Ibn Sina and Jean-Luc Marion, Hegel, Kierkegaard, Schopenhauer, Schmitt, Arendt, Lacan, Levinas, Foucault and Derrida.Key Features:The blend of new work and classic position papers provides a thorough overview of Shakespeare and continental thoughtSheds new light on Shakespeare and on continental philosophyAuthors in the collection are leaders in each discipline in the US and UK / Europe and include: Edward S. Casey, Howard Caygill, Paul A. Kottman, Julia Reinhard Lupton, Christopher Norris, Nicholas Royle, Catherine Belsey"
Literature --- Philosophy in literature. --- Philosophie. --- Rezeption. --- Philosophy. --- Shakespeare, William, --- Criticism and interpretation. --- Philosophy in literature --- English --- Languages & Literatures --- English Literature --- Literature and philosophy --- Philosophy and literature --- Philosophy --- Theory
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This is the first study considering the reception of Greek tragedy and the transformation of the tragic idea in Hellenistic poetry. The focus is on third-century Alexandria, where the Ptolemies fostered tragedy as a theatrical form for public entertainment and as an official genre cultivated by the Pleiad, whereas the scholars of the Museum were commissioned to edit and comment on the classical tragic texts. More importantly, the notion of the tragic was adapted to the literary trends of the era. Released from the strict rules established by Aristotle about what makes a good tragedy, the major poets of the Alexandrian avant-garde struggled to transform the tragic idea and integrate it into non-dramatic genres. Tragic Failures traces the incorporation of the tragic idea in the poetry of Callimachus and Theocritus, in Apollonius’ epic Argonautica, in the iambic Alexandra, in late Hellenistic poetry and in Parthenius’ Erotika Pathemata. It offers a fascinating insight into the new conception of the tragic dilemmas in the context of Alexandrian aesthetics.
Tragik. --- Rezeption. --- Hellenismus. --- Griechisch. --- Tragödie. --- Versdichtung. --- Greek poetry, Hellenistic --- Greek poetry, Hellenistic. --- Tragödie. --- History and criticism. --- Alexandrian aesthetics. --- Hellenistic poetry. --- tragedy. --- tragic.
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New essays on Burns' special place in Scottish, English and Irish literary cultureGBS_insertPreviewButtonPopup(['ISBN:9780748664887','ISBN:9780748643585','ISBN:9780748643578']);In this volume, 17 leading Burns scholars, poetry critics and practising poets reflect on the enduring significance of one of the most important poets of the 18th century. They show that Burns was a highly innovative and technically accomplished poet, as capable of transforming earlier traditions as of launching new literary trends.Looks at Burns’ place amongst his literary predecessors, contemporaries and heirs, including:Scottish poets such as Ramsay, Fergusson, Byron, Hogg, MacDiarmid, Paterson, Dunn & Mackay BrownEnglish poets such as Milton, Addison, Gray & WordsworthClassical writers such as VirgilIrish poets such as Merriman, Goldsmith, Dermody & HeaneyBy looking at Burns in the context of other poets, each chapter sheds new lighton his own practices and the practice of poetry in general. They investigate the political, national, philosophical and ethical aspects of his poetry, showing how you can deepen your close readings with historical awareness.Key Features:Contributors include leading poet-critics such as award-winning Burns author Robert Crawford & Douglas Dunn, and experts in poetry criticism such as Stephen Gill & Patrick CrottyIncludes two exclusive new poems written for the volume by Bernard O'Donoghue and Andrew McNeillieCreative-critical discussions will generate new dialogues in Romanticism, Archipelagic Studies and Scottish, English & Irish literary studies"
English poetry --- Scottish authors --- History and criticism. --- Burns, Robert, --- Criticism and interpretation. --- Influence. --- Berns, Robert, --- Бернс, Роберт, --- Literaturbeziehungen. --- Schottisch. --- Zeitgenossen. --- Geschichte 1790-2000. --- Irland. --- Schottland. --- Lyrik. --- Rezeption. --- England.
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