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Criminal Moves: Modes of Mobility in Crime Fiction offers a major intervention into contemporary theoretical debates about crime fiction. It seeks to overturn the following preconceptions: that the genre does not warrant critical analysis, that genre norms and conventions matter more than textual individuality, and that comparative perspectives are secondary to the study of the British-American canon. Criminal Moves' challenges the distinction between literary and popular fiction and proposes that crime fiction be seen as constantly violating its own boundaries. Centred on three axes of mobility, the essays ask how can we imagine a mobile reading practice that realizes the genre's full textual complexity, without being limited by the authoritative self-interpretations provided by crime narratives; how we can overcome restrictive notions of 'genre', 'formula' or 'popular'; and how we can establish transnational perspectives that challenge the centrality of the British-American tradition and recognize that the global history of crime fiction is characterized, not by the existence of parallel national traditions, but rather by processes of appropriation and transculturation. Criminal Moves presents a comprehensive reinterpretation of the history of the genre that also has profound ramifications for how we read individual crime fiction texts.

Detective and mystery stories --- History and criticism. --- world literature --- crime fiction --- genre --- mobility --- popular fiction

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In the 1880s and 1890s, Walter Besant was one of Britain's most lionized living novelists. Today he is comparatively unknown. Bringing together literary critics and book historians, as well as social and cultural historians, this volume provides a major reassessment of Besant.

English fiction --- History and criticism. --- Besant, Walter, --- Criticism and interpretation. --- Authorship. --- 1800-1899 --- popular fiction --- social reform --- philanthropy --- Victorian literature --- copyright --- poverty

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Finance Fictions takes the measure of what it means to live in a world ruled by high finance by examining the tension between psychosis and realism that plays out in the contemporary finance novel. When the things traded at the center of the economy cease to be things at all, but highly abstracted speculations, how do we come to see the real? What sorts of narrative can accurately approach the actual workings of a neoliberal economy marked by accelerating cycles of market crashes, economic and political crisis, and austerity? Revisiting such twentieth-century classics of the genre as Tom Wolfe's Bonfire of the Vanities and Bret Easton Ellis’s American Psycho, De Boever argues that the twenty-first century is witnessing the birth of a new kind of realistic novel that can make sense of complex financial instruments like collateralized debt obligations, credit default swaps, and digital algorithms operating at speeds faster than what human beings or computers can record. If in 1989 Wolfe could still urge novelists to work harder to “tame the billion-footed beast of reality,” today’s economic reality confronts us with a difference that is qualitative rather than quantitative: a new financial ontology requiring new modes of thinking and writing. Mobilizing the philosophical thought of Quentin Meillassoux in the close reading of finance novels by Robert Harris, Michel Houellebecq, Ben Lerner and less well-known works of conceptual writing such as Mathew Timmons’ Credit, Finance Fictions argues that realism is in for a speculative update if it wants to take on the contemporary economy—an “if” whose implications turn out to be deeply political. Part literary study and part philosophical inquiry, Finance Fictions seeks to contribute to a new mindset for creative and critical work on finance in the twenty-first century.

Money in literature --- Finance in literature --- Financial crises in literature --- American fiction --- History and criticism --- American fiction. --- Finance in literature. --- Financial crises in literature. --- Money in literature. --- 1900-1999. --- History and criticism. --- Biopolitics. --- Finance Novels. --- Finance. --- Marxism. --- Neoliberalism. --- Popular fiction. --- Psychosis. --- Realism. --- Speculative Realism. --- Wall Street.

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This elegant history considers a fascinating array of texts, cultural practices, and intellectual processes-including maps and mapmaking, poetry, travel writing, popular fiction, and encyclopedias-to chart the emergence of a new geographical consciousness in early modern Japan. Marcia Yonemoto's wide-ranging history of ideas traces changing conceptions and representations of space by looking at the roles played by writers, artists, commercial publishers, and the Shogunal government in helping to fashion a new awareness of space and place in this period. Her impressively researched study shows how spatial and geographical knowledge confined to elites in early Japan became more generalized, flexible, and widespread in the Tokugawa period. In the broadest sense, her book grasps the elusive processes through which people came to name, to know, and to interpret their worlds in narrative and visual forms.

Ethnopsychology --- National characteristics, Japanese. --- Cross-cultural psychology --- Ethnic groups --- Ethnic psychology --- Folk-psychology --- Indigenous peoples --- National psychology --- Psychological anthropology --- Psychology, Cross-cultural --- Psychology, Ethnic --- Psychology, National --- Psychology, Racial --- Race psychology --- Psychology --- National characteristics --- Japanese national characteristics --- Japan --- Civilization --- Japan - Civilization - 1600-1868. --- cartography. --- commercial publishers. --- early modern japan. --- east asia. --- encyclopedia. --- geographical knowledge. --- geography. --- gesaku. --- government power. --- japan. --- japanese history. --- japanese studies. --- mapmaking. --- maps. --- modern japan. --- national identity. --- nonfiction. --- poetry. --- popular culture. --- popular fiction. --- power of maps. --- realm. --- representation of space. --- samurai. --- satire comics. --- satire. --- sense of space. --- shogunal. --- shogunate. --- social commentary. --- space and place. --- space theory. --- tokugawa edo period. --- tokugawa. --- travel writing. --- travel. --- travelogue.