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Art styles --- anno 1910-1919 --- Europe --- Dadaism --- Art, Modern --- Exhibitions --- kunst --- twintigste eeuw --- dadaïsme --- Berlijn --- Barcelona --- Antwerpen --- Brussel --- Bukarest --- Genève --- Hannover --- Den Haag --- Leiden --- Firenze --- Mantua --- Rome --- Triëste --- Okayama --- Tokyo --- Keulen --- Santiago de Chile --- Buenos Aires --- Ljubljana --- Madrid --- München --- New York --- Parijs --- Zakopane --- Krakau --- Warschau --- Praag --- Tiflis --- Rostov aan de Don --- Tarrenz --- Imst --- Reutte --- Weimar --- Wenen --- Zagreb --- Zürich --- 7.037 --- -Dadaism --- -Dada --- Tabu-Dadaism --- Arts, Modern --- Modern art --- -Exhibitions --- Dadaism - Exhibitions --- Art, Modern - 20th century - Exhibitions --- dadaïsme. --- 20ste eeuw.

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Coinciding with the new edition of the bestseller Designing Design, Kenya Hara's latest book, Ex-formation, searches for the beginning of design in the unknown. For Kenya Hara, design begins with comprehension of the unknown. In contrast to "information," "exformation" describes how little we really know and thus becomes the starting point for any type of design. Based on a range of projects the book describes what "exformation" can look like in design practice and how this concept alters our classic understanding of information design. Following the path embarked on in Designing Design (2007) and its successor, White (2010), Ex-formation continues to explore the void, absence, and indeterminacy in contemporary design.

Art --- design [discipline] --- designs [artistic concepts] --- artifacts [object genre] --- Japanese [culture or style] --- onderzoek in de kunsten --- grafische vormgeving --- reclame --- Hara Kenya --- design --- productdesign --- productontwikkeling --- designtheorie --- grafisch design --- grafisch ontwerp --- 766.01 --- 766.071 HARA --- 745.01 --- 745.071 HARA --- 749.01 --- 766.07 --- udc --- Industrieel en grafisch design ; 21ste eeuw ; K. HARA --- Communicatietechnieken --- Hara, Kenya °1958 (°Okayama, Japan) --- Communicatiedesign --- Communication Design --- Product Design --- Vormanalyse --- Productontwikkeling --- Meubelkunst en design ; theorie, filosofie, esthetica --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- Gebruiksgrafiek ; theorie, filosofie, esthetica

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‘GA Houses’ documents outstanding new residential architecture from all over the world. With projects by Aires Mateus + Miguel Passos de Almeida, Tom Wiscombe, Tomohiro Hata, Wespi de Meuron Romeo Architects, Akinori Yoshimura, Gregorius Supie Yolodie + Maria Rosantina, Antony Liu + Studio TonTon, Shigeru Fuse, and Hiroyuki Unemori.

728 --- 728.037 --- 72.037 --- Japan --- 72.039 --- architectuur 21e eeuw --- gebouwen --- Suzuko Yamada --- Matin, Andra --- Tanijiri, Makoto + Ai Yoshida / Suppose Design Office --- Kerez, Christian °1962 (°Maracaibo, Venezuela) --- Yo Shimada --- Mendes Ribeiro, João °1960 (°Coimbra, Portugal) --- 728.3 --- Woonhuizen (architectuur) --- Woningen (architectuur) --- Huizen (architectuur) --- 21ste eeuw (woningbouw) --- 21ste eeuw (architectuur) --- architectuur in de 21e eeuw --- Woningbouw ; eengezinshuizen --- Yoshimura, Akinori --- Hata, Tomohiro --- Studio Tonton --- Fuse, Shigeru --- Unemori, Hiroyuki °1979 (°Okayama, Japan) --- Wespi de Meuron Romeo Architects --- Wiscombe, Tom °1970 (°San Diego, Verenigde Staten) --- Aires Mateus, Francisco en Manuel

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"A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"-- "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--

Modernism (Art) --- Painting, American --- Art criticism --- Art and race. --- Race and art --- Ethnopsychology --- Painting, Modern --- Washington Color School (Group of artists) --- History --- Johnson, Malvin Gray, --- Kuniyoshi, Yasuo, --- Weber, Max, --- וועבער, מאקס, --- 国吉康雄, --- 國吉康雄, --- Johnson, Gray, --- Criticism and interpretation. --- Art and race --- 75.037(7/8) --- Johnson, Malvin Gray 1896-1934 (° Greensboro, North Carolina, Verenigde Staten) --- Kuniyoshi, Yasuo 1889-1953 (°Okayama, Japan) --- Kunst en ras ; etno-raciale aspecten --- Niet-Westerse kunst --- Racial Art --- Schilderkunst ; New York ; 1ste h. 20ste eeuw --- Weber, Max 1881-1961 (°Belostok, Rusland, huidige Bialystok, Polen) --- Schilderkunst ; 1900 - 1950 ; Amerika --- Critique d'art --- Peinture americaine --- Modernisme (art) --- Art et race. --- Modernisme (Art) --- Histoire --- Critique et interpretation. --- Johnson, Malvin Gray --- Criticism and interpretation --- Kuniyoshi, Yasuo --- Weber, Max --- United States --- Painting [American ] --- 20th century --- Geschichte 1920-1940. --- Art moderniste --- Modernité (art) --- Avant-garde --- Modernisme --- Art --- Peintres américains --- Peinture --- Aquarelle américaine --- Art américain --- Critique artistique --- Critique picturale --- Art et littérature --- Critiques d'art --- Journaux --- Critique photographique --- Critique architecturale --- Chefs-d'oeuvre (art) --- Critique d'art féministe --- Critique --- Vie artistique --- esthétique --- Appréciation --- Cahiers, Chroniques, etc. -- Arts --- Chroniques artistiques --- Critique et interprétation