Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This is a book about video art, and about sound art. The thesis is that sound first entered the gallery via the video art of the 1960s and in so doing, created an unexpected noise. The early part of the book looks at this formative period and the key figures within it - then jumps to the mid-1990s, when video art has become such a major part of contemporary art production, it no longer seems an autonomous form. Paul Hegarty considers the work of a range of artists (including Steve McQueen, Christian Marclay, Ryan Trecartin, and Jane and Louise Wilson), proposing different theories according to the particular strategy of the artist under discussion. Connecting them all are the twinned ideas of intermedia and synaesthesia. Hegarty offers close readings of video works, as influenced by their sound, while also considering the institutional and material contexts. Applying contemporary sound theory to the world of video art, Paul Hegarty offers an entirely fresh perspective on the interactions between sound, sound art, and the visual.

Art vidéo. --- Musique expérimentale. --- Video art. --- Printing --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- History. --- Sound in art. --- Theatre studies --- Music --- Theatrical science --- geluidsanalyse --- beeldanalyse --- video-opnamen --- geluiden --- Time-based art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Noise/Music" looks at the phenomenon of noise in music, from experimental music at the early 20th century to the Japanese noise, music and glitch electronica of today. ... While it provides an excellent historical overview, the book's main conern is in the noise/music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz or the purer noise of Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie and Pauline Oliveros through to bands like Trobbing Gristle and the Boredoms. The author also examines the concept of noise from a philosophical perspective. Underpinned throughout by the ideas of Adorno, Deleuze and others, the author's writing is sharp and erudite. -- Summarized from back cover.

noise --- Satie Erik --- Oliveros Pauline --- industriële muziek --- punk --- Throbbing Gristle --- Merzbow --- sound art --- free jazz --- Noise music --- 78 --- Cage John --- eenentwintigste eeuw --- Fluxus --- geluid --- kunst --- kunstfilosofie --- muziek --- twintigste eeuw --- 781.1 --- Geluid ; geluiden ; klanken --- Kunst en muziek ; 20ste eeuw ; klankkunst ; geluidskunst --- Rock music --- History and criticism --- Geluidskunst --- Sound Art --- Avant-garde muziek ; 20ste eeuw --- departement PHL Music 09 --- muziekgeschiedenis --- rockmuziek --- noise music --- Musique --- Musique contemporaine --- Musique electronique --- Musique expérimentale --- Histoire de la musique --- Son --- Music --- Musique électronique