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German literature --- Musicians in literature. --- History and criticism.
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How have American writers written about jazz, and how has jazz influenced American literature? In Fascinating Rhythm, David Yaffe explores the relationship and interplay between jazz and literature, looking at jazz musicians and the themes literature has garnered from them by appropriating the style, tones, and innovations of jazz, and demonstrating that the poetics of jazz has both been assimilated into, and deeply affected, the development of twentieth-century American literature. Yaffe explores how Jewish novelists such as Norman Mailer, J. D. Salinger, and Philip Roth engaged issues of racial, ethnic, and American authenticity by way of jazz; how Ralph Ellison's descriptions of Louis Armstrong led to a "neoconservative" movement in contemporary jazz; how poets such as Wallace Stevens, Hart Crane, Langston Hughes, and Frank O'Hara were variously inspired by the music; and how memoirs by Billie Holiday, Charles Mingus, and Miles Davis both reinforced and redeemed the red light origins of jazz. The book confronts the current jazz discourse and shows how poets and novelists can be placed in it--often with problematic results. Fascinating Rhythm stops to listen for the music, demonstrating how jazz continues to speak for the American writer.
African American musicians in literature. --- American literature --- Jazz in literature. --- Jazz musicians in literature. --- Jazz musicians --- Music and literature --- History and criticism. --- Biography --- History --- Ellison, Ralph --- Knowledge --- Jazz. --- Afro-American musicians in literature --- אליסון, ראלף --- Musicians --- History and criticism
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Un double intérêt pour les rapports musique/littérature et pour le concept de Bildung a déterminé la comparaison, dans le cadre de cet ouvrage, de dix romans de formation de langues française et allemande qui se répartissent symétriquement du milieu du XIXème siècle à nos jours: "Der arme Spielmann" de Franz Grillparzer et "Consuelo" de George Sand; "Gertrud" de Hermann Hesse et "Jean-Christophe" de Romain Rolland; "Doktor Faustus" de Thomas Mann et "La Pêche miraculeuse" de Guy de Pourtalès; "Der Untergeher" de Thomas Bernhard, "Porporino" de Dominique Fernandez, "Die Klavierspielerin" de Elfriede Jelinek et "Tous les matins du monde" de Pascal Quignard. Cette étude de synthèse tend à dégager, au regard d'oeuvres qui présentent une réelle densité 'musico-littéraire', l'évolution et la spécificité du 'roman de la formation musicale', catégorie littéraire qui est définie par référence aux notions allemandes de Bildungsroman et de Künstlerroman. La culture musicale de romanciers - dont la formation en ce domaine a servi pour certains de propédeutique à l'écriture - est en effet l'objet d'une transposition littéraire qui confronte le lecteur à la problématique fondamentale des rapports de la musique et du langage. La revendication du statut d''écrivain-musicien', à laquelle s'ajoute l'intertextualité particulière que crée dans ces romans le jeu des références et des citations musicales, invitent à réfléchir notamment au rapprochement analogique des structures musicales et des structures littéraires.
Bildungsromans --- Musicians in literature. --- Musical fiction --- German fiction --- French fiction --- Bildungsroman --- History and criticism.
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Examining American realist fiction as it was informed and shaped by the music of the period, Sounding Real sheds new light on the profound musical and cultural change at the turn of the twentieth century. Sounding Real by Cristina L. Ruotolo examines landmark changes in American musical standards and tastes in the late-nineteenth and early-twentieth centuries and the way they are reflected in American literature of the period. Whereas other interdisciplinary approaches to music and literature often focus on more recent popular music and black music tha
Musicians in literature. --- Music in literature. --- Music and literature --- American fiction --- Literature and music --- Literature --- History --- History and criticism.
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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
American fiction --- Jazz in literature. --- Music and literature --- Musical fiction --- African American musicians in literature. --- Jazz musicians in literature. --- Music in literature. --- Race in literature. --- Afro-American musicians in literature --- History and criticism. --- African American authors --- History --- Music and literature. --- Musical fiction. --- American fiction. --- African American authors.
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In twentieth-century African American fiction, music has been elevated to the level of religion primarily because of its power as a medium of freedom. This collection explores literary invocations of music.
American fiction --- African Americans --- Music and literature --- Musical fiction --- African American musicians in literature. --- African Americans in literature. --- Music in literature. --- Afro-Americans in literature --- Negroes in literature --- Afro-American musicians in literature --- African American authors --- History and criticism. --- Intellectual life --- History --- Music --- Fiction --- Thematology --- American literature --- anno 1900-1999
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