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Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime unrivalled by any of his contemporaries. This eleven volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts are offered in the most complete versions ever made available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensiv...
Operas --- Opera --- Meyerbeer, Giacomo,
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Operas --- Music --- Religious aspects --- Christianity. --- Meyerbeer, Giacomo,
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Giacomo Meyerbeer (1791-1864) was the most successful composer of grand operas in nineteenth-century Paris. whose music continued to be frequently performed worldwide until the twentieth. Today, recent scholars acknowledge his stature but his operas have become stage rarities. There is normally a gap is on shelves in libraries and bookshops between Mendelssohn and Mozart (Messaien and Monteverdi for the better resourced). There is no biography or broad evaluation of Meyerbeer in print in Engl...
Composers --- Meyerbeer, Giacomo, --- Beer, Jakob Liebmann Meyer --- Criticism and interpretation. --- Compositeurs --- Biographies --- Meyerbeer, Giacomo
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Le Prophète is the second panel of Meyerbeer's Reformation diptych, his darkest and most mysterious opera. It explores issues of power and religion, fanaticism and faith, betrayal and trust, the demonic forces of history and the witness of little people caught up in them-the ultimate and enduring sacrificial power of love. In some ways it is almost like a political pamphlet or religious tract, and its oppressive but fascinating world can cast a compulsive spell. The plot is based on the revo...
Operas --- Music --- Meyerbeer, Giacomo, --- Beer, Jakob Liebmann Meyer
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Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime unrivalled by any of his contemporaries. This eleven volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts are offered in the most complete versions ever made available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensiv...
Operas --- Opera --- Meyerbeer, Giacomo, --- Beer, Jakob Liebmann Meyer
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Giacomo Meyerbeer remains an enigma. Until the First World War he was one of the most famous of all composers. this Reader hopes to reflect something of the immense fame, prestige and love in which this composer was once held, the voices of doubt and dismissal that began to be heard even in his lifetime, and the enduring witness to his fame and worth evinced by those who have continued to believe in him in the face of the encroaching collective disparagement. Since the centenary of his deat...
Meyerbeer, Giacomo, --- Beer, Jakob Liebmann Meyer --- Composers --- Compositeurs --- Biographies --- Criticism and interpretation. --- Compositores
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This second volume of Meyerbeer's non-operatic work is devoted to his secular choral writing for male voices, solo songs with chorus, and later songs with instrumental obbligato and local colour. Choral writing-so much part of the operatic tradition, also germane to religious music, and integral to the public music of celebration-is fundamental to the next genre Meyerbeer wrote for, the part-song, a typical German tradition. Meyerbeer's part-songs for male chorus, most of which were provided...
Vocal music --- Music --- History and criticism. --- Meyerbeer, Giacomo, --- Beer, Jakob Liebmann Meyer
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This huge exploration of faith, tolerance, hatred, extermination, love, loyalty, self-sacrifice and hope in despair, is the first panel of a central diptych on the Reformation, and the heart of the wider tetralogy of Meyerbeer's grand operas, where issues of power, religion and love are examined in a variety of modes. For five years after the sensational première of Robert le Diable, Meyerbeer was thought to be resting on his laurels. Instead, he was drudging over a gigantic drama, partly ada...
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