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Decorative arts --- History --- Memphis (Group)
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"On May 1, 1866, a minor exchange between (white) Memphis city police and a group of (all black) Union soldiers quickly escalated into "murder and mayhem." A mob of white men roamed through south Memphis, leaving a trail of blood, rubble, and terror in their wake. By May 3, at least forty-six African American men, women, and children and two white men lay dead. Other Memphians, mostly black but a few whites closely associated with the city's growing population of black migrants, lost their homes. Many were brutally assaulted. An unknown number of terrified blacks were driven out of the city. Every African American church and schoolhouse lay in ruins, homes and businesses burglarized and burned, and at least five women had been raped. As a federal military commander noted in the days following, "What [was] called the 'riot,'" was "in reality [a] massacre" of extended proportions. Remembering the Memphis Massacre is a collection of essays that will teach non-specialists about a history that has been hidden from all but academics for most of the past century and a half, thereby placing the Memphis Massacre in its wider historical context"--
Memphis Race Riot, Memphis, Tenn., 1866. --- Race riots --- African Americans --- History --- Violence against --- Memphis (Tenn.) --- Race relations
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Decoration and ornament --- Decorative arts --- Memphis (Group)
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""King Ramesses II ruled Egypt for an extraordinary sixty-six years (1279-1213 BC) during the Nineteenth Dynasty. A great warrior and lavish builder, he fathered dozens of children and is widely regarded as the most celebrated and powerful pharaoh of the New Kingdom. This wonderfully clear, engaging book recounts the dramatic history of the famed red granite colossal statue of Ramesses II now residing in Egypt's Grand Egyptian Museum. One of the biggest statues ever made and part of the urban landscape of modern Cairo, the statue lent its name to Ramses Square and the city's mainline train station, and was so much a symbol of Cairo that it featured in countless Egyptian films. Susanna Thomas recounts the full history of the statue's creation and installation in the Great Temple of Ptah at Memphis during the reign of Ramesses II, its reuse by Ramesses IV, and the later history of the statue during the Greco-Roman and Islamic Periods. The book also provides an overview of how statues were made in ancient Egypt and includes a brief discussion of the statue cults of Ramesses II, kingship, temples, and the expansion of the New Kingdom capital city of Memphis and its temples. The final section covers the history of the statue since its rediscovery and subsequent rescue in the mid-nineteenth century until its installation in the entrance hall of the Grand Egyptian Museum in Giza. Written by a New Kingdom specialist and curatorial expert and illustrated with over 150 images, Ramesses, Beloved by Ptah tells the fascinating story of this magnificent statue within the wider context of statue cults and the reign of Ramesses II, and its subsequent rescue and restoration in modern times.""--
Ramses --- Statues --- Memphis (Extinct city) --- Antiquities.
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Memphis (Group) --- Influence --- Design --- Avant-garde (Aesthetics) --- History
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Design --- 745.036 --- design --- huisraad --- interieurvormgeving --- meubels --- Richard Horn --- textielpatronen --- twintigste eeuw --- History --- Memphis (Group) --- Memphis Milano (Group) --- Applied arts. Arts and crafts
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Throughout the South, the Civil Rights Movement inched along over a period of years, making segregated facilities and discriminatory practices the focus of attention and conflict. In this book, Haynes brings to life a dramatic, yet little studied tactic adopted by protesters in the struggle.
Segregation --- Black people --- Religious aspects --- Christianity --- History --- Memphis (Tenn.) --- Southern States --- United States --- Church history --- Blacks
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Memphis Boys chronicles the story of the rhythm section at Chips Moman's American studios from 1964, when the group began working together, until 1972, when Moman shut down the studio and moved the entire operation to Atlanta. Using extensive interviews with Moman and the group, as well as additional comments from the songwriters, sound engineers, and office staff, author Roben Jones creates a collective biography combined with a business history and a critical analysis of important recordings. She reveals how the personalities of the core group meshed, how they regarded newcomers, and how the
Musicians --- Sound engineers --- Sound recording industry --- History. --- Moman, Chips. --- Memphis Boys (Musical group) --- American Sound Studios.
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In his final speech ""I've Been to the Mountaintop,"" Martin Luther King Jr. delivered his support of African American garbage workers on strike in Memphis. Although some consider this oration King's finest, it is mainly known for its concluding two minutes, wherein King compares himself to Moses and seems to predict his own assassination. But King gave an hour-long speech, and the concluding segment can only be understood in relation to the whole. King scholars generally focus on his theology, not his relation to the Bible or the circumstance of a Baptist speaking in a Pentecostal setting. Ev
Sanitation Workers Strike, Memphis, Tenn., 1968. --- King, Martin Luther, --- Oratory. --- Knowledge --- Bible.
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7.011 --- Memphis : opgericht door E. Sottsass in 1981 --- Industrieel design ; meubels ; 1981-1983 ; Memphis --- 749.07 --- (069) --- 7.011 Esthetica: ontwerp; compositie --- Esthetica: ontwerp; compositie --- Meubelontwerpers ; designers ; interieurarchitecten --- (Musea. Collecties) --- Exhibitions --- Product strategy --- industrial design --- Sottsass, Ettore
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