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German-American women played many roles in the US women's rights movement from 1848 to 1890. This book focuses on three figures-Mathilde Wendt, Mathilde Franziska Anneke, and Clara Neymann-who were simultaneously included and excluded from the nativist women's rights movement. Accordingly, their roles and arguments differed from those of their American colleagues, such as Susan B. Anthony, Elizabeth Cady Stanton, or Lucy Stone. Moreover, German-American feminists were confronted with the opposition to the women's rights movement in their ethnic community of German-Americans. As outsiders in th

German American women --- Women immigrants --- Women political activists --- Women's rights --- Nativism --- Anti-Catholicism --- Catholics --- Immigrant women --- Immigrants --- Women, German American --- Women --- Political activity --- History --- Wendt, Mathilde. --- Anneke, Mathilde Franziska Giesler, --- Neymann, Clara, --- Giesler, Mathilde Franziska, --- Giessler, Mathilde Franziska, --- Giessler-von Tabouillot, Mathilde, --- Tabouillot, Mathilde von, --- Neymann, Mathilde

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A Sea of Love presents 95 letters exchanged between Hamburg and Antebellum USA by the famous Berlin born scholar, encyclopedist, and knowledge broker Francis Lieber (1798-1872) and his wife, Hamburg born Mathilde in 1839-1845. Their letters offer rare insights in the privacy of marriage and family life, self perceptions, notions of surroundings, as well as mental settings of the spouses. Beyond genuine individual phenomena of their Atlantic emotions their epistles show ways and methods of international communication and networking. Their writings reflect general notions and ideas shared by well-educated citizens of an Atlantic Republic of Letters connected by culture, interests, and emotions.

Marriage. --- Man-woman relationships. --- Families. --- Long-distance relationships. --- Lieber, Francis, --- Lieber, Mathilde,

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Bayeux tapestry. --- Tapisserie de Bayeux --- Tapisserie de la Reine Mathilde --- Applied arts. Arts and crafts --- History of France --- rugmaking --- decorative arts [discipline] --- tapestry [process] --- tapestries --- anno 500-1499 --- Bayeux --- Normandy (France) --- History

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Gestalterinnen hatten einen entscheidenden Anteil an der Entwicklung der Moderne im Wien der Zwischenkriegszeit. Die Publikation präsentiert neue Forschungen zu Designerinnen, Keramikerinnen, Modeschöpferinnen, Grafikerinnen, Gartenarchitektinnen, Fotografinnen, Kunsthistorikerinnen und Mäzeninnen. An ihrem Beispiel wird gezeigt, wie angestammte Rollenbilder in der Zwischenkriegszeit aufgebrochen wurden und welch eminente Bedeutung diese Frauen für die Wiener Moderne hatten. Sie setzten sich mit bestehenden Vorurteilen auseinander und schufen neue visuelle Sprachen, um erfolgreich Karriere zu machen. Gleichzeitig trugen sie zu einem kritischen Diskurs über die Emanzipation der Frau bei. Zu den Gestalterinnen der Wiener Moderne gehörten u.a. Emilie Flöge, Mathilde Flögl, Jacqueline Groag, Fanny Harlfinger-Zakucka, Yella Hertzka, Else Hofmann, Hilda Jesser, Maria Likarz, Madame d'Ora, Pauline Metternich-Sándor, Bertha Pappenheim, Marie Reidemeister-Neurath, Lisl Weil, Vally Wieselthier, Helene Wolf und Berta Zuckerkandl Gestalterinnen played a decisive role in the development of modernism in Vienna. This publication presents new research on women designers, ceramicists, fashion designers, graphic artists, garden architects, photographers, art historians and patrons. The contributions illuminate the eminent importance of these women for Viennese modernism and show how traditional role models were challenged during the interwar period. The Gestalterinnen confronted existing prejudices and created new visual languages in order to forge successful careers. At the same time, they contributed to critical discourse on the emancipation of women. The Gestalterinnen of Viennese modernism included among others: Emilie Flöge, Mathilde Flögl, Jacqueline Groag, Fanny HarlfingerZakucka, Yella Hertzka, Else Hofmann, Hilda Jesser, Maria Likarz, Madame d’Ora, Pauline Metternich-Sándor, Bertha Pappenheim, Marie ReidemeisterNeurath, Lisl Weil, Vally Wieselthier and Helene Wolf Introduction and two chapters in English

ART / History / Modern (late 19th Century to 1945). --- 20th century. --- Berta Zuckerkandl. --- Bertha Pappenheim. --- Else Hofmann. --- Emilie Flöge. --- Fanny Harlfinger-Zakucka. --- Helene Wolf. --- Hilda Jesser. --- Jacqueline Groag. --- Lisl Weil. --- MAK Vienna. --- Madame d'Ora. --- Maria Likarz. --- Marie Reidemeister-Neurath. --- Mathilde Flögl. --- Pauline Metternich-Sándor. --- Vally Wieselthier. --- Viennese Modernism. --- art. --- design. --- persecution of Jews. --- women artists.

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No composer was more responsible for changes in the landscape of twentieth-century music than Arnold Schoenberg (1874-1951) and no other composer's music inspired a commensurate quantity and quality of technical description in the second half of the twentieth century. Yet there is still little understanding of the correlations between Schoenberg's musical thought and larger questions of cultural significance in and since his time: the formalistic descriptions of music theory do not generally engage larger questions in the history of ideas and scholars without understanding of the formidable musical technique are ill-equipped to understand the music with any profundity of thought. Schoenberg's Musical Imagination is intended to connect Schoenberg's music and critical writings to a larger world of ideas. While most technical studies of Schoenberg's music are limited to a single compositional period, this book traces changes in his attitudes as a composer and their impact on his ever-changing compositional style over the course of his remarkable career.

Schoenberg, Arnold, --- Shenberg, Arnolʹd, --- Schönberg, Arnold, --- Schenberg, A. --- Shenberg, A. --- שנברג, ארנולד --- Criticism and interpretation. --- Composers --- Music --- Compositeurs --- Musique --- History and criticism --- Histoire et critique --- BIOGRAPHY & AUTOBIOGRAPHY --- MUSIC --- Composers & Musicians. --- Individual Composer & Musician. --- Schönberg, Arnold --- Schönberg, Arnold. --- Schönberg, A. --- Schönberg --- Schoenberg --- Šënberg, Arnolʹd --- Šenberg, Arnol'd --- Shenberg, Arnolʹd --- Schönberg, Arnold Franz Walter --- Schoenberg, Arnold --- Komponist --- Maler --- Dirigent --- Musiklehrer --- Künstler --- Lehrbeauftragter am Stern'schen Konservatorium --- Berlin --- Wien --- Los Angeles, Calif. --- USA --- <> Blaue Reiter --- Schönberg, Samuel --- Schönberg, Mathilde --- Schönberg, Gertrud --- Nono, Nuria Schoenberg --- Schoenberg, Randol --- Berg, Alban --- Webern, Anton --- Gronostay, Walter --- Schacht, Peter --- Engel, Carl --- Zemlinsky, Alexander <> --- 13.09.1874-13.07.1951 --- 1874-1951