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"The exhibition was the largest presentation of Len Lye’s work in his homeland New Zealand. Len Lye: All Souls Carnival took its name from Lye’s 1957 film of the same name. Arguably Lye’s most kaleidoscopic and ambitious cinematic experiment, the film was originally presented at New York’s Carnegie Hall along with a live orchestral piece by American composer Henry Brant. Lye biographer and film scholar Roger Horrocks restored the film with the assistance of the New Zealand Film Archive and the Museum of Modern Art (MoMA), New York, which holds the original hand-painted material. A dazzling, choreographed mix of sound, light and movement, the exhibition included many of Lye’s most well known works as well as several not seen in decades."--Publisher description.
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Lye, Len --- 791.471 LYE --- abstracte film --- abstractie --- animatie --- experimentele film --- film --- kunst --- Lye Len --- Lye, Len, --- Criticism and interpretation.
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"This book provides a timely analysis of the relationship between jazz and recording and broadcast technologies in the early twentieth century. Jazz histories have traditionally privileged qualities such as authenticity, naturalness and spontaneity, but to do so overlooks jazz's status as a modernist, mechanised art form that evolved alongside the moving image and visual cultures. Jazz as Visual Language shows that the moving image is crucial to our understanding of what the materiality of jazz really is. Focusing on Len Lye's direct animation, Gjon Mili's experimental footage of musicians performing and the BBC's Jazz 625 series, this book places emphasis on film and television that conveys the 'sound of surprise' through formal innovation, rather than narrative structure. Nicolas Pillai seeks to refine a critical vocabulary of jazz and visual culture whilst arguing that jazz was never just a new sound; it was also a new way of seeing the world."--
Jazz in motion pictures. --- Jazz on television. --- Lye, Len, --- Mili, Gjon, --- Criticism and interpretation. --- Television --- Motion pictures --- Jazz au cinéma
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Film --- United States --- film --- experimentele film --- Verenigde Staten --- Deren Maya --- Hammid Alexander --- Peterson Sidney --- Broughton James --- Anger Kenneth --- Markopoulos Gregory --- Brakhage Stan --- animatie --- Menken Marie --- Smith Harry --- Belson Jordan --- Breer Robert --- Kubelka Peter --- Lye Len --- Maclaine Christopher --- Rice Ron --- Conner Bruce --- Nelson Robert --- Jacobs Ken --- Smith Kack --- Cornell Joseph --- Snow Michael --- Sharits Paul --- 791.43 --- Experimental films --- History and criticism --- United States of America
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Since the early 19th century and the invention of photography, artists have been experimenting with various methods for creating photographs without a camera. At once exhaustive and compelling, this book reveals the myriad approaches artists have used to create photographic images using just paper and a source of radiation. Simultaneously a chronological history and a thematic study, this book explores a range of practices, some of which have been in use for more than a century, while others are entirely contemporary. From placing objects on light-sensitive paper and drawing on blackened glass plates to radiography, photocopying, and digital scanning, this is an elemental kind of photography that repudiates the idea that technology advances in only one direction. By eliminating the camera, artists are able to focus on other ways of making photographic pictures. They allow the world to leave its own imprint, to speak for itself as itself. This volume includes 160 exquisitely reproduced works of this kind. In turns abstract and realist, haunting and intricate, they seem to capture the very essence of their subjects. Featuring artists from the 19th century to today, this book explores cameraless photography as an important and influential medium that deserves to be included at the forefront of today's conversations about contemporary art.
Photography, Artistic --- Sunprinting --- Contact printing --- History --- Photograms --- Photography, Abstract --- Sunprinting (Photography) --- 767.9 --- cameraloos fotograferen (camaraless photography) --- cyanotypie --- zilvergelatinedruk --- fotogrammen --- Contact prints --- Contact sheets --- Proof sheets --- Photography --- Heliography (Photography) --- Sun printing (Photography) --- fotografie, bijzondere technieken in de fotografie - overige bijzondere techieken --- Printing processes --- Exhibitions --- artistieke fotografie --- photographic prints --- picture-taking techniques --- Lye, Len --- Photography, Artistic - Exhibitions --- Sunprinting - History - Exhibitions --- Contact printing - History - Exhibitions --- Cameraless photography --- fotografiegeschiedenis
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Yann Beauvais --- film --- filmkritiek --- filmtheorie --- experimentele film --- rousset Martine --- Ostrovsky Vivian --- Lowder Rose --- Mekas Jonas --- Warhol Andy --- Sharits Paul --- Markopoulos Gregory --- Anger Kenneth --- Jacobs Ken --- Lye Len --- Moholy-Nagy Laszlo --- Montez Mario --- AIDS --- Genet Jean --- Oki Hiroyuki --- gay film --- homoseksualiteit --- musicals --- film noir --- kunstfilms --- 791.41 --- Experimental films --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism
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A new take on documentary film that brings into conversation a wide range of well-known filmmakers and visual artists.
Documentary mass media and the arts. --- Documentary films --- Arts and documentary mass media --- Arts --- History and criticism. --- film --- documentaire --- twintigste eeuw --- kunst --- fotografie --- schilderkunst --- architectuur --- animatie --- animatiefilm --- Lye Len --- Burckhardt Rudy --- Cornell Joseph --- van der Keuken Johan --- Klein William --- Godard Jean-Luc --- Pennebaker D.A --- Leacock Richard --- Teshigahara Hiroshi --- 791.41 --- Film, TV and radio. --- Documentary films. --- PERFORMING ARTS / Film / History & Criticism. --- The Arts --- Performing arts --- Films, cinema
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"This Reader provides a comprehensive resource guide to the films, filmmakers and social and cultural importance of the GPO Film Unit. In addition to original essays by leading film and cultural historians, the volume reprints rare archival material about the work of the Unit, as well as a GPO filmography and profiles of key figures"--
Film --- United Kingdom --- Documentary films --- 791.43 --- Cavalcanti Alberto --- documentaire film --- film --- filmmuziek --- General Post Office Film Unit --- GPO --- Grierson John --- Groot-Brittannië --- interbellum --- Jackson Pat --- Jennings Humphrey --- Lye Len --- McAllister Stewart --- McNaughton Richard --- oorlogsfilms --- Spice Evelyn --- sport --- UNESCO --- Watt Harry --- Wright Basil --- Documentaries, Motion picture --- Documentary videos --- Factual films --- Motion picture documentaries --- Moving-pictures, Documentary --- Documentary mass media --- Nonfiction films --- Actualities (Motion pictures) --- Social aspects --- History and criticism --- Great Britain. --- G.P.O. Film Unit --- History. --- Great Britain --- In motion pictures.
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Featuring 50 seminal short films by key animators from around the world, this book discusses the work of early pioneers such as Oskar Fischinger and Jan Svankmajer as well as contemporary animators such as Larry Cuba, Tim Hope and Run Wrake. All of the films included are independently produced personal work. Most of the featured directors make a living in commercial animation but, freed from the constraints of a client brief, they use their short films to experiment with new ideas and techniques, many of which subsequently find their way into commercial applications. Labors of love, these films can take years to complete - each second of the film may consist of up to 25 frames of animation. Grouped according to four main themes, all forms of animation are covered, including 2D, 3D, Claymation, stop frame and web/Flash animation. Each project is accompanied by a 500-word review including comments from the director. Details of software and method along with the internet address of the production company are given in the technical credits.(deuxième de couverture)
Animation 3d --- Film d'animation --- film --- filmgeschiedenis --- animatie --- computerkunst --- digitale kunst --- Lye Len --- Alexeieff Alexander --- Parker Claire --- Brakhage Stan --- Stehura John --- Engel Jules --- Emshwiller Ed --- Sims Karl --- Kawaguchi Yoichiro --- Russell Erica --- Paterson James --- Pitaru Amit --- Insertsilence --- Glabicki Paul --- Bute Mary Ellen --- geluid --- Fischinger Oskar --- VanDerBeek Stan --- experimentele film --- McLaren Norman --- Cuba Larry --- Kendle Dylan --- Satoshi Tomioka --- Hope Tim --- Brothers Quay --- Quay Brothers --- Rutterford Alexander --- Pleix --- Gauckler Geneviève --- Deslandes Jean-Pilippe --- Hoogerbrugge Han --- Chansay Jean-Luc --- Svankmajer Jan --- Griffin George --- Leaf Caroline --- Norstein Yuri --- Panushka Christine --- Back Frédéric --- Hilton Stuart --- Hunt Philip --- Driessen Paul --- Bush Paul --- Hodgson Jonathan --- Yilmaz Lev --- Hardstaff Johnny --- Smith Harry --- Khitruk Fedor --- Trnka Jiri --- Khrjanovsky Andrei --- Kinoshita Renzo --- Kinoshita Sayoko --- Shorina Nina --- Lasseter John --- Baker Mark --- Bordo --- Dovnikovic Borivoj --- Kenworthy Richard --- Dudok de Wit Michael --- Templeton Suzie --- Wrake Run --- 791.46 --- 799.91 --- animatiefilm --- kortfilms --- animatiefilm, geschiedenis --- Film --- animatiefilms
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