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1478 was the year in which Leonardo da Vinci, aged 26, obtained his first official commission and witnessed the Pazzi Conspiracy against the Medici family. In that year, he probably opened his independent workshop, leaving that of his master Andrea del Verrocchio, and, in its final months, he began to paint two paintings representing the Virgin Mary. One of these paintings is very likely the Benois Madonna at the State Hermitage, St. Petersburg; a work that marks a strong change in Leonardo's style and power of expression and his representation of light and human emotions.This book provides an in-depth analysis of Leonardo's growth as an artist in this year, detailing his training, his culture, his collaboration with Verrocchio, and his engagement in the artistic and cultural life of 1460s and 1470s Florence.
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Leonardo da Vinci 1452-1519 (° Toscane, Italië) --- Architectuur ; Renaissance ; Leonardo da Vinci --- Schilderkunst ; Italië ; Renaissance ; Leonardo da Vinci --- Leonardo da Vinci ; als universeel genie --- 75.07 --- Schilderkunst ; schilders --- Leonardo da Vinci --- #gsdbA --- 75 LEONARDO DA VINCI --- 75 LEONARDO DA VINCI Schilderkunst--LEONARDO DA VINCI --- Schilderkunst--LEONARDO DA VINCI
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Die Texte Leonardos zur Malerei gehören zu den wichtigsten und über die Jahrhunderte hinweg einflußreichsten Quellenschriften in der Geschichte der Kunst ...
Leonardo da Vinci --- CDL --- 75.071 LEONARDO
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Leonardo da Vinci --- Da Vinci, Leonardo --- Leonardo da Vinci 1452-1519 (° Anchiano, Vinci, Italië) LOKATIE 2 --- Schilderkunst ; tekenkunst ; 15de-16de eeuw ; Leonardo da Vinci --- Leonardo da Vinci ; als universeel genie --- Schilderkunst ; Italië ; Renaissance --- 75.07 --- Schilderkunst ; schilders --- da Vinci, Leonardo
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Studie over het bekende kunstwerk van Leonardo da Vinci (1452-1519) en zijn kunsthistorische en politieke achtergrond.
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Leonardo da Vinci --- Leonardo da Vinci 1451-1519 (°Anchiano, Vinci, It.) --- Schilderkunst ; Italië ; Renaissance ; Leonardo da Vinci --- Architectuur ; militaire --- 75.07 --- 741.07 --- Schilderkunst ; schilders --- Tekenkunst ; tekenkunstenaars A - Z --- Da Vinci, Leonardo 1451-1519 (°Anchiano, Vinci, Italië)
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The basis for our understanding of Leonardo’s theory of art was, for over 150 years, his Treatise on Painting , which was issued in 1651 in Italian and French. This present volume offers both the first scholarly edition of the Italian editio princeps as well as the first complete English translation of this seminal work. In addition, It provides a comprehensive study of the Italian first edition, documenting how each editorial campaign that lead to it produced a different understanding of the artist’s theory. What emerges is a rich cultural and textual history that foregrounds the transmission of artisanal knowledge from Leonardo’s workshop in the Duchy of Milan to Carlo Borromeo’s Milan, Cosimo I de’ Medici’s Florence, Urban VIII’s Rome, and Louis XIV’s Paris.
Painting --- Technique --- Leonardo --- art theory --- painting techniques --- Trattato della Pittura --- Leonardo da Vinci --- E-books --- Leonardo, --- kunstliteratuur --- Leonardo - da Vinci - 1452-1519 - Trattato della pittura --- Leonardo da Vinci, 1452-1519 - Trattato della pittura
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Painting --- Aesthetics of art --- Leonardo da Vinci ; inl. Robert Zwijnenberg ; vert. Wilfred Oranje --- kunst --- kunsttheorie --- esthetica --- kunstfilosofie --- da Vinci Leonardo --- schilderkunst --- renaissance --- 75.01 --- Leonardo da Vinci
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Drawing --- Manuscripts. Epigraphy. Paleography --- Leonardo da Vinci --- Leonardo, --- Exhibitions --- CDL --- 76.071 DA VINCI --- Da Vinci, Leonardo, --- Leonardo da Vinci, --- Léonard, --- Lieaonaduo, --- Lionardo, --- Liyūnārdū Dāvīnshī, --- Vinchi, Leonardo da, --- Vinci, Leonardo da, --- Леонардо да Винчи, --- Леонардо, --- לאונרדו, --- ליאונארדו, --- ליאונרדו דא וינצ׳י --- ליאורנרדו, --- Italian drawings --- Manuscripts --- 15th-16th centuries --- Leonardo da Vinci. --- Leonardo, - da Vinci, - 1452-1519 --- kind. --- iconografie.
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Illuminating Leonardo opens the new series Leonardo Studies with a tribute to Professor Carlo Pedretti, the most important Leonardo scholar of our time, with a wide-ranging overview of current Leonardo scholarship from the most renowned Leonardo scholars and young researchers. Though no single book could provide a comprehensive overview of the current state of Leonardo studies, after reading this collection of short essays cover-to-cover, the reader will come away knowing a great deal about the current state of the field in many areas of research. To begin the series, editors Constance Moffatt and Sara Taglialagamba present an impressive group of essays that offer fresh ideas as a departure point for future studies. Contributors include Andrea Bernardoni, Pascal Broist, Alfredo Buccaro, Francesco Paolo di Teodoro, Claire Farago, Francesca Fiorani, Fabio Frosini, Sabine Frommel, Leslie Geddes, Damiano Iacobone, Martin Kemp, Matthew Landrus, Domenico Laurenza, Pietro C. Marani, Max Marmor, Constance Moffatt, Romano Nanni, Annalisa Perissa-Torrini, Paola Salvi, Richard Schofield, Sara Taglialagamba, Carlo Vecce, Alessandro Vezzosi, Marino Viganò, and Joanna Woods-Marsden.
Leonardo da Vinci --- Artists --- Painting, Italian --- Painters --- Artistes --- Peinture italienne --- Peintres --- Biography. --- Biographies --- Leonardo, --- Criticism and interpretation. --- Da Vinci, Leonardo, --- Leonardo da Vinci, --- Léonard, --- Lieaonaduo, --- Lionardo, --- Liyūnārdū Dāvīnshī, --- Vinchi, Leonardo da, --- Vinci, Leonardo da, --- Леонардо да Винчи, --- Леонардо, --- לאונרדו, --- ליאונארדו, --- ליאונרדו דא וינצ׳י --- ליאורנרדו, --- Leonardo, - da Vinci, - 1452-1519 - Criticism and interpretation. --- Leonardo, - da Vinci, - 1452-1519 --- Leonardo, da Vinci, 1452-1519
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