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art nouveau --- expressionisme --- kubisme --- surrealisme --- abstracte kunst --- Ernst, Max --- Braque, Georges --- Kupka, Frantisek --- Le Corbusier (pseud.) --- Man Ray --- Mucha, Alphonse --- Munch, Edvard --- 19de eeuw --- 20ste eeuw --- Praag --- Art, Czech --- Avant-garde (Aesthetics) --- History --- Aesthetics --- Modernism (Art) --- Czech art --- Osma (Group of artists) --- Skupina olomouckých výtvarníků (Group of artists) --- Skupina výtvarných umělců (Group of artists) --- abstracte, niet-figuratieve kunst --- CDL --- 7.036 --- Ernst, Max. --- Braque, Georges. --- Kupka, Frantisek. --- Le Corbusier (pseud.). --- Man Ray. --- Mucha, Alphonse. --- Munch, Edvard. --- 19de eeuw. --- 20ste eeuw. --- Praag.
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The limited oeuvre of the Ghent architect Gaston Eysselinck is one of the most fascinating testimonies of an innovative architecture in Belgium. During his studies at the Ghent Academy, he comes into contact with publications from the European avant-garde, Russian architecture and the work of Le Corbusier. After a study trip to the Netherlands in 1927 and 1929, he built his first homes in which he managed to assimilate the experience gained in a creative way. In November 1930 he participates in the CIAM congress in Brussels and is on the legendary group photo in the presence of Mies van der Rohe, Walter Gropius and Le Corbusier. Also in 1930 he makes a trip to Stuttgart, marries and designs his home with studio. This property is a built manifest of the “Nieuwe Bouwen”. Together with the Peeters home in Deurne, they are examples of the avant-garde architecture in Europe. He designs the furniture for his home, including various tubular furniture. The FRATSTA collection is unique in European furniture design. Huib Hoste, architect and publicist, emphasized in an interview (1935): cherchent à s’exprimer sans nulle concession, je citerai surtout Eysselinck, de Gand. Under the influence of the work of Adolf Loos, the plan becomes increasingly important and the facades are the result of the internal order. Eysselinck did not have a single major assignment in the 1930s. He commemorates the traditional urban terraced house whereby he consistently places the kitchen on the street side. In 1937, at the age of thirty, Eysselinck receives the Van de Ven architecture prize, the most important architecture prize in Belgium. Eysselinck believes in the feasibility of a better future and that the new architecture must have an international dimension. The control of chaos through a rational order is one of the great ambitions that the architect pursues. After 1945, all energy goes to the design and construction of the Post and Telegraphy Building in Ostend, a magnificent masterpiece and one of the highlights of Belgian architecture. A search for a new power of expression and a distinct materiality, a building that repositioned the architecture. In December 1953 he stepped out of life, marked by the setbacks of both professional and tragedy in his private life. A rediscovery of a powerful and intense oeuvre.
Architects --- Mouvement moderne --- Fonctionnalisme --- Eysselinck, Gaston, --- Le Corbusier, --- Eysselinck, Gaston --- Le Corbusier, Charles-Edouard Jeanneret, --- Influence --- Gand --- Architectes --- Décorateurs d'intérieurs --- Fonctionnalisme (architecture) --- Mouvement moderne (architecture) --- 72.07 --- 72.037(493) --- Eysselinck, Gaston 1907-1953 (°Tienen, België) --- Architectuur ; 1ste helft 20ste eeuw ; G. Eysselinck --- Woningbouw; architectenwoning --- PTT/RTT-gebouw ; Postgebouw Oostende --- Mu.Zee (gebouw) --- Funeraire architectuur ; grafmonumenten --- Meubelontwerp ; design --- Buismeubelen --- Architecten. Stedenbouwkundigen --- Architectuurgeschiedenis ; 1900 - 1950 ; België --- Architecture --- History --- Histoire --- Influence. --- architectuur --- Le Corbusier (pseud.) --- 20ste eeuw --- Architects - Belgium --- Eysselinck, Gaston, - 1907-1953 --- Le Corbusier, - 1887-1965 - Influence --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965 --- Décorateurs d'intérieurs --- architectuur. --- Eysselinck, Gaston. --- Le Corbusier (pseud.). --- 20ste eeuw. --- Le Corbusier, - 1887-1965
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Art --- anno 1960-1969 --- anno 1950-1959 --- Structure (1958-1964) --- De Stijl --- Le Corbusier (pseud.) --- Mondriaan, Piet --- Biederman, Charles --- Cézanne, Paul --- Hill, Anthony --- Miró, Joan --- Baljeu, Joost --- Bornstein, Eli --- Eesteren, Cornelis van --- Rietveld, Gerrit Th. --- Van der Leck, Bart --- Gorin, Jean --- Korzybski, Alfred --- 1958 - 1964 --- 20ste eeuw --- 72.036 --- 7.036 --- Jonneke Jobse --- kunst --- schilderkunst --- kunsttheorie --- tijdschriften --- Structure --- Nederland --- Bauhaus --- constructivisme --- architectuur --- kunst en architectuur --- beeldhouwkunst --- grafische vormgeving --- design --- installaties --- twintigste eeuw --- Baljeu Joost --- Bill Max --- Bornstein Eli --- Dekkers Ad --- Ernest John --- Gerstner Karl --- Gilbert Stephen --- Gorin Jean --- Hill Anthony --- Martin Kenneth --- Martin Mary --- Visser Carel --- 7.038 --- 766.036 --- 766.044 --- Moderne bouwkunst. Architectuur van de 20e eeuw --- Moderne kunststijlen --- 7.036 Moderne kunststijlen --- 72.036 Moderne bouwkunst. Architectuur van de 20e eeuw --- Structure (1958-1964). --- De Stijl. --- Le Corbusier (pseud.). --- Mondriaan, Piet. --- Biederman, Charles. --- Cézanne, Paul. --- Hill, Anthony. --- Miró, Joan. --- Baljeu, Joost. --- Bornstein, Eli. --- Eesteren, Cornelis van. --- Van der Leck, Bart. --- Gorin, Jean. --- Korzybski, Alfred. --- 1958 - 1964. --- 20ste eeuw.
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En France, après le cubisme, le début de l'abstraction et l'apparition du dadaïsme, certains artistes comme Charles-Edouard Jeanneret (Le Corbusier), Fernand Léger, Amédée Ozenfant s'intéressent au nouvel ordre social et économique fondé sur la science et la technique. Refusant les déconstructions cubistes, qu'ils estiment décoratives , ils prônent la rigueur des formes, la simplicité du dessin, l'économie de la couleur. Ozenfant et Le Corbusier élaborent une esthétique à résonance morale et rationnelle qu'ils nomment purisme et dont les principes sont exposés dans la revue mensuelle qu'ils ont créée, L'Esprit Nouveau. Les quelques 80 oeuvres réunies au Musée de Grenoble pour la première fois en France, ainsi que la reconstitution exceptionnelle du Pavillon de l'Esprit Nouveau de Le Corbusier, construit lors de l'Exposition Internationale des Arts Décoratifs de Paris en 1925, permettent de replacer ce courant artistique, qui a exercé depuis la France une grande influence dans le monde, dans le contexte des années vingt, celui du mouvement De Stijl aux Pays-Bas ou du Bauhaus en Allemagne. Cet ouvrage, abondamment illustré, constitue une étude de référence sur le sujet.(quatrième de couverture)
History --- art history --- art [fine art] --- Art styles --- Iconography --- Art --- Purist --- Picasso, Pablo --- Corbusier, Le --- Léger, Fernand --- Murphy, Dudley --- Gris, Juan --- Lipchitz, Jacques --- Ozenfant, Amédée --- Braque, Georges --- anno 1910-1919 --- anno 1920-1929 --- France --- Paris --- Purism (Art) --- Art, French --- Purisme (Art) --- Art français --- Exhibitions. --- Expositions --- Le Corbusier, --- Ozenfant, Amédée, --- Esprit nouveau --- Expositions. --- L'esprit Nouveau --- purisme --- Le Corbusier (pseud.) --- 1918 - 1925 --- 20ste eeuw --- Parijs --- Art francais --- Purisme --- Le Corbusier, Charles-Edouard Jeanneret, --- Leger, Fernand --- Art français --- Ozenfant, Amédée, --- Corbusier, le --- Paris (France) --- CDL --- 7.037 --- Art, Modern --- Cubism --- Painting --- Architecture --- 20th century. --- Purisme (Art) - France - Expositions --- Art francais - 20e siecle - Expositions --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965 --- Esprit nouveau. --- L'esprit Nouveau. --- purisme. --- Ozenfant, Amédée. --- Le Corbusier (pseud.). --- 1918 - 1925. --- 20ste eeuw. --- Parijs. --- art [discipline]
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As a key figure in twentieth-century architecture, Le Corbusier had a major influence on the cultural life of his time. The publication "Le Corbusier - The Art of Architecture" presents an overview of his oeuvre, which included not only architectural projects, interior design and furniture but also paintings, textiles, sculptures, drawings and books. Detailed essays of well-known Le Corbusier experts examine outstanding aspects in Le Corbusiers work such as the relation of sculpture and architecture, his work as an interior designer, his fascination with new media and the technical object or his life-long interest in the Orient. A richly illustrated biography is showing the huge creative output of a career of more than 60 years. Based on the latest research results, and on a rich choice of previously unpublished material, this book is a comprehensive introduction to Le Corbusier's work and influences, but also offers new discoveries for the many people already familiar with the work of this "Architect of the Century". The publication is accompanying the first major Le Corbusier retrospective in more than 20 years. It includes texts by Stanislaus von Moos, Jean-Louis Cohen, Arthur Rüegg, Beatriz Colomina, Mateo Kries and others.
Le Corbusier, --- Exhibitions --- architectuur --- surrealisme --- Le Corbusier (pseud.) --- Architecture moderniste --- Mobilier d'architecte --- Modernisme --- Le Corbusier, Charles-Edouard Jeanneret, --- Le Corbusier --- 72.07 --- Le Corbusier (pseudoniem van Charles-Edouard Jeanneret 1887-1965 (°La Chaux-de-Fonds, Neuchâtel, Zwitserland) --- Architectuur ; 20ste eeuw ; Le Corbusier --- Jeanneret, Charles-Edouard --- Moderne Beweging --- Tentoonstellingscatalogi ; Nederlands Architectuurinstituut (NAI) ; Rotterdam --- Architecten. Stedenbouwkundigen A - Z --- Exhibitions. --- Jeanneret-Gris, Charles Edouard, --- Gris, Charles Edouard Jeanneret-, --- Jeanneret, Charles Edouard, --- Corbusier, Edouard le, --- Le Corbusier, Eduard, --- Le Corbusier-Saugnier, --- Corbusier, --- Kebiyi, --- Korubyujie, --- Le Korbi︠u︡zʹe, --- Le Kebuxiye, --- Lu Kūrbūziyah, --- Ru Korubyujie, --- Rangnalei, Chaersi Aidehua, --- 勒・柯布西耶, --- 让纳雷, 查尔斯・爱德华, --- Mouvement moderne --- Ле Корбюзьє, --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965 --- Le Corbusier, - 1887-1965 - Exhibitions --- Le Corbusier, - 1887-1965 --- architectuur. --- surrealisme. --- Le Corbusier (pseud.).
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theater --- film --- architectuur --- wereldtentoonstelling 1937 (Parijs) --- Léger, Fernand --- Mallet-Stevens, Robert --- Le Corbusier (pseud.) --- Perriand, Charlotte --- Nelson, Paul --- Harrison, Wallace K. --- Mural painting and decoration --- Painting --- 75.07 --- 741:72 --- Schilderkunst ; 1ste helft 20ste eeuw ; Fernand Léger --- Schilderkunst ; Kubisme --- Tentoonstellingscatalogi ; Keulen ; Museum Ludwig --- Schilderkunst en architectuur ; relatie --- Kunst in de architecturale ruimte --- Léger, Jules-Henri-Fernand 1881-1955 (°Argentan, Basse-Normandie, Frankrijk) --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Ceilings, Painted --- Fresco painting --- Murals --- Painted ceilings --- Painting, Decorative --- Wall decoration --- Wall-painting --- Art --- Decoration and ornament --- Interior decoration --- Schilderkunst ; schilders --- Tekenkunst ; architectuurtekeningen --- Léger, Fernand, --- Lez'eh, Fernan, --- Lezhe, Fernan, --- Reje, Ferunan, --- レジエフエルナン, --- Centre canadien d'architecture. --- Canadian Centre for Architecture --- CCA --- Canadian Center for Architecture --- Centro canadese di architettura --- Exhibitions --- Centre canadien d'architecture --- Frescoes --- Frescos --- theater, toneel, toneelvoorstelling --- Léger, Fernand --- theater, toneel, toneelvoorstelling. --- film. --- architectuur. --- wereldtentoonstelling 1937 (Parijs). --- Léger, Fernand. --- Mallet-Stevens, Robert. --- Le Corbusier (pseud.). --- Perriand, Charlotte. --- Nelson, Paul.
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Monographie illustrée de plans, de détails de l'Unité d'habitation de Marseille construite par Le Corbusier en 1947.
Corbusier, Le --- Marseilles --- Functionalism (Architecture) --- Fonctionnalisme (Architecture) --- Le Corbusier, --- Unité d'habitation (Marseille, France) --- Marseille (France) --- Buildings, structures, etc. --- Constructions. --- architectuur --- Le Corbusier (pseud.) --- Marseille --- Bâtiment d'habitation collectif --- Architecte --- Le Corbusier, Charles-Edouard Jeanneret, --- Criticism and interpretation --- Unité d'habitation (Marseille, France) --- 20e siècle --- Unité d'habitation --- Buildings, structures, etc --- 72 --- 728.4 --- Le Corbusier --- Provence-Alpes-Côte d'Azur --- Le Corbusier (Charles-Edouard Jeanneret) 1887-1965 (° La Chaux-de-Fonds, Neuchâtel, Zwitserland) --- Architectuur ; 20ste eeuw ; Le Corbusier ; Marseille ; appartementsblok --- 72.07 --- Architectuur --- Sociale huisvesting (architectuur) --- Architecten. Stedenbouwkundigen A - Z --- Functionalism in architecture --- Architecture, Modern --- International style (Architecture) --- Rationalism (Architecture) --- Jeanneret-Gris, Charles Edouard, --- Gris, Charles Edouard Jeanneret-, --- Jeanneret, Charles Edouard, --- Corbusier, Edouard le, --- Le Corbusier, Eduard, --- Le Corbusier-Saugnier, --- Corbusier, --- Kebiyi, --- Korubyujie, --- Le Korbi︠u︡zʹe, --- Le Kebuxiye, --- Lu Kūrbūziyah, --- Ru Korubyujie, --- Rangnalei, Chaersi Aidehua, --- 勒・柯布西耶, --- 让纳雷, 查尔斯・爱德华, --- Criticism and interpretation. --- Marseilles (France) --- Marsel' (France) --- Marsiglia (France) --- Marsiho (France) --- Marsella (France) --- Corbusier, le --- Le Corbusier (pseudoniem van Charles-Edouard Jeanneret 1887-1965 (°La Chaux-de-Fonds, Neuchâtel, Zwitserland) --- Ле Корбюзьє, --- Functionalism (Architecture) - France - Marseille --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965 --- Le Corbusier, - 1887-1965 - Criticism and interpretation --- Marseille (France) - Buildings, structures, etc --- Architecture domestique --- Fonctionnalisme (architecture) --- Marseille (Bouches-du-Rhône) --- Unité d'habitation Le Corbusier. --- Marseille (Bouches-du-Rhône) --- Unité d'habitation Le Corbusier. --- Le Corbusier, - 1887-1965 --- architectuur. --- Le Corbusier (pseud.). --- Marseille.
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Sur plus de 2000 m2, l’exposition plonge dans le rêve d’Icare et offre, à travers près de 500 œuvres en dialogue (peintures, photographies, dessins, films, maquettes d’architecture, installations, livres et revues…), un panorama inédit et spectaculaire de l’art moderne et contemporain. Depuis quelques années, la vue aérienne suscite un regain d’intérêt. Du succès de La Terre vue du ciel de Yann Arthus-Bertrand à la popularité de Google Earth, la vue à vol d’oiseau fascine, tant par la beauté des paysages dévoilés que par le sentiment de toute-puissance qu’elle inspire. L’exposition Vues d’en haut prend appui sur cette actualité pour remonter aux origines de la photographie aérienne et explorer son impact sur la création artistique et, de fait, sur l’histoire de l’art. Les premiers clichés aériens pris par Nadar depuis un aérostat, dans les années 1860, marquent le début de l’émancipation du regard. Voir le monde, non plus à hauteur d’yeux, mais depuis une machine volante, revient à briser le modèle de perspective issu de la Renaissance. Désormais le corps, mobile et flottant, n’est plus le point d’ancrage de la vision de l’espace. C’est un monde sans relief, dénué de saillies et de creux, qui s’offre au regard, devenu panoramique. Progressivement, la terre se mue en une surface plane où les repères se confondent et se perdent. Depuis plus de 150 ans, peintres, photographes, architectes et cinéastes ne cessent d’explorer les enjeux esthétiques et sémantiques de ce renversement perspectif. L’exposition Vues d’en haut propose de retracer ce cheminement passionnant qui, pour la première fois, fait l’objet d’une grande exposition pluridisciplinaire. L’exposition se déploie en huit sections thématiques – basculement, planimétrie, extension, distanciation, domination, topographie, urbanisation, supervision – qui s’inscrivent dans la chronologie des temps modernes, ponctuée par la Première et la Seconde Guerres mondiales. Une scénographie inédite fait évoluer le visiteur dans le temps comme dans l’espace : au fil du parcours, la vision s’élève, du balcon au satellite.
steden --- topografie --- modernisme --- kubisme --- De Stijl --- avant-garde --- Wereldoorlog I --- Wereldoorlog II --- stadsontwikkeling --- fotografie --- film --- architectuur --- vogelvluchtperspectief --- Devambez, André --- Mondriaan, Piet --- Moholy-Nagy, László --- Kandinsky, Wassily --- Klee, Paul --- Albers, Jozef --- Bayer, Herbert --- Petschow, Robert --- Le Corbusier (pseud.) --- Bourke-White, Margaret --- Desvigne, Michel --- Storr, Marcel --- Ruscha, Ed --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- Photographie aérienne --- Histoire de la peinture --- Histoire de la photographie --- Paysage --- Urbanisation --- Aerial photography --- Bird's-eye views in art --- Cities and towns in art --- Views --- Art --- Dans l'art --- kunst --- luchtfotografie --- vogelperspectief --- kunst en fotografie --- Nadar --- Tissandier Gaston --- Devambez André --- schilderkunst --- Mondriaan Piet --- Mondrian Piet --- utopie --- Moholy-Nagy Laszlo --- Kandinsky Wassily --- Klee Paul --- Albers Josef --- Le Corbusier --- Smithson Robert --- stedenbouw --- Ristelhueber Sophie --- Dallaporta Raphaël --- Abbott Berenice --- Abdessemed Adel --- Almendra Wilfrid --- ArT errOriste --- Arthus-Bertrand Yann --- Atkinson Lawrence --- Bay Didier --- Bayer Herbert --- Bayrle Thomas --- Bel Geddes Norman --- Berkeley Busby --- Black James Wallace --- Boulade Antonin --- Boulade Léo --- Bourke-White Margaret --- Braque Georges --- Bridges Marilyn --- Büchel Christoph --- Buckminster Fuller Richard --- Burkhard Balthasar --- Caillebotte Gustave --- Carline Richard --- Chashnik Ilya --- Closky Claude --- Coburn Alvin Langdon --- Cognée Philippe --- Daumier Honoré --- De Palma Brian --- Debord Guy --- Delaunay Robert --- Deutsch David --- Desvigne Michel --- Diebenkorn Richard --- van Doesburg Theo --- Dürer Albrecht --- Eames Charles --- Eames Ray --- van Eesteren Cornelis --- Estève Maurice --- Farocki Harun --- Feininger Andreas --- Ferrari Leon --- Francis Sam --- François Michel --- Freedland Thornton --- Friedman Yona --- Frize Bernard --- Gefeller Andreas --- Gehr Ernie --- Gerster Georg --- Giacomelli Mario --- Gimpel Léon --- Goldblatt David --- Gorin Jean --- Gowin Emmet --- Grandville --- Graubner Oscar --- Griaule Marcel --- Gropius Walter --- Gursky Andreas --- Hadjithomas Joana --- Joreige Khalil --- Hallo Charles-Jean --- Haviland Paul --- Heartfield John --- Henner Mishka --- Hine Lewis W. --- Hoover H. Earl --- Hutchinson Peter --- Ichac Pierre --- Ignatovitch Boris --- Johnson Dano --- Travis Jeffrey --- Kertesz André --- Klier Michael --- Klucis Gustav --- Konrad Aglaia --- Koolhaas Rem --- Krull Germaine --- Lalanne François-Xavier --- Landau Ergy --- Léger Fernand --- Leonard Zoe --- Lewis Mark --- LeWitt Sol --- Lissitzky El --- Lotar Eli --- Lumière Auguste --- Lumière Louis --- MacLean Alex --- Malevich kazimir --- Ray Man --- Man ray --- Marinetti Filippo Tommaso --- Masoero Filippo --- Mattheuer Wolfgang --- Mole Arthur S. --- Thomas John D. --- Monet Claude --- Morris Robert --- Namuth Hans --- Napangardi Ruby Rose Yardaya --- Neubronner Julius --- Nevinson Christopher --- Noguchi Isamu --- O'Keeffe Georgia --- Oppenheim Dennis --- Otto Frei --- Oud J.J.P. --- Perrault Dominique --- Petschow Robert --- Picasso Pablo --- Polke Sigmar --- Pollock Jackson --- Richter Gerhard --- Riefenstahl Leni --- Roh Franz --- Rovner Michal --- Ruscha Ed --- Schelcher André --- Schiele Egon --- Schum Gerry --- Severini Gino --- Sheeler Charles --- Souietine Nikolaï --- Steichen Edward --- Stevens Albert William --- Storr Marcel --- Strand Paul --- Superstudio --- Tato --- Thiel Frank --- Tillmans Wolfgang --- Tobey Mark --- Umbo --- Sadahide Utagawa --- Valloton Félix --- Vantongerloo Georges --- Vostell Wolf --- Wadsworth Edward --- Weininger Andor --- Wenz Emile --- Wyler William --- 7.036/039 --- Exhibitions --- Hine Lewis W --- Mole Arthur S --- Thomas John D --- Oud J.J.P --- Aerial photography - Exhibitions --- Bird's-eye views in art - Exhibitions --- Cities and towns in art - Exhibitions --- Views - Exhibitions --- steden. --- topografie. --- modernisme. --- kubisme. --- De Stijl. --- avant-garde. --- Wereldoorlog I. --- Wereldoorlog II. --- stadsontwikkeling. --- film. --- architectuur. --- vogelvluchtperspectief. --- Devambez, André. --- Mondriaan, Piet. --- Moholy-Nagy, László. --- Kandinsky, Wassily. --- Klee, Paul. --- Albers, Jozef. --- Bayer, Herbert. --- Petschow, Robert. --- Le Corbusier (pseud.). --- Bourke-White, Margaret. --- Desvigne, Michel. --- Storr, Marcel. --- Ruscha, Ed. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.
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