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Antonio Negri, one of Italy's most influential and controversial contemporary philosophers, offers in this book a radical new interpretation of the nineteenth-century Italian poet Giacomo Leopardi. For Negri, Leopardi is not the bitter, idealistic individualist of conventional literary history, but rather a profoundly materialist thinker who sees human solidarity as the only possible solution to the catastrophes of history and politics. Negri traces Leopardi's resistance to the transcendental idealism of Kant and Hegel, with its emphasis on reason's power to resolve real antagonisms into abstract syntheses, and his gradual development of a sophisticated poetic materialism focused on the constructive power of the imagination and its "true illusions." Like Nietzsche (who admired him), Leopardi provides an alternative to modernity within modernity, expressing a force of rupture and recomposition—a uniquely Italian one—that is as relevant now as it was in the nineteenth century, and which connects to the theory of Empire as the political constitution of the present that Negri has elaborated in collaboration with Michael Hardt.

Leopardi, Giacomo, --- Ǧākomo Léwopārdi, --- Leopardi, Džakomo, --- Leopardi, Dzhakomo, --- Leopardi, G. --- Léwopārdi, Ǧākomo, --- Papareschi, Cosimo, --- Philosophy. --- Leopardi, Giacomo

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In this first detailed and comprehensive account of Leopardi's theory of poetry, G. Singh assesses both the literary and critical attainments of a poet whose eminence ranks him with Dante and Petrarch. Singh's analysis, which employs extensive reference to Leopardi's work in order to illustrate the author's own comments, sets forth Leopardi's views on the larger questions of tradition, inspiration, and the imagination in poetry. Later chapters are concerned with the more specific matters of the poetic image, style, and language.

Poetry. --- Poems --- Poetry --- Verses (Poetry) --- Literature --- Philosophy --- Leopardi, Giacomo, --- Ǧākomo Léwopārdi, --- Leopardi, Džakomo, --- Leopardi, Dzhakomo, --- Leopardi, G. --- Léwopārdi, Ǧākomo, --- Papareschi, Cosimo, --- Leopardi, Giacomo

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La vie, chez les Komo, est conçue comme un écoulement progressif qui, suivant le cours du soleil et celui des rivières de leur territoire, va d'est en ouest et d'amont en aval, et c'est en termes d'ouverture et de fermeture que l'on rend ce qui favorise ou empêche ce mouvement. Tout problème vital est élargi à ces dimensions cosmologiques, mais ne pourra être traité, la vie s'écoulant nécessairement vers la mort, que moyennant une mort sacrificielle qui permettra à la vie de revenir à sa source. Ce renversement dont les ancêtres, origine de la vie, garantissent la possibilité ontologique, est rendu possible, sur le plan logique, grâce à l'emploi successif des couleurs blanche et rouge. Celles-ci assurent la transposition métaphorique entre les diverses oppositions cosmologiques et permettent leur application métonymique aux personnes à traiter. Le rituel initiatique de la circoncision met cette vision du monde en œuvre d'une façon exceptionnellement riche et complexe, intégrant dans le jeu de ses propres significations, et selon des procédés fort divers, toute la symbolique culturelle. Dans cette mise en œuvre les principales différenciations sociales sont également données à voir d'une manière privilégiée, du fait de l'intégration de leurs significations dans celles de l'ensemble rituel. Dès lors, le rituel lui-mème est à voir comme une relecture thématique, totalisante et unifiante de la culture dans ses rapports avec les événements concrets de la vie. Bien que construit à partir d'un système de significations qui le déborde, il crée lui-même son signifié et même l'objet de ses activités. Ce dernier n'est donc pas à chercher dans quelque réalité sociale préexistante. Life amongst the Komo is seen as a graduai outflow which. following the course of the sun and the rivers of their territory, passes from cast to west and from source to flood. and it is in terms of opening and closing thaï one must describe the factors which help or hinder this progress. Every vital…

Komo (Congolese (Democratic Republic) people) --- Circumcision --- Komo (Peuple du Congo) --- Circoncision --- Rites and ceremonies --- Rites et cérémonies --- Rites and ceremonies. --- #SBIB:39A10 --- #SBIB:39A73 --- 299.6 --- 392.1 --- -Komo (Congolese (Democratic Republic) people) --- -Amputation, Foreskin --- Foreskin amputation --- Foreskin removal --- Male circumcision --- Prepucectomy --- Removal of foreskin --- Body marking --- Foreskin --- Initiation rites --- Antropologie: religie, riten, magie, hekserij --- Etnografie: Afrika --- Godsdiensten van Bantoes, Niloten, Soedannegers, Pygmeeën, Kaffers, Hottentotten, Bosjesmannen, Galla's, Bassuto's, Zoeloes --- Doop. Besnijdenis. Initiatie. Meerjarigverklaring --- Surgery --- -Antropologie: religie, riten, magie, hekserij --- 392.1 Doop. Besnijdenis. Initiatie. Meerjarigverklaring --- 299.6 Godsdiensten van Afrikaanse zwarte volkeren --- 299.6 Godsdiensten van Bantoes, Niloten, Soedannegers, Pygmeeën, Kaffers, Hottentotten, Bosjesmannen, Galla's, Bassuto's, Zoeloes --- Godsdiensten van Afrikaanse zwarte volkeren --- -392.1 Doop. Besnijdenis. Initiatie. Meerjarigverklaring --- Amputation, Foreskin --- Rites et cérémonies --- Besnijdenis. --- Komo [Tribu]. Ethnographie. --- Circoncision. --- Komo [Volksstam]. Etnografie. --- C3 --- rituelen --- Congo [historische term land Congo -CG] --- Kunst en cultuur (ODIS-HT) --- Komo (Congolese (Democratic Republic) people) - Rites and ceremonies --- Circumcision - Congo (Democratic Republic) --- Religion --- Anthropology --- Kumu --- circoncision --- rite --- Zaïre --- Komo --- République démocratique du Congo --- Circoncision (ethnologie) --- Rites de puberté --- Komo (peuple de la République démocratique du Congo) --- Congo (République démocratique) --- Rites de puberté --- Komo (peuple de la République démocratique du Congo) --- Congo (République démocratique)

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The Bibliografia Informatizzata Leopardiana (BIL) is the result of a research project that took shape on the occasion of the second centenary of the birth of the poet and developed over the span of 2000-2002. The project envisioned the organisation and publication in a digital corpus of the vast bibliography on Leopardi, up to then disseminated not only in the volumes of the Bibliografia leopardiana, but also in other partial bibliographies, indices, catalogues etc. Implementation of the project engaged four Research Units from the universities of Florence, Macerata, Cagliari, and Rome «La Sapienza». The book contains the User Manual for the BIL (version 1.0) and the description of the project. La Bibliografia Informatizzata Leopardiana (BIL) è il risultato di un progetto di ricerca che ha preso forma in occasione del secondo centenario della nascita del poeta e si è sviluppato nell'arco del biennio 2000-2002. Il progetto prevedeva l'ordinamento e la pubblicazione, in un corpus digitale, della sterminata bibliografia leopardiana fino allora disseminata, oltre che nei volumi della Bibliografia leopardiana, in altre bibliografie parziali, repertori, cataloghi, ecc. La sua attuazione ha visto impegnate quattro Unità di Ricerca degli Atenei di Firenze, Macerata, Cagliari, Roma "La Sapienza". Il libro contiene il Manuale d'uso della BIL (ver. 1.0) e la descrizione del progetto.

General --- Bibliography - General --- Bibliography --- Cataloguing. --- Electronic reference sources. --- Leopardi, Giacomo, --- Electronic information resources --- Reference sources --- Cataloguing --- Information organization --- Technical services (Libraries) --- Books --- Book lists --- Lists of publications --- Publication lists --- Documentation --- Information resources --- Abstracts --- Codicology --- Library science --- Leopardi, Giacomo --- Ǧākomo Léwopārdi, --- Leopardi, Džakomo, --- Leopardi, Dzhakomo, --- Leopardi, G. --- Léwopārdi, Ǧākomo, --- Papareschi, Cosimo, --- giacomo leopardi --- bibliografia --- inventario --- cataloguing --- bibliography --- inventory --- catalogazione --- Cataloging.

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Goethe leitete die Weimarer Hofbühne von 1791 bis 1817. In diesen Jahren war er nicht nur Theaterleiter, sondern auch Schriftsteller, Vertrauter des Herzogs Carl August sowie Minister in der Regierung Sachsen-Weimar-Eisenach. Seine verschiedenen Funktionen innerhalb des Herzogtums sollten sich nachhaltig auf die Theaterkonzeption auswirken. In einer Zeit, die einschneidende politische und soziale Umbrüche erlebte, nutzte Goethe die Bühne als kulturpolitisches Kommunikationsmedium.Bisher war das Weimarer Hoftheater in der Forschung als ein künstlerisches Institut untersucht worden, das Goethe, wie bereits der Zeitgenosse Saint-Aignan 1812 formulierte, "von politischen Angelegenheiten [...] gänzlich fern" gehalten habe. Der Theaterleiter wollte tatsächlich in den Jahren zwischen Französischer Revolution und Wiener Kongress den Anschein erwecken, seine Bühnenkonzeption sei unpolitisch. Doch war dies vielleicht nur ein diplomatischer Schachzug, um unter dem Deckmantel des Unpolitischen zu wirken? Dieser Frage widmet sich die vorliegende Studie und zeigt damit exemplarisch neue Ansätze für die Analyse von kulturellen Bestrebungen in deutschen Kleinstaaten um 1800 auf.

Theater --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- History. --- Goethe, Johann Wolfgang von, --- Goethe, Johann Wolfgang --- Goethe --- Goethe, Johann Wolfgang von --- Von Goethe, Johann Wolfgang --- von Goethe, Johann Wolfgang --- Hete, Johann Vol'fhanh --- Gete, Iogann Vol'fgang --- ゲーテ --- Gete, Volʹfgang --- Ko-tê --- Gede --- Gete, Jogann --- Gette --- Gʹote, Ĭokhan Volʹfgang --- Jūtah, Yūhān Fūlfjānj --- Goethe, J. W. --- Jītī --- Gete, V. --- Koetʻe --- Goetʻe --- Getė, --- Gkaite --- Gitah, Y. Ṿ. --- Goethe, Jan Wolfgan, --- Gëte, Iogann Volʹfgang --- Göte --- Gyoete --- Goethe, W. v. --- Fon-Geteh, Ṿ. --- Geteh, Yohan Ṿolfgang Fon --- -Giteh, Yohan Ṿolfgang Fon --- -Gete, Johan Volfgang --- Hete, Ĭ. V. --- Kēōtʻē, Volfkank --- Katē --- Katē, Yōkān̲ Vulpkēṅk Vān̲ --- Гете, Иоганн Вольфганг --- Qöte, Y. V. --- Qöte, Yohan Volfqanq --- גטה --- גטה, יוהאן וולפגנג פון, --- גטה, י.ו --- גיתה --- גיתה, יוהאן וולפאנג פון --- גיתה, יוהאן וולפגנג פון, --- גיתה, יוהן וולפגאנג וון, --- גיתה, יוהן וולפגנג פון, --- גיתה, יוהן וולפגנג, --- געטהע --- געטהע, יאהאן וואלפגאנג --- געטהע, יאהאן וואלפגאנג פון, --- געטהע, יאהאן װאלפגאנג, --- געטהע, י. וו --- געטהע, י. וו. פאן --- געטהע, י. װ., --- געטהע, י.װ --- געטע, װ.פ --- גתה, וו --- גתה, יוהן וולפגאנג ון, --- גתה, יוהן וולפגנג --- י. וו. געטהע --- جوته --- گوته، يوهان ولفگانگ ون --- 歌德, --- Knowledge --- Performing arts. --- Theater. --- ゲエテ --- Deutsches Nationaltheater (Weimar, Thuringia, Germany) --- Weimar. --- Hoftheater (Weimar, Thuringia, Germany) --- Komödienhaus (Weimar, Thuringia, Germany) --- Weimarer Hoftheater --- Komödienhaus in Weimar --- Redouten- und Komödienhaus (Weimar, Thuringia, Germany) --- Redouten- und Comoedienhaus (Weimar, Thuringia, Germany) --- Weimarische Komödienhaus --- Grossherzogliches Hoftheater (Weimar, Thuringia, Germany) --- Weimarisches Komödienhaus --- Cultural Policy. --- Goethe, Johann W. von. --- Theatre Studies, Dramatics. --- Weimar Theatre.