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Haydn expert A. Peter Brown offers the first detailed and comprehensive study of the composer's keyboard works, encompassing the solo sonatas, keyboard trios, accompanied divertimentos , concertinas and Klavierstücke. Brown first establishes that Haydn was an effective performer on the keyboard instruments of his day. Then, drawing on the latest findings, he devotes two essays to questions of authenticity and dating of keyboard works attributed to Haydn, and another to the central issue for eighteenth- century keyboard music: which instrument is most appropriate for a given work? In investigating the possible influences on Haydn of the Viennese tradition and of C. P. E. Bach, the author concludes that Haydn learned from both but put his own stamp on everything to which he was exposed. In the last three essays, Brown traces the development of Haydn's musical language, describing the relationship of certain genres in the composer's oeuvre and providing a chronological examination of the structure and style of the works in each category. Haydn's contributions to the symphony and the string quartet have long been acknowledged. This meticulously documented study now celebrates Haydn's accomplishments in the realm of keyboard music.
Klaviermusik --- Pianomuziek. --- Keyboard instrument music. --- Concertos. --- Chamber music. --- Concerto --- Musique de chambre --- Instrument à clavier, Musique d' --- Concertos --- Chamber music --- Keyboard instrument music --- Histoire et critique. --- History and criticism. --- Haydn, Joseph. --- Haydn, Joseph, --- Haydn --- Klaviermusik. --- Keyboard music (Haydn, Joseph) --- Concertos (Haydn, Joseph) --- Chamber music (Haydn, Joseph) --- Keyboard music --- Recorded accompaniments (Keyboard instrument) --- Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- Concerti --- Concertinos --- Simphonies concertantes --- Sinfonie concertanti --- Sinfonies concertantes --- Symphonies concertantes --- Concertino --- Sinfonia concertante --- Symphonie concertante --- Musical form --- Concertante style --- History and criticism --- Complete works for wind ensemble (Haydn, Joseph) --- Historical anthology of music (Haydn, Joseph) --- Historical anthology of music. --- Concerto (Haydn, Joseph) --- Art music, orchestral & formal music
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Eduard Steuermann (1892–1964), Austrian-Polish-Jewish pianist from Galicia, student of Busoni, teacher and friend of Adorno, exiled American, sought-after soloist and pedagogue between Vienna, New York and Darmstadt, sought throughout his life the "almost impossible": to reconcile truth and beauty in uncompromising "devotion to music". The esteem in which he was held as the most important pianist for the establishment of New Piano Music, not only by the Viennese Schoenberg circle, has had a lasting effect on an appreciation of his person that goes beyond this. In 14 contributions that look at Steuermann from very different angles – discussing his life, his family and artistic ties, his music-making and composing, his work as a teacher and witty author – the view of the breadth of his work is widened on the basis of numerous previously unexplored materials, and the portrait of an artist who, according to Adorno, embodied the "conscience" of music itself is drawn. Eduard Steuermann (1892–1964), österreichisch-polnisch-jüdischer Pianist aus Galizien, Schüler Busonis, Lehrer und Freund Adornos, Exil-Amerikaner, gefragter Solist und Pädagoge zwischen Wien, New York und Darmstadt, hat zeitlebens das "beinahe Unmögliche" gesucht: in kompromissloser "Hingabe an die Musik" Wahrheit und Schönheit zu versöhnen. Die Wertschätzung, die ihm als dem wichtigsten Pianisten für die Etablierung Neuer Klaviermusik nicht nur des Wiener Schönberg-Kreises entgegengebracht wurde, hat einer darüber hinausgehenden Würdigung seiner Person nachhaltig entgegengewirkt. In 14 Beiträgen, die Steuermann von sehr unterschiedlichen Seiten betrachten – sein Leben, seine familiären und künstlerischen Bindungen, sein Musizieren und Komponieren, sein Wirken als Lehrer und geistvoller Autor erörtern –, wird anhand zahlreicher bisher unerschlossener Materialien der Blick auf die Breite seines Schaffens geweitet und das Porträt eines Künstlers gezeichnet, der nach Adorno das "Gewissen" der Musik selbst verkörperte.
Eduard Steuermann, Michael Gielen, Arnold Schönberg, Alban Berg, Anton Webern, Rudolf Kolisch, Theodor W. Adorno, Wiener Schule, Wiener Espressivo, musikalische Interpretation, Schönberg-Interpretation, Beethoven-Interpretation, Mozart-Interpretation, Interpretationsforschung, Aufführungsgeschichte, Aufführungsanalyse, Diskographie, Phonographie, Musikgeschichte, Musikanalyse, Rezeptionsgeschichte, Interpretationsgeschichte, Neue Musik, Zwölftontechnik, Exilmusik, Klaviermusik, Klavierpädagogik, Verein für musikalische Privataufführungen, Juilliard School of Music, Black Mountain College, Darmstädter Ferienkurse für Neue Musik --- Edward Steuermann, Michael Gielen, Arnold Schoenberg, Alban Berg, Anton Webern, Rudolf Kolisch, Theodor W. Adorno, Second Viennese School, Viennese Espressivo, musical interpretation, Schoenberg interpretation, Beethoven interpretation, Mozart interpretation, performance studies, performance history, performance analysis, discography, phonography, music history, music analysis, musical reception, history of musical interpretation, New Music, twelve-tone technique, exile music, piano music, piano pedagogy, Society for Private Musical Performances, Juilliard School of Music, Black Mountain College, Darmstadt Summer Courses for New Music --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikwissenschaft (604024) --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Musikgeschichte (604022) --- ÖFOS 2012 -- GEISTESWISSENSCHAFTEN (6) -- Kunstwissenschaften (604) -- Kunstwissenschaften (6040) -- Aufführungspraxis (604003) --- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Musicology (604024) --- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Music history (604022) --- ÖFOS 2012 -- HUMANITIES (6) -- Arts (604) -- Arts (6040) -- Performance practice (604003) --- Steuermann, Edward, --- Criticism and interpretation.
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