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book (3)


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Book
Southern ladies and suffragists
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ISBN: 1626740739 1496804481 9781626740730 9781628461350 1628461357 9781626743946 1626743940 9781628461343 1628461349 Year: 2014 Publisher: Jackson [Mississippi]

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Abstract

A close look at the issues of gender and power at the 1884 World's Fair in New Orleans


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Toward a female genealogy of transcendentalism
Authors: ---
ISBN: 0820346772 0820346977 9780820346977 9780820343396 0820343390 9780820346779 1322024227 Year: 2014 Publisher: Athens London University of Georgia Press

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Abstract

The first large-scale, collaborative study of women's voices and their vital role in the American transcendentalist movement. Many of its seventeen distinguished scholars work from newly recovered archives, and all offer fresh readings of understudied topics and texts, shedding light on female contributions.


Book
A fiery gospel
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ISBN: 1501736426 9781501736421 9781501736438 1501736434 9781501736414 1501736418 Year: 2019 Publisher: Ithaca, New York

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Abstract

Since its composition in Washington's Willard Hotel in 1861, Julia Ward Howe's "Battle Hymn of the Republic" has been used to make America and its wars sacred. Few Americans reflect on its violent and redemptive imagery, drawn freely from prophetic passages of the Old and New Testaments, and fewer still think about the implications of that apocalyptic language for how Americans interpret who they are and what they owe the world. In A Fiery Gospel, Richard M. Gamble describes how this camp-meeting tune, paired with Howe's evocative lyrics, became one of the most effective instruments of religious nationalism. He takes the reader back to the song's origins during the Civil War, and reveals how those political and military circumstances launched the song's incredible career in American public life. Gamble deftly considers the idea behind the song-humming the tune, reading the music for us-all while reveling in the multiplicity of meanings of and uses to which Howe's lyrics have been put. "The Battle Hymn of the Republic" has been versatile enough to match the needs of Civil Rights activists and conservative nationalists, war hawks and peaceniks, as well as Europeans and Americans. This varied career shows readers much about the shifting shape of American righteousness. Yet it is, argues Gamble, the creator of the song herself-her Abolitionist household, Unitarian theology, and Romantic and nationalist sensibilities-that is the true conductor of this most American of war songs. A Fiery Gospel depicts most vividly the surprising genealogy of "The Battle Hymn of the Republic," and its sure and certain position as a cultural piece in the uncertain amalgam that was and is American civil religion.

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