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""If you can't draw it, you don't know it:"" that was the rule of the late neuroanatomist William DeMyer, MD. Yet books do not encourage us to draw and redraw neuroanatomy. Neuroanatomy: Draw It to Know It teaches neuroanatomy through step-by-step instruction of how to draw neuroanatomical pathways and structures. Its instructive language is highly engaging. Users draw neuroanatomical structures and pathways in several steps so they are remembered and use mental and physical mnemonics to demonstrate difficult anatomical rotations and directional pathways. Anatomical pictures and radiographic i
Neuroanatomy --- Human anatomy. --- Anatomy, Human --- Anatomy --- Human biology --- Medical sciences --- Human body --- Nerves --- Nervous system --- Neurobiology --- Graphic methods. --- Medical illustration. --- Illustration, Medical --- Medicine and art --- Scientific illustration
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Medical illustration --- Medical Illustration. --- Photography. --- Illustration scientifique. --- Photographie. --- Medical illustration. --- Ilustration scientifique. --- Medical Education. --- Visual Communication. --- Illustration, Medical --- Photographies --- Illustrations, Medical --- Medical Illustrations --- Medicine and art --- Scientific illustration --- Art --- Comunicació en medicina --- Comunicació visual --- Il·lustració mèdica --- Fotografia mèdica
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A unique collection of 36 chapters on the history of Chinese medical illustrations, this volume will take the reader on a remarkable journey from the imaging of a classical medicine to instructional manuals for bone-setting, to advertising and comic books of the Yellow Emperor. In putting images, their power and their travels at the centre of the analysis, this volume reveals many new and exciting dimensions to the history of medicine and embodiment, and challenges eurocentric histories. At a broader philosophical level, it challenges historians of science to rethink the epistemologies and materialities of knowledge transmission. There are studies by senior scholars from Asia, Europe and the Americas as well as emerging scholars working at the cutting edge of their fields. Thanks to generous support of the Wellcome Trust, this volume is available in Open Access.
Medical illustration --- Medicine, Chinese --- Medical illustration. --- History. --- Illustrations --- Illustration, Medical --- Medicine and art --- Scientific illustration --- Chinese medicine --- TCM (Medicine) --- Traditional Chinese medicine --- Traditional medicine --- Medicine, Chinese Traditional --- Medical Illustration --- Manuscripts, Medical as Topic. --- history. --- Medical Writing --- History of medicine
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Audiovisual Aids --- Medical Illustration --- Photography --- Teaching Materials --- Medical illustration --- Audiovisual Aids. --- Medical Illustration. --- Photography. --- Teaching Materials. --- Study and teaching --- Audio-visual aids --- Medical Technology. --- Material, Teaching --- Materials, Teaching --- Teaching Material --- Photographies --- Illustration, Medical --- Illustrations, Medical --- Medical Illustrations --- Audio-Visual Aids --- Visual Aids --- Aid, Audio-Visual --- Aid, Audiovisual --- Aid, Visual --- Aids, Audio-Visual --- Aids, Audiovisual --- Aids, Visual --- Audio Visual Aids --- Audio-Visual Aid --- Audiovisual Aid --- Visual Aid --- Educational Technology --- Art --- Medicine and art --- Scientific illustration
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"Not of woman born, the Fortunate, the Unborn"-the terms designating those born by Caesarean section in medieval and Renaissance Europe were mysterious and ambiguous. Examining representations of Caesarean birth in legend and art and tracing its history in medical writing, Renate Blumenfeld-Kosinski addresses the web of religious, ethical, and cultural questions concerning abdominal delivery in the Middle Ages and the Renaissance. Not of Woman Born increases our understanding of the history of the medical profession, of medical iconography, and of ideas surrounding "unnatural" childbirth.Blumenfeld-Kosinski compares texts and visual images in order to trace the evolution of Caesarean birth as it was perceived by the main actors involved-pregnant women, medical practitioners, and artistic or literary interpreters. Bringing together medical treatises and texts as well as hitherto unexplored primary sources such as manuscript illuminations, she provides a fresh perspective on attitudes toward pregnancy and birth in the Middle Ages and the Renaissance; the meaning and consequences of medieval medicine for women as both patients and practitioners, and the professionalization of medicine. She discusses writings on Caesarean birth from the twelfth and thirteenth centuries, when Church Councils ordered midwives to perform the operation if a mother died during childbirth in order that the child might be baptized; to the fourteenth century, when the first medical text, Bernard of Gordon's Lilium medicinae, mentioned the operation; up to the gradual replacement of midwives by male surgeons in the fifteenth and sixteenth centuries. Not of Woman Born offers the first close analysis of Frarnois Rousset's 1581 treatise on the operation as an example of sixteenth-century medical discourse. It also considers the ambiguous nature of Caesarean birth, drawing on accounts of such miraculous examples as the birth of the Antichrist. An appendix reviews the complex etymological history of the term "Caesarean section."Richly interdisciplinary, Not of Woman Born will enliven discussions of the controversial issues surrounding Caesarean delivery today. Medical, social, and cultural historians interested in the Middle Ages and the Renaissance, historians, literary scholars, midwives, obstetricians, nurses, and others concerned with women's history will want to read it.
History of civilization --- anno 500-1499 --- Cesarean section in art --- Césarienne dans l'art --- Keizersnede in de kunst --- Cesarean Section --- Cesarean section --- Césarienne --- Illustration médicale --- -Cesarean section in art --- Abdominal delivery --- C section --- Caesarean delivery --- Caesarean section --- Delivery, Abdominal --- Delivery, Caesarean --- Delivery (Obstetrics) --- Illustration, Medical --- Cesarean section in art. --- Césarienne --- Césarienne dans l'art --- Illustration médicale --- Medicine in Art. --- Medical illustration --- -Renaissance --- Science in Art --- Art, Medicine in --- Art, Science in --- Arts, Medicine in --- Arts, Science in --- Medicine in Arts --- Science in Arts --- in Art, Medicine --- in Art, Science --- in Arts, Medicine --- in Arts, Science --- Renaissance --- Revival of letters --- history. --- psychology. --- History --- Europe. --- Northern Europe --- Southern Europe --- Western Europe --- Medicine in Art --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- Obstetrics --- Art --- history --- psychology --- Surgery --- Medicine in the Arts. --- Renaissance. --- History. --- Civilisation médiévale --- Histoire --- Europe --- Civilization [Medieval ] --- Cesarean section - Europe - History. --- Medical illustration - History. --- Civilization, Medieval. --- Medicine in the Arts
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The Sick Rose is a beautifully gruesome and strangely fascinating visual tour through disease in an age before colour photography. This stunning volume, combining detailed illustrations of afflicted patients from some of the world's rarest medical books, forms an unforgettable and profoundly human reminder of mankind's struggle with disease. Incorporating historic maps, pioneering charts and contemporary case notes, Richard Barnett's evocative overview reveals the fears and obsessions of an era gripped by epidemics.
History of human medicine --- Medical illustration --- Diseases --- Sexually transmitted diseases --- Skin --- Leprosy --- Gout --- Smallpox --- Illustration médicale --- Maladies --- Maladies transmises sexuellement --- Peau --- Lèpre --- Goutte (Maladie) --- Variole --- History --- History. --- Histoire --- Medical illustration. --- Infections transmissibles sexuellement --- Communicable diseases --- Neoplasms --- Sexually Transmitted Diseases --- Skin Diseases --- Medicine in Art --- 7.041 --- Science in Art --- Art, Medicine in --- Art, Science in --- Arts, Medicine in --- Arts, Science in --- Medicine in Arts --- Science in Arts --- in Art, Medicine --- in Art, Science --- in Arts, Medicine --- in Arts, Science --- Art --- Human beings --- Illness --- Illnesses --- Morbidity --- Sickness --- Sicknesses --- Medicine --- Epidemiology --- Health --- Pathology --- Sick --- Contagion and contagious diseases --- Contagious diseases --- Infectious diseases --- Microbial diseases in human beings --- Zymotic diseases --- Infection --- Medical microbiology --- Epidemics --- Quarantine --- Illustration, Medical --- Medicine and art --- Scientific illustration --- history. --- Iconografie ; de mens, portretten --- Wellcome Collection. --- Wellcome Library. --- Wellcome Trust (London, England) --- Wellcome Library for the History and Understanding of Medicine --- Wellcome Images --- 766.041 --- Thema's in de kunst ; ziektes ; kwalen bij de mens --- Medische illustraties ; voor de komst van de fotografie --- Gebruiksgrafiek ; de mens ; portretten --- Illustration médicale --- Lèpre --- Medicine in the Arts --- history --- Corps humain --- Santé --- Illustration, livre --- Représentation graphique --- Médecine --- Neoplasms - history --- Gout - history --- Sexually Transmitted Diseases - history --- Skin Diseases - history --- Smallpox - history --- Leprosy - history --- Medicine in the Arts - history
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Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs's De historia stirpium and Andreas Vesalius's De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner's unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period-a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought-and often disagreement-about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists' treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.
Natural history illustration --- Botanical illustration --- Medical illustration --- Illustrated books --- Art and science --- Science and art --- Illustration, Medical --- Botanical drawing --- Flower painting and illustration --- Fruit painting and illustration --- Illustration, Botanical --- Nature illustration --- History --- Science --- Books --- Medicine and art --- Scientific illustration --- Biological illustration --- 094:58 --- 094:61 --- 76.043 --- 769.04:61 --- 76.043 Iconografie: flora in de prentkunst --- Iconografie: flora in de prentkunst --- 769.04:61 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- 094:61 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Geneeskunde. Hygiëne. Farmacie --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Geneeskunde. Hygiëne. Farmacie --- 094:58 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Botany --- Fuchs, Leonhart. --- Gessner, Conrad --- Vesalius, Andreas --- Vesal, Andreas --- Vesale, André --- Vezalij, Andrej --- Gesner, Conrad --- Gesner, Konrad --- Gesnerus, Conradus --- Gessner, Konrad --- Fuchs, Leonhart --- Fuchsius, Leonhartus --- Natural history illustration - Europe - History - 16th century --- Botanical illustration - Europe - History - 16th century --- Medical illustration - History - 16th century --- Illustrated books - Europe - History - 16th century --- Art and science - History - 16th century --- humani corporis fabrica, andreas vesalius, de historia stirpium, leonhart fuchs, plantarum, conrad gessner, medicine, anatomy, botany, nature, visual culture, science, book printing, publishing, renaissance, research, writing, images, authority, representation, reference, nonfiction, scientific knowledge, illustrations, natural history, europe, copying, coloring, medicinal plants, human body, bloodletting, jamnitzer, mattioli.
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The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories, such as Darwin's theory of evolution and sexual selection, deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science - and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media, from photography to oil painting. This volume reminds us that science and art are not tightly compartmentalized, separate influences, but rather fields that shared forms - manifest as waves, layers, lines, or geometries - and invest in the idea of the evolution of form.
Art victorien. --- Art et sciences --- Illustration scientifique --- Art, Victorian. --- Art and science --- Scientific illustration --- Art, Victorian --- Natural history in art --- Arts --- Medical illustration --- Culture --- Science --- Art objects --- Objectivity in literature --- Architecture --- Communication visuelle en sciences --- Illustrateurs scientifiques --- Illustration en sciences naturelles --- Objectivité. --- Sciences --- Sciences naturelles --- Art --- Objets d'art. --- Illustration médicale --- History --- Philosophy. --- Aesthetics. --- Esthétique. --- Dans la littérature --- Histoire. --- Burne-Jones, Edward Coley, --- Hughes, Arthur, --- MacDonald, George, --- Burne-Jones, Edward Coley --- MacDonald, George --- Great Britain --- Grande-Bretagne --- Scientific illustration. --- Science. --- Objectivity in literature. --- Natural history in art. --- Medical illustration. --- Culture. --- Arts. --- Art and science. --- England. --- Victorian art --- Art, Modern --- Science and art --- Illustration, Scientific --- Science illustration --- Scientific literature --- Illustration of books --- Drawing --- Technical illustration --- Arts, Fine --- Arts, Occidental --- Arts, Primitive --- Arts, Western --- Fine arts --- Humanities --- Illustration, Medical --- Medicine and art --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Architectural aesthetics --- Aesthetics, Architectural --- Aesthetics --- Bric-a-brac --- Objects, Art --- Objets d'art --- Decoration and ornament --- Decorative arts --- Object (Aesthetics) --- Antiques --- Natural science --- Natural sciences --- Science of science --- Illustration --- Scientific applications --- Social aspects --- Angleterre --- Anglii︠a︡ --- Inghilterra --- Engeland --- Inglaterra --- Anglija --- England and Wales --- 1800-1899 --- Objectivité. --- Illustration médicale --- Esthétique. --- Dans la littérature
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