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painting [image-making] --- Painting --- schilderkunst --- Bosch, Jeroen --- Bosch, Jheronimus --- 75.07 --- Hiëronymus (Jheronimus) van Aken (alias : Bosch) ca. 1450-1516 (° 's-Hertogenbosch, Nederland) --- Schilderkunst ; 1480-1516 ; Jheronimus Bosch --- Schilderkunst ; Lage Landen ; 15de en 16de eeuw --- Schilderkunst ; Laat-Gotiek --- Vlaamse Primitieven --- Bosch, Jheronimus (ook Hiëronimus) --- Schilderkunst ; schilders --- 790 --- schilderkunst 15de eeuw --- kunstenaars --- artistes --- Bosch, Jheronimus.

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Semiotics --- Bosch, Jeroen --- Bosch, Jheronimus --- Bosch, Hieronymus, --- Criticism and interpretation. --- iconografie --- filosofie --- moraal --- Christendom --- 75 BOSCH, HIERONYMUS --- kunst --- schilderkunst --- 75.071 BOSCH --- Bosch Hieronymus --- Vlaamse primitieven --- renaissance --- middeleeuwen --- Schilderkunst--BOSCH, HIERONYMUS --- 75 BOSCH, HIERONYMUS Schilderkunst--BOSCH, HIERONYMUS --- Bosch, Jheronimus, --- Aeken, Hieronymus van, --- Aken, Hieronymus van, --- Aken, Jeroen Anthoniszoon van, --- Aken, Jheronymus van, --- Aquen, Jheronimus, --- Bos, Hieronymus van, --- Bos, Ierōnymos, --- Bos, Jeronimus, --- Bosch, Hieronimus, --- Bosch, Hieronymous, --- Bosch, Hieronymus van Aken, --- Bosch, Jeroen, --- Bosch, Jérôme, --- Bosch, Jerónimo, --- Bosch, Jheronymus, --- Bosco, Hieronymus, --- Boskh, Ieronim, --- Bosque, Jerónimo, --- El Bosco, --- Bosch, Hieronymus --- Bosch, Jerome --- de Bosch, Jeronimo --- van Aken, Jheronimus --- Aeken, Hieronymus van --- Aken, Hieronymus van --- Aken, Jeroen Anthoniszoon van --- Aken, Jheronymus van --- Aquen, Jheronimus --- Bos, Hieronymus van --- Bos, Ierōnymos --- Bos, Jeronimus --- Bosch, Hieronimus --- Bosch, Hieronymous --- Bosch, Jérôme --- Bosch, Jerónimo --- Bosch, Jheronymus --- Bosco, Hieronymus --- Boskh, Ieronim --- Bosque, Jerónimo --- El Bosco --- iconografie. --- filosofie. --- moraal. --- Christendom. --- Bosch, Jheronimus.

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Jérôme Bosch (1450-1516) est issu d'une famille modeste venue s'installer aux Pays-Bas deux siècles plus tôt. Son grand-père Jan van Aken et son père Anthonis van Aken ont aussi exercé le métier de peintre. Épousant en 1480 une fille de riche aristocrate, il est accueilli comme « membre notable » par la confrérie Notre-Dame, association religieuse consacrée au culte de la Vierge, dont il devient naturellement le peintre attitré. C'est dans ses lectures et dans l'atmosphère d'hérésie et de mysticisme régnant alors, que Bosch puise une inspiration nouvelle qui lui fait délaisser l'iconographie t

Bosch, Hieronymus, --- Bosch, Hieronymus --- Bosch, Jerome --- de Bosch, Jeronimo --- Bosch, Jheronimus --- Aeken, Hieronymus van, --- Aken, Hieronymus van, --- Aken, Jeroen Anthoniszoon van, --- Aken, Jheronymus van, --- Aquen, Jheronimus, --- Bos, Hieronymus van, --- Bos, Ierōnymos, --- Bos, Jeronimus, --- Bosch, Hieronimus, --- Bosch, Hieronymous, --- Bosch, Hieronymus van Aken, --- Bosch, Jeroen, --- Bosch, Jérôme, --- Bosch, Jerónimo, --- Bosch, Jheronimus, --- Bosch, Jheronymus, --- Bosco, Hieronymus, --- Boskh, Ieronim, --- Bosque, Jerónimo, --- El Bosco, --- van Aken, Jheronimus --- Bosch, Jeroen --- Aeken, Hieronymus van --- Aken, Hieronymus van --- Aken, Jeroen Anthoniszoon van --- Aken, Jheronymus van --- Aquen, Jheronimus --- Bos, Hieronymus van --- Bos, Ierōnymos --- Bos, Jeronimus --- Bosch, Hieronimus --- Bosch, Hieronymous --- Bosch, Jérôme --- Bosch, Jerónimo --- Bosch, Jheronymus --- Bosco, Hieronymus --- Boskh, Ieronim --- Bosque, Jerónimo --- El Bosco

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Hiëronymus Bosch was painting frightful yet vaguely likable monsters long before computer games were ever invented, often with a touch of humor. His works are assertive statements about the mental illness that befalls any man who abandons the teachings of Christ. With a life that spanned 1450 to 1516, Bosch experienced the thick of the highly charged Renaissance and its wars of religion.Medieval tradition and values were crumbling, paving the way to thrust man into a new universe where faith lost some of its power and much of its magic.

Bosch, Hieronymus, --- Bosch, Hieronymus --- Bosch, Jerome --- de Bosch, Jeronimo --- Bosch, Jheronimus --- Aeken, Hieronymus van, --- Aken, Hieronymus van, --- Aken, Jeroen Anthoniszoon van, --- Aken, Jheronymus van, --- Aquen, Jheronimus, --- Bos, Hieronymus van, --- Bos, Ierōnymos, --- Bos, Jeronimus, --- Bosch, Hieronimus, --- Bosch, Hieronymous, --- Bosch, Hieronymus van Aken, --- Bosch, Jeroen, --- Bosch, Jérôme, --- Bosch, Jerónimo, --- Bosch, Jheronimus, --- Bosch, Jheronymus, --- Bosco, Hieronymus, --- Boskh, Ieronim, --- Bosque, Jerónimo, --- El Bosco, --- Criticism and interpretation. --- Painting, Renaissance. --- Paintings, Renaissance --- Renaissance painting --- van Aken, Jheronimus --- Bosch, Jeroen --- Aeken, Hieronymus van --- Aken, Hieronymus van --- Aken, Jeroen Anthoniszoon van --- Aken, Jheronymus van --- Aquen, Jheronimus --- Bos, Hieronymus van --- Bos, Ierōnymos --- Bos, Jeronimus --- Bosch, Hieronimus --- Bosch, Hieronymous --- Bosch, Jérôme --- Bosch, Jerónimo --- Bosch, Jheronymus --- Bosco, Hieronymus --- Boskh, Ieronim --- Bosque, Jerónimo --- El Bosco

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The structure of this publication is different from previous years. This time we are not presenting diverse scientific articles by researchers, but one single topic linking up with the previous publications by Dr Paul Vandenbroeck entitled 'A suspect paradise. Studies on the left panel and detail symbolism of Hieronymus Bosch's so-called 'Garden of Earthly Delights''. This contribution is divided into two parts: "The Garden of Eden, the 'Work of Nature' and marriage" and "Meaningful motifs on the centre panel". The first part focusses on the paradise wedding, with the exotic and sinister and the animals and monstra in the Garden of Eden, the symbolism of the paradise fountain and the representation of the owl is unravelled. In the second part attention is paid to the crescent of the moon, the sphere, plants, animals, acrobats and flying people and the layered structure in the representation. Vandenbroeck poses the question whether here on the centre panel a paradise or a sinful situation is depicted. He provides arguments for the at least partially negative significance value of the symbolism, which renders it impossible to depict a fully positive reality such as Paradise. His study results find their way into this highly enthralling read.

Iconography --- iconography --- Bosch, Jeroen --- 20.70 European art. --- Eden in art. --- Symbolism in art. --- Bosch, Hieronymus, --- Criticism and interpretation. --- Themes, motives. --- Eden in art --- Symbolism in art --- 75.07 --- 069.7(493) --- Schilderkunst ; Laat-Gotiek ; Jheronimus Bosch --- Hiëronymus (Jheronimus) van Aken (alias : Bosch) ca. 1450-1516 (° 's-Hertogenbosch, Nederland) --- Bosch, Jheronimus (ook Hiëronimus) --- Vlaamse Primitieven --- Allegory (Art) --- Signs and symbols in art --- Art --- Schilderkunst ; schilders --- Museumpublicaties ; België --- Aeken, Hieronymus van, --- Aken, Hieronymus van, --- Aken, Jeroen Anthoniszoon van, --- Aken, Jheronymus van, --- Aquen, Jheronimus, --- Bos, Hieronymus van, --- Bos, Ierōnymos, --- Bos, Jeronimus, --- Bosch, Hieronimus, --- Bosch, Hieronymous, --- Bosch, Hieronymus van Aken, --- Bosch, Jeroen, --- Bosch, Jérôme, --- Bosch, Jerónimo, --- Bosch, Jheronimus, --- Bosch, Jheronymus, --- Bosco, Hieronymus, --- Boskh, Ieronim, --- Bosque, Jerónimo, --- El Bosco, --- Bosch, Hieronymus --- Hiëronymus (Jheronimus) van Aken (alias : Bosch) ca. 1450-1516 (° 's-Hertogenbosch, Nederland) --- Bosch, Jheronimus (ook Hiëronimus) --- Museumpublicaties ; België --- Bosch, Jerome --- de Bosch, Jeronimo --- Bosch, Jheronimus --- van Aken, Jheronimus --- Aeken, Hieronymus van --- Aken, Hieronymus van --- Aken, Jeroen Anthoniszoon van --- Aken, Jheronymus van --- Aquen, Jheronimus --- Bos, Hieronymus van --- Bos, Ierōnymos --- Bos, Jeronimus --- Bosch, Hieronimus --- Bosch, Hieronymous --- Bosch, Jérôme --- Bosch, Jerónimo --- Bosch, Jheronymus --- Bosco, Hieronymus --- Boskh, Ieronim --- Bosque, Jerónimo --- El Bosco