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For generations, early Franciscan thought has been widely regarded as unoriginal: a mere attempt to systematize the longstanding intellectual tradition of Augustine in the face of the rising popularity of Aristotle. This volume brings together leading scholars in the field to undertake a major study of the sources and context of the so-called Summa Halensis (1236-45), which was collaboratively authored by the founding members of the Franciscan school at Paris, above all, Alexander of Hales, and John of La Rochelle, in an effort to lay down the Franciscan intellectual tradition or the first time. The contributions will highlight that this tradition, far from unoriginal, laid the groundwork for later Franciscan thought, which is often regarded as formative for modern thought. Furthermore, the volume shows the role this Summa played in the development of the burgeoning field of systematic theology, which has its origins in the young university of Paris. This is a crucial and groundbreaking study for those with interests in the history of western thought and theology specifically.
Alexander of Hales. --- Early Franciscan. --- John of La Rochelle. --- Summa Halensis. --- LITERARY CRITICISM / Ancient & Classical.
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For generations, early Franciscan thought has been widely regarded as unoriginal: a mere attempt to systematize the longstanding intellectual tradition of Augustine in the face of the rising popularity of Aristotle. This volume brings together leading scholars in the field to undertake a major study of the major doctrines and debates of the so-called Summa Halensis (1236-45), which was collaboratively authored by the founding members of the Franciscan school at Paris, above all, Alexander of Hales, and John of La Rochelle, in an effort to lay down the Franciscan intellectual tradition or the first time. The contributions will highlight that this tradition, far from unoriginal, laid the groundwork for later Franciscan thought, which is often regarded as formative for modern thought. Furthermore, the volume shows the role this Summa played in the development of the burgeoning field of systematic theology, which has its origins in the young university of Paris. This is a crucial and groundbreaking study for those with interests in the history of western thought and theology specifically.
Alexander of Hales. --- Early Franciscan. --- John of La Rochelle. --- Summa Halensis. --- LITERARY CRITICISM / Ancient & Classical. --- Alexander, --- Summa theologica --- Summa theologica. --- 600-1500 --- Ales, Alexander de, --- Alessandro, --- Alexander de Hales, --- Hales, Alexander of, --- Summa pseudo-Alexandri --- Summa theologica (Alexander, of Hales) --- Summa Halensis
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"Memoir of surveying for the BLM in the Utah Desert. Reflects on man's relationship to nature and work, the Mormon Church and the settling of the West, the idealistic legacy of the sixties, the controversy over Glen Canyon Dam, and the often antagonistic relationship of American capitalism to ecological management"--Provided by publisher.
Surveying --- Surveyors --- Cities and towns --- City surveying --- Land surveying --- Engineering --- Geodesy --- Geomatics --- History --- Hales, John,
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A Reader in Early Franciscan Theology presents for the first time in English key passages from the Summa Halensis, one of the first major installments in the summa genre for which scholasticism became famous. This systematic work of philosophy and theology was collaboratively written mostly between 1236 and 1245 by the founding members of the Franciscan school, such as Alexander of Hales and John of La Rochelle, who worked at the recently founded University of Paris.Modern scholarship has often dismissed this early Franciscan intellectual tradition as unoriginal, merely systematizing the Augustinian tradition in light of the rediscovery of Aristotle, paving the way for truly revolutionary figures like John Duns Scotus. But as the selections in this reader show, it was this earlier generation that initiated this break with precedent. The compilers of the Summa Halensis first articulated many positions that eventually become closely associated with the Franciscan tradition on issues like the nature of God, the proof for God’s existence, free will, the transcendentals, and Christology. This book is essential reading for anyone wishing to understand the ways in which medieval thinkers employed philosophical concepts in a theological context as well as the evolution of Franciscan thought and its legacy to modernity.A Reader in Early Franciscan Theology is available from the publisher on an open-access basis.
Theology, Doctrinal --- PHILOSOPHY / Religious. --- Alexander of Hales. --- Christology. --- Franciscan. --- John of La Rochelle. --- Trinity. --- divine infinity. --- free will. --- medieval philosophy. --- medieval theology. --- moral law. --- ontological argument. --- transcendentals.
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Alexander, --- Ales, Alexander de, --- Alessandro, --- Alexander de Hales, --- Hales, Alexander of, --- Bible. --- Jean (Book of the New Testament) --- Johanisi (Book of the New Testament) --- Johannesevangelium --- John (Book of the New Testament) --- Yohan pogŭm --- Yohane den (Book of the New Testament) --- Yūḥannā (Book of the New Testament) --- Ioganaĭ (Book of the New Testament) --- Иоганай (Book of the New Testament)
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Documentary photography --- Urbanization --- Photographers --- History. --- Peter Bacon Hales --- twintigste eeuw --- fotografie --- negentiende eeuw --- Verenigde Staten --- straatfotografie --- stadsfotografie --- reportagefotografie --- reportage --- stedenbouw --- fotografie en stedenbouw --- panorama's --- panoramafotografie --- wereldtentoonstellingen --- Riis Jacob --- stedelijkheid --- Krausz Sigmund --- 77.046 --- 77.035/036 --- Photography, Documentary --- Photography --- History
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"Abstract paintings were being produced even before Kandinsky. Completely independently from each other, Georgiana Houghton (1814-1884) in England, Hilma af Klint (1862-1944) in Sweden and Emma Kunz (1892-1963) in Switzerland developed an individual, abstract pictorial language. What they had in common was a desire to make visible the laws of nature, the intellect and the supernatural. Their works are being presented side by side for the first time in an exhibition. The three women artists all found their artistic language within the context of the spiritual movements of their times: Houghton in spiritism, af Klint in theosophy and Kunz in naturopathy. Their artworks bear witness to a 'mediumistic' praxis: Houghton and af Klint were inspired by higher beings to paint, while Kunz developed her drawings with the help of a pendulum. In addition, the volume shows stills by Harry Smith and James and John Whitney, who - inspired by various occult movements - made experimental films during the 1940s"--Publisher's website
Painting --- mysticism --- abstracte schilderkunst --- spiritualiteit --- Houghton, Georgiana --- Klint, Hilma A.F. --- Kunz, Emma --- abstracte kunst --- esoterie --- film --- natuur --- Klint, Hilma af --- Smith, Harry --- Whitney, James --- Whitney, John --- Film --- Abstract [fine arts style] --- Smith, Harry Everett --- abstracte, niet-figuratieve kunst --- Af Klint, Hilma --- Mysticism and art --- Spirituality in art --- Art, Abstract --- 7.037 --- Klint, Hilma af 1862-1944 (°Solna, Zweden) --- Houghton, Georgiana 1814 – 1884 (°Las Palmas, Gran Canaria) --- Kunz, Emma 1892-1963 (°Brittnau, Aargau, Zwitserland) --- Whitney, John 1917-1995 (°Pasadena, CA, Verenigde Staten) --- Smith, Harry Everett 1923-1991 (°Portland, Oregon, Verenigde Staten) --- Abstracte kunst ; 20ste eeuw ; ontstaan en ontwikkeling --- Art and mysticism --- Art --- Kunstgeschiedenis ; 1900 - 1950 --- Houghton, Georgiana, --- Klint, Hilma af, --- Kunz, Emma, --- Whitney, John, --- Whitney, James, --- Smith, Harry Everett, --- Smith, Harry, --- Whitney, John H. --- Whitney, John Hales, --- Af Klint, Hilma, --- Houghton, --- af Klint, Hilma --- abstracte kunst. --- natuur. --- spiritualiteit. --- esoterie. --- film. --- Houghton, Georgiana. --- Af Klint, Hilma. --- Kunz, Emma. --- Whitney, John. --- Whitney, James. --- Smith, Harry. --- Abstract [modern European style]
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Multimedia (Art) --- Mass media. --- Narration (Rhetoric) --- Narrative art. --- Interactive multimedia. --- Motion pictures and the arts. --- Video art. --- Art and technology. --- Oeuvres multimédias (Art) --- Médias --- Narration --- Art narratif --- Multimédias interactifs --- Cinéma et arts --- Art vidéo --- Art et technologie --- Abstracting and indexing --- Analyse et indexation des documents --- Médias et art --- Cinéma et arts --- Installations (art) --- Beloff Zoe --- Buckley Michael --- Courchesne Luc --- Dove Toni --- Feingold Ken --- Hales Chris --- Harwood Graham --- Legrady George --- Rieser Martin --- Scott Jill --- Seaman Bill --- Shaw Jeffrey --- Wand Eku --- Weinbren Grahame --- Zapp Andrea --- computerkunst --- digitale cultuur --- film en literatuur --- naratologie --- massamedia en allochtonen --- massamedia en maatschappij --- massamedia - publiciteitswezen - audiovisuele media; algemeen, audiovisuele media, algemeen --- 82:659.3 --- 82:791.43 --- 791.5 --- 82 --- computers --- film --- filmtheorie --- internet --- kunst en technologie --- literatuur --- nieuwe media --- virtual reality --- 098 --- beeldcultuur --- interactieve media --- massamedia --- media --- 82:791.43 Literatuur en film --- Literatuur en film --- 82:659.3 Literatuur en massacommunicatie --- Literatuur en massacommunicatie --- Film --- Mass communications --- Art vidéo --- Médias et art. --- Cinéma et arts. --- Art narratif. --- Art vidéo.
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Edited by Jeffrey Shaw and Peter Weibel --- digitale kunst --- computerkunst --- Nekes Werner --- scenografie --- Radok Emil --- Radok Alfred --- Svoboda Josef --- Marker Chris --- Anger Kenneth --- bioscopen --- VanDerBeek Stan --- Themerson Stefan --- Vasulka Steina --- Vasulka Woody --- Lye Len --- Deren Maya --- Richter Hans --- Le Grice Malcolm --- Brakhage Stan --- Weibel Peter --- Rybczynski Zbigniew --- Jost Jon --- Hersman Leeson Lynn --- Hoberman Perry --- Dove Toni --- Arnold Martin --- Ruhm Constanze --- Barba Rosa --- Stracke Caspar --- McCoy Jennifer --- McCoy Kevin --- Campbell Jim --- Weinbren Grahame --- Cathcart James --- Davenport Glorianna --- Friedlander Larry --- Barry Barbara --- Galyean Tinsley --- Bradley Brian --- Scott Jill --- Ahtila Eija-Liisa --- Julien Isaac --- Crandall Jordan --- Hales Chris --- Norrie Susan --- Hill Gary --- Legrady George --- Comella Rosemary --- Seaman Bill --- Hegedüs Agnes --- Howard Ian --- Klein Norman M. --- Kratky Andreas --- O'Neill Pat --- Labyrinth Project --- Forgács Péter --- Manovich Lev --- Cornwell Peter --- Shaw Jeffrey --- Bruyère Jean Michel --- LFK-lafabriks --- Boissier Jean-Louis --- Ziegler Christian --- Fujihata Masaki --- Jaschko Susanne --- Sauter Joachim --- Lüsebrink Dirk --- Egg Daniel --- Reinhart Martin --- Widrich Virgil --- Medlin Margie --- Maire Julien --- Beloff Zoe --- Oursler Tony --- Naimark Michael --- Barry Judith --- Blast Theory --- Courchesne Luc --- Del Favero Dennis --- de Nijs Marnix --- Sims Karl --- Deussen Oliver --- Lintermann Bernd --- Eshkar Shelley --- Kaiser Paul --- Lafia Marc --- Fire Didi --- Wisniewski Maciej --- Johnson Paul --- Napier Mark --- Speckenbach Jan --- Weiberg Birk --- Fürstner Thomas --- Heide Axel --- Pocock Philip --- Stehle Gregor --- Benayoun Maurice --- Schmid Michael --- Müller-Quade Jörn --- Beth Thomas --- 791.45 --- Film --- Digital cinematography --- Technology and the arts --- media --- multimedia --- Paik Nam June --- precinema --- Snow Michael --- Vertov Dziga --- video --- videokunst --- voorgeschiedenis film --- 7.038/039 --- 791.43 --- 791.5 --- Buñuel Luis --- Cardiff Janet --- computers --- computerspellen --- Cornell Joseph --- cybercultuur --- Dean Max --- Deleuze Gilles --- digitale film --- experimentele film --- Export Valie --- film --- filmgeschiedenis --- filmtheorie --- games --- Graham Dan --- Huyghe Pierre --- installaties --- Kentridge William --- Klein Norman M --- kunst --- kunst en technologie --- kunsttheorie --- Arts and technology --- Cinematography --- Digital filmmaking --- Digital moviemaking --- Digital techniques --- Arts
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