Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Gursky, Andreas --- fotografie --- architectuurfotografie --- Gursky Andreas --- twintigste eeuw --- Duitsland --- 77.071 GURSKY --- Exhibitions

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Photography, Artistic --- Architectural photography --- Landscape photography --- Photography --- Photographie artistique --- Photographie d'architecture --- Photographie de paysages --- Photographie --- Exhibitions. --- Exhibitions --- History --- Expositions --- Histoire --- Gursky, Andreas, --- Gursky, Andreas --- Peter Galassi --- fotografie --- Duitsland --- interieurfotografie --- architectuurfotografie --- landschapsfotografie --- Gursky Andreas --- twintigste eeuw --- 77.071 GURSKY

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In his large-format colour photos Gursky usually portrays vast panoramic views: "complete" townscapes, "endless horizons", huge factory halls and packed rooms, frequently from a bird's eye view, always from a great distance. The people in these tableaux, reminiscent of the landscape paintings of romanticism in terms of composition and lighting, are reduced to the size of tiny decorative figures, whose "individuality" seems to drown in the "ornamentation of the masses." Devoid of any trace of reproach or intention to psychologize, Gursky's portraits of exteriors and interiors capturing scenes of work and leisure are subtle descriptions of the condition of our society. (Copie du site Amazon.fr)

ed. by Marie Luise Syring with texts by Lynne Cooke, Rupert Pfab and Marie Luise Syring --- fotografie --- Duitsland --- Gursky Andreas --- stadsgezichten --- stadsfotografie --- musea --- vogelperspectief --- orkesten --- 77.071 GURSKY --- 761.2 --- 766.4 --- 766.6 --- Gursky, Andreas --- Düsseldorf School --- industriële fotografie --- landschapsfotografie --- reportagefotografie --- fotografen, afzonderlijk --- persfotografie en fotoreportage --- Photographie --- ed. by Marie Luise Syring ; with texts by Lynne Cooke, Rupert Pfab and Marie Luise Syring

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Ouvrage présentant le travail graphique d'un groupe d'artistes et d'architectes.

Graphisme --- Graphic arts --- Three-dimensional display systems --- History --- Designers Republic --- Sadar Vuga Arhitekti --- 766.071 DESIGNER'S REPUBLIC --- Gursky Andreas --- Texts contributed by Ole Bouman, Jeffrey Kipnis, Hans-Ulbrich Obrist [et al.] ; Photograph by Andreas Gursky --- The Designer's Republic --- grafische vormgeving --- interieurvormgeving --- twintigste eeuw --- 753.1 --- Bouman, Ole --- Gursky, Andreas --- Kipnis, Jeffrey --- Obrist, Hans Ulrich --- Pelko, Stojan --- Schumacher, Patrik --- architectuur --- ontwerpbureaus --- the designers republic --- grafische vormgeving , geschiedenis, ontwerpbureaus --- Graphic arts - Great Britain - History - 20th century

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The 'Düsseldorf School' has become a household name in the art world for one of the most successful and influential strains of modern photography. Coined in the late 1980s, the name refers mainly to the pioneer group of students of the late Bernd Becher, who in 1976 became the first professor for creative photography at a German arts academy. His students included Andreas Gursky, Candida Höfer, Axel Hütte, Thomas Ruff, and Thomas Struth, all of them today internationally acclaimed artists in their own right. Whereas 'Düsseldorf School' initially was used as a handy term for a group of artists with the same university's background, it quickly turned into a powerful brand name both in critical and commercial contexts. Despite its welcomed impact on the art scene, the members of the 'School' felt rather ambiguous about their perception as a group which turned them into stars but simultaneously risked levelling individual profiles and differences. What exactly connects and distinguishes them aesthetically is for the first time thoroughly explored in Maren Polte's pioneering study--Back cover.

Photography --- Artistic photography --- Artistieke fotografie --- Fotografie [Kunst] --- Kunstfotografie --- Photographie artistique --- Photography [Artistic ] --- Academic collection --- Photographers --- Photography, Artistic. --- History --- Germany --- Fotografie --- fotografie --- Becher, Bernd und Hilla --- Duitsland --- documentaire fotografie --- Höfer Candida --- twintigste eeuw --- Dusseldorf --- Becher Bernd & Hilla --- Struth Thomas --- Hütte Axel --- Ruff Thomas --- Gursky Andreas --- 77.038 --- photography [process] --- Becher, Bernd, --- Becher, Hilla --- Influence. --- Staatliche Kunstakademie Düsseldorf --- Photography - Germany - Düsseldorf