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L'idea di questo lavoro nacque più di un decennio addietro quando, studiando la gran massa di piccole terracotte di argomento teatrale rinvenute a Lipari, abbiamo potuto riscontrare la corrispondenza fra i tipi liparesi riferibili alla Commedia nuova e quelli descritti nel catalogo delle maschere della commedia conservatoci dallOnomastikon di Giulio Polluce. Quasi tutti i tipi descritti in questo catalogo potevano essere riconosciuti a Lipari stessa ο nella documentazione integrativa offertaci da altri centri della Sicilia quali Centuripe, Morgantina ecc., ma soprattutto nelle figurazioni musive ο pittoriche di Pompei e di Ercolano. Il ricorrere degli stessi tipi, sempre ben definiti dalle loro caratteristiche individuali, in centri diversi e lontani fra loro dimostrava d'altronde che non si trattava di creazioni estemporanee di artisti locali. È una documentazione che potrebbe ovviamente essere molto ampliata continuando ed estendendo ulteriormente le ricerche. Come già per le maschere della commedia, è infatti lungi da noi l'idea di un corpus delle maschere della tragedia pervenuteci dall'antichità classica. Sicché è sperabile che la raccolta da noi oggi presentata possa presto esse-re arricchita e migliorata ο anche forse parzialmente modificata.

Greek drama (Tragedy) --- Mythology, Greek, in literature --- Theater --- Masks --- Art, Hellenistic --- History and criticism --- History --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Hellenistic art --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Art, Greek --- Performing arts --- Acting --- Actors --- Costume --- Carnival --- Greek drama --- Greek drama (Tragedy) - History and criticism --- Theater - Greece - History --- Masks - Greece - History --- Theater - History - To 500 --- Italie --- tragédie grecque --- théâtre --- archéologie --- masque

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This book addresses the many interlocking problems in understanding the modes of performance, dissemination, and transmission of Greek poetry of the seventh to the fifth centuries BC whose first performers were a choral group, sometimes singing in a ritual context, sometimes in more secular celebrations of victories in competitive games. It explores the different ways such a group presented itself and was perceived by its audiences; the place of tyrants, of other prominent individuals and of communities in commissioning and funding choral performances and in securing the further circulation of the songs' texts and music; the social and political role of choral songs and the extent to which such songs continued to be performed both inside and outside the immediate family and polis-community, whether chorally or in archaic Greece's important cultural engine, the elite male symposium, with the consequence that Athenian theatre audiences could be expected to appreciate allusion to or reworking of such poetic forms in tragedy and comedy; and how various types of performance contributed to transmission of written texts of the poems until they were collected and edited by Alexandrian scholars in the third and second centuries BC.

Drama - Chorus (Greek drama). --- Drama -- Chorus (Greek drama). --- Greek drama (Tragedy) - History and criticism. --- Greek drama (Tragedy) -- History and criticism. --- Greek language - Accents and accentuation. --- Greek language -- Accents and accentuation. --- Greek language - Metrics and rhythmics. --- Greek language -- Metrics and rhythmics. --- Greek poetry - History and criticism - Theory, etc. --- Greek poetry -- History and criticism -- Theory, etc. --- Greek poetry --- Greek language --- Drama --- Greek drama (Tragedy) --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Theory, etc --- History and criticism --- Metrics and rhythmics --- Accents and accentuation --- Chorus (Greek drama) --- Chorus (Drama) --- Greek drama --- Greek literature --- Chorus --- E-books --- Theory, etc. --- Metrics and rhythmics. --- Accents and accentuation. --- History and criticism. --- Drama - Chorus (Greek drama) --- Drama -- Chorus (Greek drama) --- Greek drama (Tragedy) - History and criticism --- Greek drama (Tragedy) -- History and criticism --- Greek language - Accents and accentuation --- Greek language -- Accents and accentuation --- Greek language - Metrics and rhythmics --- Greek language -- Metrics and rhythmics --- Greek poetry - History and criticism - Theory, etc --- Greek poetry -- History and criticism -- Theory, etc --- Archaic Greece. --- Choruses. --- Pan-Hellenism. --- Song Performance. --- Transmission.

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Explores the full extent of Hegel's interest in tragedy and comedy throughout his works and extends from more literary and dramatic issues to questions about the role these genres play in the history of society and religion.

Greek drama (Tragedy) --- Greek drama (Comedy) --- History and criticism --- Theory, etc. --- Hegel, Georg Wilhelm Friedrich, --- Hegel, Georg Wilhelm Friedrich --- Greek drama (Tragedy) - History and criticism - Theory, etc --- Greek drama (Comedy) - History and criticism - Theory, etc --- Hēgeru, --- Hei-ko-erh, --- Gegelʹ, Georg, --- Hījil, --- Khegel, --- Hegel, G. W. F. --- Hegel, --- Hei Ge Er, --- Chenkel, --- Hīghil, --- הגל, --- הגל, גאורג וילהלם פרידריך, --- הגל, גיאורג וילהלם פרידריך, --- הגל, ג.ו.פ, --- היגל, גורג ווילהלם פרדריך, --- היגל, גיורג וילהלם פרידריך, --- 黑格尔, --- Hegel, Guillermo Federico, --- Hegel, Jorge Guillermo Federico, --- Heyel, Georg Wilhelm Friedrich, --- Higil, Gʼūrg Vīlhim Frīdrīsh, --- ‏هگل, --- ‏هگل، گئورگ ويلهم فريدريش, --- Greek drama (Comedy)--History and criticism--Theory, etc. --- Greek drama (Tragedy)--History and criticism--Theory, etc. --- Hegel, Georg Wilhelm Friedrich, 1770-1831.

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Is "space" a thing, a container, an abstraction, a metaphor, or a social construct? This much is certain: space is part and parcel of the theater, of what it is and how it works. In The Play of Space, noted classicist-director Rush Rehm offers a strikingly original approach to the spatial parameters of Greek tragedy as performed in the open-air theater of Dionysus. Emphasizing the interplay between natural place and fictional setting, between the world visible to the audience and that evoked by individual tragedies, Rehm argues for an ecology of the ancient theater, one that "nests" fifth-century theatrical space within other significant social, political, and religious spaces of Athens. Drawing on the work of James J. Gibson, Kurt Lewin, and Michel Foucault, Rehm crosses a range of disciplines--classics, theater studies, cognitive psychology, archaeology and architectural history, cultural studies, and performance theory--to analyze the phenomenology of space and its transformations in the plays of Aeschylus, Sophocles, and Euripides. His discussion of Athenian theatrical and spatial practice challenges the contemporary view that space represents a "text" to be read, or constitutes a site of structural dualities (e.g., outside-inside, public-private, nature-culture). Chapters on specific tragedies explore the spatial dynamics of homecoming ("space for returns"); the opposed constraints of exile ("eremetic space" devoid of normal community); the power of bodies in extremis to transform their theatrical environment ("space and the body"); the portrayal of characters on the margin ("space and the other"); and the tragic interactions of space and temporality ("space, time, and memory"). An appendix surveys pre-Socratic thought on space and motion, related ideas of Plato and Aristotle, and, as pertinent, later views on space developed by Newton, Leibniz, Descartes, Kant, and Einstein. Eloquently written and with Greek texts deftly translated, this book yields rich new insights into our oldest surviving drama.

Theater --- Space and time in literature. --- Greek drama (Tragedy) --- Greek drama --- Space and time as a theme in literature --- History --- History and criticism. --- Ancient presentation --- Presentation, Ancient --- Space and time in literature --- History and criticism --- Space perception. --- Spatial perception --- Perception --- Spatial behavior --- Figure-ground perception --- Geographical perception --- 18.43 ancient Greek literature. --- Greek drama (Tragedy). --- Grieks. --- Ruimtelijke aspecten. --- Theater. --- Théâtre --- Tragedies. --- Tragédie grecque. --- Voorstellingen (uitvoerende kunsten). --- To 500. --- Greece. --- Theater - Greece --- Theater - History - To 500 --- Greek drama (Tragedy) - History and criticism --- Aegina. --- Alcibiades. --- Amazons. --- Beckett, Samuel. --- Chomsky, Noam. --- Diogenes of Apollonia. --- Eleatics. --- Empedocles. --- Foucault, Michel. --- Gellie, George. --- Goldhill, Simon. --- Halliburton, David. --- Heidegger, Martin. --- Heraclitus. --- Jameson, Michael. --- Lewin, Kurt. --- Loraux, Nicole. --- Newton, Isaac. --- Nightingale, Andrea. --- Palladion. --- Panhellenic norms. --- Parminides. --- Pnyx. --- Seaford, Richard. --- Themistocles. --- actors. --- architecture. --- dance. --- elements. --- ephebeia. --- exile. --- hero cult. --- landscape. --- memory. --- orality. --- role doubling. --- semiotics.