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Il poeta veneziano Girolamo Molin (1500 - 1569) rappresenta una delle voci più signi ficative della scena lagunare di pieno Cinquecento. Particolarmente vicino a Domenico Venier e in contatto con pressoché tutti i principali esponenti della scena culturale veneta del periodo, Molin è autore di una poesia in cui la solida assimilazione dei modelli lirici, soprattutto Bembo e Trissino, convive con un sapiente recupero della tradizione classica. In un raffi nato equilibrio tra sostenuta compostezza stilistica e sperimentalismo delle forme, le sue Rime (1573), pubblicate postume e scandite per blocchi tematici e metrici, danno voce a un discorso lirico capace di spaziare oltre le misure più consuete del petrarchismo cinquecentesco. La malinconica rifl essione esistenziale, l'intenzione di assaporare appieno le gioie amorose nonché il forte impegno civile sono solo alcuni dei temi più ricorrenti della poesia moliniana, da leggere in costante dialogo con le coeve proposte liriche dei suoi sodali. L'edizione, corredata di un'ampia introduzione, intende approfondire l'esperienza poetica di Molin in relazione alla vivace cornice della Venezia cinquecentesca, vero e proprio mosaico di cenacoli, tipografi e e accademie, e interpretarla alla luce delle principali trame di infl uenza che, da Pietro Bembo a Torquato Tasso, ne hanno contraddistinto il panorama letterario.
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Forced to leave Italy because of his Protestant views, Girolamo Zanchi (1516-1590) became a respected Reformed theologian abroad and helped to shape the emerging ‘Reformed Orthodoxy’. Zanchi’s work on a common confession of faith for the Reformed churches placed him at the heart of the international Reformed community. Although that project was never brought to fruition, the result of Zanchi’s efforts was De religione christiana fides , a critical edition of which is published here, alongside a 16th-century English translation of the work. De religione christiana fides serves as a compendium of Zanchi’s mature theology and reflects the development of Reformed dogmatics and polemic more generally in the late 16th century. It therefore provides an interesting picture of the theology of a whole era.
Reformed Church --- Doctrines --- Zanchi, Girolamo, --- Protestant churches
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Girolamo Borsieri (Como 1588-1629), a versatile intellectual of ranging interests, was greatly appreciated by his contemporaries for the breadth of his literary, artistic and historical knowledge and for his witty and laconic style. Among his admirers were Federico Borromeo and Giovan Battista Marino. In the twentieth century his intellectual standing was acknowledged in works of art history criticism, which were followed by other contributions of literary, linguistic and musicological interest. Despite this, even now many of his works appear to have been somewhat neglected. Starting from the writer's own reflections and the suggestions offered by the critics, the present work proposes a key to the reading of Borsieri as a man, an intellectual and a theorist. It is a monograph on Girolamo Borsieri, constructed largely upon first-hand manuscript and autograph materials that make it possible to sketch his biographical profile and the why and how of his participation in the cultural and religious renewal of Lombard society in the early decades of the seventeenth century. Borsieri's writings are presented, and their critical reception traced. His sacred madrigals – Il Salterio Affetti Spirituali – are also published here for the first time, from the autograph.
Borsieri, G. --- Criticism and interpretation. --- Borsieri, Girolamo --- Literature: history & criticism --- Letteratura --- Girolamo Borsieri
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Casanova, Giacomo, --- Europe --- History --- Casanova, Giacomo --- Casanova de Seingalt, Giacomo Girolamo, --- Kasanova, Dzhiakomo, --- Seingalt, Giacomo Girolamo Casanova de --- Casanova de Seingalt, Giovanni Giacomo --- Casanova di Seingalt, Giacomo Girolamo --- Casanova, Jacques --- Casanova de Seingalt, Jacques --- Seingalt, Jacques Casanova de --- De Seingalt, Giacomo Girolamo Casanova --- Casanova --- Kazanova --- Казанова, Джакомо --- קאזאנובה, ג'אקומו,
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Folengo, Teofilo, --- Criticism and interpretation. --- Folengo, Girolamo, --- Coccaius, Merlinus, --- Pitocco, Limerno,
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Casanova, Giacomo G. --- Casanova, Giacomo, --- Europe --- Biography. --- Biographie --- 82 --- CDL --- Casanova, Giacomo --- Casanova de Seingalt, Giacomo Girolamo, --- Kasanova, Dzhiakomo, --- Seingalt, Giacomo Girolamo Casanova de, --- Casanova de Seingalt, Giovanni Giacomo, --- Casanova di Seingalt, Giacomo Girolamo, --- Casanova, Jacques, --- Casanova de Seingalt, Jacques, --- Seingalt, Jacques Casanova de, --- De Seingalt, Giacomo Girolamo Casanova, --- Casanova, --- Kazanova, --- Казанова, Джакомо, --- קאזאנובה, ג'אקומו, --- Seingalt, Giacomo Girolamo Casanova de --- Casanova de Seingalt, Giovanni Giacomo --- Casanova di Seingalt, Giacomo Girolamo --- Casanova, Jacques --- Casanova de Seingalt, Jacques --- Seingalt, Jacques Casanova de --- De Seingalt, Giacomo Girolamo Casanova --- Casanova --- Kazanova --- Казанова, Джакомо
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The avant-garde gadfly reappraises Casanova's genius for living
Adventure and adventurers --- Casanova, Giacomo, --- Casanova, Giacomo --- Casanova de Seingalt, Giacomo Girolamo, --- Kasanova, Dzhiakomo, --- Seingalt, Giacomo Girolamo Casanova de, --- Casanova de Seingalt, Giovanni Giacomo, --- Casanova di Seingalt, Giacomo Girolamo, --- Casanova, Jacques, --- Casanova de Seingalt, Jacques, --- Seingalt, Jacques Casanova de, --- De Seingalt, Giacomo Girolamo Casanova, --- Casanova, --- Kazanova, --- Казанова, Джакомо, --- קאזאנובה, ג'אקומו, --- Europe --- Seingalt, Giacomo Girolamo Casanova de --- Casanova de Seingalt, Giovanni Giacomo --- Casanova di Seingalt, Giacomo Girolamo --- Casanova, Jacques --- Casanova de Seingalt, Jacques --- Seingalt, Jacques Casanova de --- De Seingalt, Giacomo Girolamo Casanova --- Casanova --- Kazanova --- Казанова, Джакомо
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Early seventeenth-century Italy saw a revolution in instrumental music. Large, varied, and experimental, the new instrumental repertoire was crucial for the Western tradition-but until now, the impulses that gave rise to it had yet to be fully explored. Curious and Modern Inventions offers fresh insight into the motivating forces behind this music, tracing it to a new conception of instruments of all sorts-whether musical, artistic, or scientific-as vehicles of discovery. Rebecca Cypess shows that early modern thinkers were fascinated with instrumental technologies. The telescope, the clock, the pen, the lute-these were vital instruments for leading thinkers of the age, from Galileo Galilei to Giambattista Marino. No longer used merely to remake an object or repeat a process already known, instruments were increasingly seen as tools for open-ended inquiry that would lead to new knowledge. Engaging with themes from the history of science, literature, and the visual arts, this study reveals the intimate connections between instrumental music and the scientific and artisanal tools that served to mediate between individuals and the world around them.
Instrumental music --- Music --- History and criticism. --- Marini, Biagio, --- Farina, Carlo, --- Frescobaldi, Girolamo, --- Castello, Dario, --- discovery, science, innovation, invention, galileo, instrumental music, instruments, telescope, clock, pen, lute, giambattista marino, inquiry, research, literature, visual arts, tools, marini biagio, affetti musicali, carlo farina, frescobaldi girolamo, castello dario, 17th century, history, nonfiction, solo, ensemble, strings, early modern, interdisciplinary, experimental philosophy, material culture, painting, collections, renaissance, classical.
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This book presents a study of humanism, theology, and politics in Florence during the last decades of the fifteenth century. It considers the relations between humanists and theologians and between humanism and religion. Modern scholarship on humanism has not taken sufficient account of the deep interest shown by Marsilio Ficino (1433-1499) and Giovanni Pico della Mirandola (1463-1494) in theology and religion. This book presents a detailed and innovative account of Ficino’s De Christiana religione (1474) and of Pico’s Apologia (1487), in the context of explaining the evolution of a humanist theology. The book ends with a consideration of the stormy events of the 1490's, when Girolamo Savonarola (1452-1498) became a leading spiritual and political figure in Florentine public life.
Christentum --- Humanismus --- Christianity and religious humanism. --- Theological anthropology. --- Anthropology, Doctrinal --- Anthropology, Theological --- Body and soul (Theology) --- Doctrinal anthropology --- Humanity, Doctrine of --- Man, Doctrine of --- Man (Theology) --- Mankind, Doctrine of --- Religion --- Christianity and other religions --- Humanism, Religious --- Ficino, Marsilio --- Pico della Mirandola, Giovanni --- Savonarola, Girolamo --- Ficino, Marsilio, --- Pico della Mirandola, Giovanni, --- Savonarola, Girolamo, --- Savonarole, Jérome, --- Savonarola, Girolamo Maria Francesco Matteo, --- Savonarola, Gerolamo, --- Savonarola, Hieronimo, --- Savonarola, Hieronymus, --- Savonarola, Ieróm, --- Savanorola, Hierome, --- Hieronymo, --- Geschichte 1461-1498 --- Florenz --- Italien --- Humanism --- Philosophical anthropology. --- Anthropology, Philosophical --- Man (Philosophy) --- Civilization --- Life --- Ontology --- Persons --- Philosophy of mind --- Philosophy --- Classical education --- Classical philology --- Philosophical anthropology --- Renaissance --- History. --- Christianity and religious humanism --- Humanism - Italy - Florence - History --- Theological anthropology --- Ficino, Marsilio, - 1433-1499. - De Christiana religione --- Pico della Mirandola, Giovanni, - 1463-1494. - Apologia. --- Savonarola, Girolamo, - 1452-1498
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