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Il poeta veneziano Girolamo Molin (1500 - 1569) rappresenta una delle voci più signi ficative della scena lagunare di pieno Cinquecento. Particolarmente vicino a Domenico Venier e in contatto con pressoché tutti i principali esponenti della scena culturale veneta del periodo, Molin è autore di una poesia in cui la solida assimilazione dei modelli lirici, soprattutto Bembo e Trissino, convive con un sapiente recupero della tradizione classica. In un raffi nato equilibrio tra sostenuta compostezza stilistica e sperimentalismo delle forme, le sue Rime (1573), pubblicate postume e scandite per blocchi tematici e metrici, danno voce a un discorso lirico capace di spaziare oltre le misure più consuete del petrarchismo cinquecentesco. La malinconica rifl essione esistenziale, l'intenzione di assaporare appieno le gioie amorose nonché il forte impegno civile sono solo alcuni dei temi più ricorrenti della poesia moliniana, da leggere in costante dialogo con le coeve proposte liriche dei suoi sodali. L'edizione, corredata di un'ampia introduzione, intende approfondire l'esperienza poetica di Molin in relazione alla vivace cornice della Venezia cinquecentesca, vero e proprio mosaico di cenacoli, tipografi e e accademie, e interpretarla alla luce delle principali trame di infl uenza che, da Pietro Bembo a Torquato Tasso, ne hanno contraddistinto il panorama letterario.

Italian poetry --- Girolamo Molin,

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Girolamo Borsieri (Como 1588-1629), a versatile intellectual of ranging interests, was greatly appreciated by his contemporaries for the breadth of his literary, artistic and historical knowledge and for his witty and laconic style. Among his admirers were Federico Borromeo and Giovan Battista Marino. In the twentieth century his intellectual standing was acknowledged in works of art history criticism, which were followed by other contributions of literary, linguistic and musicological interest. Despite this, even now many of his works appear to have been somewhat neglected. Starting from the writer's own reflections and the suggestions offered by the critics, the present work proposes a key to the reading of Borsieri as a man, an intellectual and a theorist. It is a monograph on Girolamo Borsieri, constructed largely upon first-hand manuscript and autograph materials that make it possible to sketch his biographical profile and the why and how of his participation in the cultural and religious renewal of Lombard society in the early decades of the seventeenth century. Borsieri's writings are presented, and their critical reception traced. His sacred madrigals – Il Salterio Affetti Spirituali – are also published here for the first time, from the autograph.

Borsieri, G. --- Criticism and interpretation. --- Borsieri, Girolamo --- Literature: history & criticism --- Letteratura --- Girolamo Borsieri

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Folengo, Teofilo, --- Criticism and interpretation. --- Folengo, Girolamo, --- Coccaius, Merlinus, --- Pitocco, Limerno,

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The avant-garde gadfly reappraises Casanova's genius for living

Adventure and adventurers --- Casanova, Giacomo, --- Casanova, Giacomo --- Casanova de Seingalt, Giacomo Girolamo, --- Kasanova, Dzhiakomo, --- Seingalt, Giacomo Girolamo Casanova de, --- Casanova de Seingalt, Giovanni Giacomo, --- Casanova di Seingalt, Giacomo Girolamo, --- Casanova, Jacques, --- Casanova de Seingalt, Jacques, --- Seingalt, Jacques Casanova de, --- De Seingalt, Giacomo Girolamo Casanova, --- Casanova, --- Kazanova, --- Казанова, Джакомо, --- קאזאנובה, ג'אקומו, --- Europe --- Seingalt, Giacomo Girolamo Casanova de --- Casanova de Seingalt, Giovanni Giacomo --- Casanova di Seingalt, Giacomo Girolamo --- Casanova, Jacques --- Casanova de Seingalt, Jacques --- Seingalt, Jacques Casanova de --- De Seingalt, Giacomo Girolamo Casanova --- Casanova --- Kazanova --- Казанова, Джакомо

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This book presents a study of humanism, theology, and politics in Florence during the last decades of the fifteenth century. It considers the relations between humanists and theologians and between humanism and religion. Modern scholarship on humanism has not taken sufficient account of the deep interest shown by Marsilio Ficino (1433-1499) and Giovanni Pico della Mirandola (1463-1494) in theology and religion. This book presents a detailed and innovative account of Ficino’s De Christiana religione (1474) and of Pico’s Apologia (1487), in the context of explaining the evolution of a humanist theology. The book ends with a consideration of the stormy events of the 1490's, when Girolamo Savonarola (1452-1498) became a leading spiritual and political figure in Florentine public life.

Christentum --- Humanismus --- Christianity and religious humanism. --- Theological anthropology. --- Anthropology, Doctrinal --- Anthropology, Theological --- Body and soul (Theology) --- Doctrinal anthropology --- Humanity, Doctrine of --- Man, Doctrine of --- Man (Theology) --- Mankind, Doctrine of --- Religion --- Christianity and other religions --- Humanism, Religious --- Ficino, Marsilio --- Pico della Mirandola, Giovanni --- Savonarola, Girolamo --- Ficino, Marsilio, --- Pico della Mirandola, Giovanni, --- Savonarola, Girolamo, --- Savonarole, Jérome, --- Savonarola, Girolamo Maria Francesco Matteo, --- Savonarola, Gerolamo, --- Savonarola, Hieronimo, --- Savonarola, Hieronymus, --- Savonarola, Ieróm, --- Savanorola, Hierome, --- Hieronymo, --- Geschichte 1461-1498 --- Florenz --- Italien --- Humanism --- Philosophical anthropology. --- Anthropology, Philosophical --- Man (Philosophy) --- Civilization --- Life --- Ontology --- Persons --- Philosophy of mind --- Philosophy --- Classical education --- Classical philology --- Philosophical anthropology --- Renaissance --- History. --- Christianity and religious humanism --- Humanism - Italy - Florence - History --- Theological anthropology --- Ficino, Marsilio, - 1433-1499. - De Christiana religione --- Pico della Mirandola, Giovanni, - 1463-1494. - Apologia. --- Savonarola, Girolamo, - 1452-1498