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In unserer hochtechnisierten Welt verschwimmen die Grenzen zwischen Mensch und Maschine in zahlreichen Bereichen der Wissenschaft, der Arbeit und des Alltagslebens immer mehr. Diese Verflechtungen beeinflussen unser tägliches Leben und stellen Möglichkeiten, aber auch Einschränkungen, Chancen und Herausforderungen dar. Die Beiträge des Bandes greifen diese Themen auf, indem sie eine stark interdisziplinäre Perspektive einnehmen. Wie wirken sich Digitalisierung und Künstliche Intelligenz in der Lebens- und Arbeitswelt auf die Geschlechterverhältnisse aus? Wie kann Intersektionalität in einer zunehmend international vernetzten Welt neu verstanden werden? In numerous fields of science, work, and everyday life, humans and machines have been increasingly entangled, developing an ever-growing toolbox of interactions. These entanglements affect our daily lives and pose possibilities as well as restrictions, chances as well as challenges. The contributions of this volume tackle related issues by adopting a highly interdisciplinary perspective. How do digitalization and artificial intelligence affect gender relations? How can intersectionality be newly understood in an increasingly internationally networked world? This volume is a collection of contributions deriving from the "Interdisciplinary Conference on the Relations of Humans, Machines and Gender" which took place in Braunschweig (October 16-19, 2019). It also includes the keynotes given by Cecile Crutzen, Galit Wellner and Helen Verran.

artificial intelligence --- Digitalisierung --- digitalization --- gender relations --- gender studies --- Geschlechterforschung --- Geschlechterverhältnisse --- human-machine interaction --- interdisciplinarity --- Interdisziplinarität --- Künstliche Intelligenz --- Mensch-Maschine-Interaktion --- science and technology studies --- Technikforschung --- Human-computer interaction.

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Sexistische Praktiken und Diskriminierungen sind, wie fast überall, auch innerhalb der Szene der Neuen Musik verbreitet - so wurden Frauen etwa als Komponistinnen über Jahrzehnte kaum wahrgenommen. Die Beiträge des Bandes repräsentieren unterschiedliche Perspektiven der Autor*innen auf den Themenkomplex Gender und Neue Musik. Gefragt wird nach Vorurteilen in Bezug auf die Geschlechter, die fest in der Tradition verankert und teilweise bis heute mit Blick auf ästhetische, institutionelle und soziale Voraussetzungen Neuer Musik wirksam sind. Im Fokus steht der Zeitraum von den 1950er Jahren bis in die Gegenwart.

Neue Musik; Gender; Sex; Geschlecht; Performance Art; Kunst; Kulturbetrieb; Komposition; Intersektionalität; Tradition; Kulturgeschichte; Diskriminierung; Geschlechterverhältnisse; Ästhetik; Gleichstellung; Ein- und Ausschlussmechanismen; Herkunft; Musik; Körper; Musikwissenschaft; Gender Studies; Klang; New Music; Art; Cultural Economy; Composition; Intersectionality; Cultural History; Discrimination; Gender Relations; Aesthetics; Equality; Origin; Music; Body; Musicology; Sound --- Aesthetics. --- Art. --- Body. --- Composition. --- Cultural Economy. --- Cultural History. --- Discrimination. --- Equality. --- Gender Relations. --- Gender Studies. --- Gender. --- Intersectionality. --- Music. --- Musicology. --- Origin. --- Performance Art. --- Sound. --- Tradition.

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Welche Diskurse der Geschlechterforschung lassen sich identifizieren, wie verorten sie sich und an welche Denktraditionen knüpfen sie an? Angesichts der Vielfalt und Komplexität des wissenschaftlichen Gegenstandes Geschlecht verwundert es nicht, dass sich unterschiedliche disziplinäre Zugänge und Perspektiven entwickelt und herausgebildet haben. Der Band nimmt hier insbesondere die Disziplinen Soziologie, Ökonomie und Bildung in den Blick. The anthology takes the diversity and complexity of the scientific subject of gender as an opportunity to discuss the various disciplinary approaches and perspectives of sociology, economics and education.

Bildung und Geschlecht --- Chancen- und Geschlechtergerechtigkeit --- economics and gender --- education and gender --- educational sciences --- Erziehungswissenschaften --- feminist theory --- Feministische Theorie --- gender relations in society --- gender studies --- Geschlechterforschung --- Geschlechterverhältnisse in der Gesellschaft --- opportunities and gender justice --- plural feminist economy --- Plurale Feministische Ökonomie --- social sciences --- sociology --- Sozialwissenschaften --- Soziologie --- Wirtschaftswissenschaften und Geschlecht --- Bildung und Geschlecht;Chancen- und Geschlechtergerechtigkeit;economics and gender;education and gender;educational sciences;Erziehungswissenschaften;feminist theory;Feministische Theorie;gender relations in society;gender studies;Geschlechterforschung;Geschlechterverhältnisse in der Gesellschaft;opportunities and gender justice;plural feminist economy;Plurale Feministische Ökonomie;social sciences;sociology;Sozialwissenschaften;Soziologie;Wirtschaftswissenschaften und Geschlecht

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In this survey Ian McEwan emerges as one of those rare writers whose works have received both popular and critical acclaim. His novels grace the bestseller lists, and he is well regarded by critics, both as a stylist and as a serious thinker about the function and capacities of narrative fiction.McEwan's novels treat issues that are central to our times: politics, and the promotion of vested interests; male violence and the problem of gender relations; science and the limits of rationality; nature and ecology; love and innocence; and the quest for an ethical worldview. Yet he is also an econom

English --- Languages & Literatures --- English Literature --- McEwan, Ian --- MacEwan, Ian --- McEwan, I. --- Criticism and interpretation. --- Makʹi︠u︡en, Iėn --- Макьюэн, Иэн --- McEwan, Ian Russell --- מקיואן, איאן --- British novelists. --- Ian McEwan. --- bestseller lists. --- ethical worldview. --- gender relations. --- innocence. --- male violence. --- narrative fiction. --- rationality. --- vested interests.

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First published in 1986, Lila Abu-Lughod's Veiled Sentiments has become a classic ethnography in the field of anthropology. During the late 1970s and early 1980s, Abu-Lughod lived with a community of Bedouins in the Western Desert of Egypt for nearly two years, studying gender relations, morality, and the oral lyric poetry through which women and young men express personal feelings. The poems are haunting, the evocation of emotional life vivid. But Abu-Lughod's analysis also reveals how deeply implicated poetry and sentiment are in the play of power and the maintenance of social hierarchy. What begins as a puzzle about a single poetic genre becomes a reflection on the politics of sentiment and the complexity of culture. This thirtieth anniversary edition includes a new afterword that reflects on developments both in anthropology and in the lives of this community of Awlad 'Ali Bedouins, who find themselves increasingly enmeshed in national political and social formations. The afterword ends with a personal meditation on the meaning-for all involved-of the radical experience of anthropological fieldwork and the responsibilities it entails for ethnographers.

Bedouins --- Folk poetry, Arabic --- Arabic poetry --- Honor --- Sex customs --- Women, Bedouin --- Social life and customs. --- History and criticism. --- Bedouin authors --- anthropologist. --- anthropology. --- bedouin. --- community of awlad ali bedouins. --- egypt. --- ethnographic studies. --- ethnography. --- gender relations. --- international relations. --- morality. --- poems. --- poetry collection. --- sentimental. --- social normality. --- travelers. --- western desert.