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Hauptbeschreibung Dieses 1753 erschienene Werk des Musiktheoretikers und Komponisten Friedrich Wilhelm Marpurg (1718-1795) ist das erste ausschließlich der Fuge (und dem Kanon) gewidmete Lehrbuch. Es gilt als wichtigstes Werk über die Fuge im 18. Jahrhundert und als bedeutendste musiktheoretische Abhandlung seiner Zeit. Es wurde bis weit ins 19. Jahrhundert als grundlegendes Lehrwerk geschätzt und prägte auf diese Weise Generationen von Musikern, darunter nachweislich bedeutende Komponisten wie Beethoven und Schumann. Marpurgs umfassende Behandlung des Gegenstands eröffnet mit zahlreichen Bei
Fugue --- Counterpoint --- Canons, fugues, etc. --- Fugues --- Musical form --- History and criticism
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A radical new level of scrutiny of Johann Sebastian Bach's Musikalisches Opfer which has been and continues to be the most controversial single composition he ever wrote and perhaps the single most mysterious and frustrating work anyone ever composed.
Fugue. --- Canons, fugues, etc. --- Fugues --- Counterpoint --- Musical form --- History and criticism --- Bach, Johann Sebastian,
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Fugue --- 550 --- Theorie: contrapunt en fuga --- Canons, fugues, etc. --- Fugues --- Counterpoint --- Musical form --- History and criticism --- History --- 543 --- Contrapunt - fuga - canon
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Bach, Johann Sebastian --- 526 --- Canons, fugues, etc --- -Fugues --- Preludes and fugues --- Monografieën componisten --- Analysis, appreciation --- Bach, Johann Sebastian. --- Canons, fugues, etc. --- Analysis, appreciation. --- Bach, Johann Sebastian, --- -Monografieën componisten --- Bach, Jean-Sébastien --- Fugues --- Bakh, Iogann Sebastian, --- Bakh, Y. S., --- Bach, Jean Sébastien, --- Bach, G. S., --- Bach, Jan Sebastian, --- Bachas, J. S., --- Bach, J. S. --- Bahs, Johans Sebatjans, --- Pa-ha, Te, --- Bakh, Ĭ. S. --- Bakh, Ĭokhan Sebastian, --- Bach, Joh. Seb. --- Bakh, Yohan Sebasṭyan, --- Bach, Iohann Sebastian, --- Bahha, J. S., --- Bahha, Yohan Sebasutian, --- Bach, I. S., --- Bach, Juan S., --- Bach, John Sebastian, --- Bach, Giovanni Sebastiano, --- באך, יוהן סבסטיאן --- Duitsland --- Bach, Johann Sebastian (1685-1750) --- 18e eeuw
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A free ebook version of this title is available through Luminos, University of California Press's new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Fugue for J. S. Bach was a natural language; he wrote fugues in organ toccatas and voluntaries, in masses and motets, in orchestral and chamber music, and even in his sonatas for violin solo. The more intimate fugues he wrote for keyboard are among the greatest, most influential, and best-loved works in all of Western music. They have long been the foundation of the keyboard repertory, played by beginning students and world-famous virtuosi alike. In a series of elegantly written essays, eminent musicologist Joseph Kerman discusses his favorite Bach keyboard fugues-some of them among the best-known fugues and others much less familiar. Kerman skillfully, at times playfully, reveals the inner workings of these pieces, linking the form of the fugues with their many different characters and expressive qualities, and illuminating what makes them particularly beautiful, powerful, and moving. These witty, insightful pieces, addressed to musical amateurs as well as to specialists and students, are beautifully augmented by performances made specially for this volume: Karen Rosenak, piano, playing two preludes and fugues fromTheWell-Tempered Clavier-C Major, book 1; and B Major, book 2--and Davitt Moroney playing the Fughetta in C Major, BWV 952, on clavichord; the Fugue on ";Jesus Christus unser Heiland,"; BWV 689, on organ; and the Fantasy and Fugue in A Minor, BWV 904, on harpsichord.
Fugue. --- MUSIC / Genres & Styles / Classical. --- Canons, fugues, etc. --- Fugues --- Counterpoint --- Musical form --- History and criticism --- Bach, Johann Sebastian, --- Keyboard music (Bach, Johann Sebastian) --- 18th century fugues. --- 18th century music. --- bach. --- classical music. --- clavichord music. --- fugue in c major. --- fugue in c minor. --- fugues. --- harpsichord music. --- history of music. --- intimate fugues. --- keyboard composition. --- keyboard music. --- music appreciation. --- music composition. --- music theory. --- musical analysis. --- musical commentary. --- musical scores. --- musicology. --- organ music. --- organ toccatas. --- piano keyboard. --- studies in classical music. --- technical music analysis. --- the well tempered clavier. --- Fugue --- Music --- General
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First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
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Die Kunst der Fuge --- Bach, Johann Sebastian --- Fugue --- Canons, fugues, etc. --- Fugues --- Counterpoint --- Musical form --- History and criticism --- 561 --- Werkbesprekingen --- 560 --- 563 --- Werkbesprekingen - solo instrument --- 78.21.1 Bach --- 526.30 --- Genre- en werkbesprekingen --- Bakh, Iogann Sebastian, --- Bakh, Y. S., --- Bach, Jean Sébastien, --- Bach, G. S., --- Bach, Jan Sebastian, --- Bachas, J. S., --- Bach, J. S. --- Bahs, Johans Sebatjans, --- Pa-ha, Te, --- Bakh, Ĭ. S. --- Bakh, Ĭokhan Sebastian, --- Bach, Joh. Seb. --- Bakh, Yohan Sebasṭyan, --- Bach, Iohann Sebastian, --- Bahha, J. S., --- Bahha, Yohan Sebasutian, --- Bach, I. S., --- Bach, Juan S., --- Bach, John Sebastian, --- Bach, Giovanni Sebastiano, --- באך, יוהן סבסטיאן --- Duitsland --- 18e eeuw
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"An unabridged republication of Serie 6 (Volumes 1 and 2) : Quartette für 2 Violinen, Bratsche und Violoncell of Ludwig van Beethoven's Werke. Vollständige kritisch durchgesehene überall berechtigte Ausgabe. Mit Genehmigung aller Originalverleger, originally published by Breitkopf & Härtel, Leipzig, n.d."
opus-18 --- zakpart. --- 381 --- zakpartituren --- Canons, fugues, etc. (String quartet) --- String quartets --- Chamber music --- Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- Quartets, String --- String quartets (Violins (2), viola, cello) --- zakpart --- Strijkkwartet --- Fuga's --- Duitsland --- 18e eeuw --- 19e eeuw
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This title uses the reception of the Germanic musical heritage to chart the changing landscape of musical culture in the German Democratic Republic. Author Elaine Kelly demonstrates the nuances of musical thought in the state, revealing a model of societal ascent and decline that has implications that reach far beyond studies of the GDR itself.
Canon (Musical form) --- Music --- Canon (Musique) --- Musique --- History and criticism --- Political aspects --- History --- Histoire et critique --- Aspect politique --- Histoire --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Canons, fugues, etc. --- Counterpoint --- Musical form --- History and criticism.
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