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Alors que l'œuvre d'Albert Camus est souvent perçue comme dominée par le masculin, Noces pour femme seule étudie pour la première fois l'importante présence du féminin dans l'ensemble des textes fictifs, la reliant à celle du sacré. La mise en présence de ces deux paradoxes de l'œuvre y dégage de nouvelles lignes de force et met en évidence, à travers les présences et les voix féminines, des aspirations fondamentales souvent méconnues. L'analyse du paradoxe du sacré, d'ordre religieux et philosophique, cherche à concilier l'agnosticisme de l'auteur et sa philosophie initiale de l'absurde, qui nie toute transcendance, avec un sens du sacré quasi omniprésent. L'analyse du paradoxe du féminin, d'ordre mythique et psychique et se manifestant à travers un jeu alterné d'absences/présences et de silences/paroles, se base principalement sur une approche sémiotique kristevienne du maternel et du féminin comme "dernier refuge du sacré". Cette double approche éclaire les différends métaphysiques entre le masculin et le féminin, la solitude de la femme, et enfin l'expérience initiatique de "La Femme adultère", nouvelle qui culmine dans la fusion des deux paradoxes traités - soit les "noces" du féminin et du sacré. Finalement, il apparaît au cours de l'étude que la relation du féminin et du sacré dans l'œuvre est fondée sur l'expérience du désir qu'engendre l'absence/silence de l'Autre.
Femininity in literature --- Mothers in literature --- Femininity in literature. --- Mothers in literature. --- Camus, Albert,
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Third- and fourth-wave feminists write about their experiences with Catholicism and their visions for the future of women in the Church.
Femininity in literature. --- Women in the Catholic Church. --- Catholic women --- Religious life.
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The notorious image of Pandora haunts mythology: a woman created as punishment for the crimes of man, she is the bearer of hope yet also responsible for the earth's desolation. She binds together perpetuating dichotomies that underlie the most fundamental aspects of the Western canon: beauty and evil, body and soul, depth and superficiality, truth and lie. Speaking in multiplicity, Pandora emerges as the first sign of female complexity. In this compelling study, Vered Lev Kenaan offers a radical revision of the Greek myth of the first woman. She argues that Pandora leaves a decisive mark on ancient poetics and shows that we can unravel the profound impact of Pandora's image once we recognize that Pandora embodies the very idea of the ancient literary text. Locating the myth of the first woman right at the heart of feminist interrogation of gender and textuality, Pandora's Senses moves beyond a feminist critique of masculine hegemony and shows the centrality of this iconic figure among the poetics of such central genres as the cosmological and didactic epic, the Platonic dialogue, the love elegy, and the ancient novel. Pandora's Senses innovates our understanding of gender as a critical lens through which to view ancient literature.
Pandora (Greek mythology) in literature. --- Classical literature --- History and criticism. --- Femininity in literature --- Pandora (Greek mythology) in literature --- Pandora in literature --- Femininity (Psychology) in literature --- History and criticism --- Femininity in literature. --- Pandora (Greek mythology)--in literature. --- Pandora
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Femininity --- Femininity in literature. --- Femininity in popular culture --- Japanese literature --- Body image in women --- Women authors. --- Femininity in literature --- Body image in literature --- Women --- Eating disorders in women --- Identity --- Psychology
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A collection of essays by many distinguished contributors, focused on the portrayal of rebel women in ancient Greek drama Ancient Greek drama provides the modern stage with a host of powerful female characters who stand in opposition to the patriarchal structures that seek to limit and define them. For contemporary theatre directors their representation serves as a vehicle for examining and illuminating issues of gender, power, family and morality, as germane today as when the plays were first written. Rebel Women brings together essays by leading writers from across different discipline
Women in literature. --- Femininity in literature. --- Greek drama --- Presentation, Modern. --- History and criticism. --- Greek drama (Tragedy) --- Characters in literature --- Women.
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The form of art called fiction has always been the privileged framework providing the perfect alibi for facing, framing, and containing the Other's desire and the strange libido attached to violence: in other words, there is an ambivalent dimension inherent in the scenarios and fantasies we enjoy by proxy. Are not the fairy tales of our childhood full of images of death and violence, whose fascinating presence is paradoxically meant to make us feel all the more safely tucked up in bed? After ...
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American fiction --- Women and literature --- Femininity in literature. --- Friendship in literature. --- American Literature --- English --- Languages & Literatures --- Femininity (Psychology) in literature --- History and criticism. --- History --- Women authors
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In Forces of Nature, the authors investigate the relationships between the natural world and gender and sexuality. The authors explore the frameworks within which femininity and nature have been constructed, as well as the impact nature has had on our understandings of masculinity, homosexuality, and heterosexuality. For some writers nature has restorative powers, for others nature embodies violence and destruction. Yet, one common thread runs across all of the chapters in this collection:...
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First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
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