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Mit dem Auftreten von Magazinen wie Playboy oder Penthouse, indenen die Körper der Frauen in Hochglanz-Form gebracht zu seinscheinen wie ein maschinell hergestelltes Produkt, ausgedacht, umes in möglichst großer Anzahl visuell einzusetzen, verlor dieerotische Fotografie ihre Adelsurkunden.Die Vermehrung der Bilder von Frauen in allen erdenklichen, selbstgrotesken Posen und schmerzhaften Verrenkungen, hat die bisdahin gültigen Vorstellungen von Erotik ausgehöhlt, zumal dasWort durch Gefühle ergänzt wurde.Es dauerte bis in die 1970er Jahre, um eine künstlerischeAktfotografie von hoher Qualität w
Photography, Erotic. --- Photography of women. --- Photography of the nude. --- Nude photography --- Nude in art --- Women --- Erotic photography --- Erotica
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photography [process] --- fotografie --- Photography --- Bourdin, Guy --- CDL --- 77.071 BOURDIN --- Photography, Erotic --- Erotic photography --- Erotica --- Bourdin, Guy. --- Banarés, Guy Louis --- Hallan, Edwin
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761.2 --- 766.2 --- Witkin, Joel-Peter --- fotografie --- fotografen, afzonderlijk --- portretfotografie - kinderfotografie, naaktfotografie --- Photography, Erotic --- Erotic photography --- Witkin, Joel-Peter, --- Erotica
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Photography, Erotic --- 77.071 SANNES --- CDL --- film --- fotografie --- modefotografie --- naaktfotografie --- Nederland --- onscherpte --- reportagefotografie --- Sannes Sanne --- twintigste eeuw --- Erotic photography --- Erotica --- Sannes, Sanne. --- Photography --- photography [process] --- Sannes, Sanne
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"Growing up in the 1950s, Tom Bianchi would head into downtown Chicago and pick up 25-cent “physique” magazines at newsstands. In one such magazine, he found a photograph of bodybuilder Glenn Bishop on Fire Island. “Fire Island sounded exotic, perhaps a name made up by the photographer,” he recalls in the preface to his latest monograph. “I had no idea it was a real place. Certainly, I had no idea then that it was a place I would one day call home.” In 1970, fresh out of law school, Bianchi began traveling to New York, and was invited to spend a weekend at Fire Island Pines, where he encountered a community of gay men. Using an SX-70 Polaroid camera, Bianchi documented his friends’ lives in the Pines, amassing an image archive of people, parties and private moments. These images, published here for the first time, and accompanied by Bianchi’s moving memoir of the era, record the birth and development of a new culture. Soaked in sun, sex, camaraderie and reverie, Fire Island Pines conjures a magical bygone era." -- Publisher's description
Photography of men --- Gay men in art --- Gay erotic photography --- Instant photography --- Seaside resorts --- History --- Bianchi, Tom. --- Fire Island Pines (N.Y.) --- Social life and customs
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In Bloodflowers W. Ian Bourland examines the photography of Rotimi Fani-Kayode (1955–1989), whose art is a touchstone for cultural debates surrounding questions of gender and queerness, race and diaspora, aesthetics and politics, and the enduring legacy of slavery and colonialism. Born in Nigeria, Fani-Kayode moved between artistic and cultural worlds in Washington, DC, New York, and London, where he produced the bulk of his provocative and often surrealist and homoerotic photographs of black men. Bourland situates Fani-Kayode's work in a time of global transition and traces how it exemplified and responded to profound social, cultural, and political change. In addition to his formal analyses of Fani-Kayode's portraiture, Bourland outlines the important influence that surrealism, neo-Romanticism, Yoruban religion, the AIDS crisis, experimental film, loft culture, and house and punk music had on Fani-Kayode's work. In so doing, Bourland offers new perspectives on a pivotal artist whose brief career continues to resonate with deep aesthetic and social meaning.
Fani-Kayode, Rotimi, --- Criticism and interpretation. --- Fani-Kayode, Rotimi --- Photography of men --- Photography of the nude --- Homosexuality in art --- Gay erotic photography --- Photographers --- Photography --- Social aspects
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"Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides. Baltrop documented this scene, unflinchingly and obsessively capturing everything from fleeting naked figures in mangled architectural environments to scenes of explicit sex and police raids on the piers. His work is little known and underpublished--mainly due to its unflinching subject matter--but while often explicit, his photographs are on a par with those of Nan Goldin, Peter Hujar and Enrique Metenides. While the outside world saw New York as the glamorous playground of Studio 54, Warhol's gang and the disco era, Baltrop photographed the city's gritty flipside; his work is an important part of both gay culture and the history of New York itself. This clothbound volume compiles the Piers series in one definitive monograph, a powerful tribute to a long-forgotten world at the city's dilapidated margins." --Publisher's website.
Piers --- Gay men --- Gay erotic photography --- Nude in art --- Gay men in art --- Portrait photography --- Photography, Artistic --- Baltrop, Alvin J., --- New York (N.Y.) --- In art.
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Photography, Artistic --- Gay erotic photography --- Artists' books --- Photographie artistique --- Photographie érotique homosexuelle --- Livres d'artistes --- Pfeiffer, Walter, --- fotografie --- Zwitserland --- twintigste eeuw --- portretfotografie --- documentaire fotografie --- erotiek --- homoseksualiteit --- Pfeiffer Walter --- 77.071 PFEIFFER --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Aesthetics --- Photographie érotique homosexuelle --- Art
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Photography, Artistic. --- Photography, Erotic. --- Testino, Mario. --- 761.2 --- 766.2 --- 766.7 --- Testino, Mario --- fotografie --- fotoreportage --- modefotografie --- naaktfotografie --- portretfotografie --- tatoeages --- fotografen, afzonderlijk --- portretfotografie - kinderfotografie, naaktfotografie --- reclamefotografie, modelfotografie --- Photography, Artistic --- Photography, Erotic --- Erotic photography --- Artistic photography --- Photography --- Photography, Pictorial --- Pictorial photography --- Aesthetics --- Tesidinuo, Mali'ao --- Erotica --- Art
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Photography --- Goldin, Nan --- 77.092.07 --- Fotografen ; 1997-2003 ; Nan Goldin --- Goldin, Nan °1953 (°Washington, Verenigde Staten) --- Kunst en maatschappij --- 77.071 GOLDIN --- Goldin Nan --- Nan Goldin ; Edited with John Jenkinson, Valérie Massadian, Gwenaëlle Petit-Pierre [et al.] --- Verenigde Staten --- erotiek --- fotografie en literatuur --- fotografie --- lichamelijkheid --- naakt --- naaktfotografie --- portret --- portretfotografie --- twintigste eeuw --- 761.2 --- 766.2 --- 766.6 --- drugs --- reportagefotografie --- sociale fotografie --- Fotografen A - Z --- fotografen, afzonderlijk --- portretfotografie - kinderfotografie, naaktfotografie --- persfotografie en fotoreportage --- United States --- Photography, Artistic --- Photography, Erotic --- Photography of the nude --- Portrait photography --- Portraiture --- Nude photography --- Nude in art --- Erotic photography --- Erotica --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Portraits --- Aesthetics --- United States of America --- Photobook --- Book
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