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Es ist eine recht bescheidene Auswahl aus dem ,Canto Nuovo', dem ,Poema Paradisiaco', der ,Elettra' und hauptsächlich der ,Alcione'. Die Anmerkungen beschränken sich auf einige elementare Sachinformationen. Das gesamte lyrische Werk D'Annunzios ist hervorragend kommentiert durch Enzo Palmieri (Bologna 1945-1959); weitere nützliche Angaben finden sich in der maßgeblichen Ausgabe von A. Andreoli und N. Lorenzini (Versi d'Amore e di Gloria, Mailand 1982/1984). Hans-Christian Günther, Akademischer Oberrat und apl. Professor für Klassische Philologie an der Albert-Ludwigs-Universität Freiburg, Viz
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Recasting the birth of fascism, nationalism, and the fall of empire after World War I, Dominique Kirchner Reill recounts how the people of Fiume tried to recreate empire in the guise of the nation.The Fiume Crisis recasts what we know about the birth of fascism, the rise of nationalism, and the fall of empire after World War I by telling the story of the three-year period when the Adriatic city of Fiume (today Rijeka, in Croatia) generated an international crisis.In 1919 the multicultural former Habsburg city was occupied by the paramilitary forces of the flamboyant poet-soldier Gabriele D’Annunzio, who aimed to annex the territory to Italy and became an inspiration to Mussolini. Many local Italians supported the effort, nurturing a standard tale of nationalist fanaticism. However, Dominique Kirchner Reill shows that practical realities, not nationalist ideals, were in the driver’s seat. Support for annexation was largely a result of the daily frustrations of life in a “ghost state” set adrift by the fall of the empire. D’Annunzio’s ideology and proto-fascist charisma notwithstanding, what the people of Fiume wanted was prosperity, which they associated with the autonomy they had enjoyed under Habsburg sovereignty. In these twilight years between the world that was and the world that would be, many across the former empire sought to restore the familiar forms of governance that once supported them. To the extent that they turned to nation-states, it was not out of zeal for nationalist self-determination but in the hope that these states would restore the benefits of cosmopolitan empire.Against the too-smooth narrative of postwar nationalism, The Fiume Crisis demonstrates the endurance of the imperial imagination and carves out an essential place for history from below.
Nationalism --- Fascism --- Sovereignty --- D'Annunzio, Gabriele --- Europe, Central --- Europe, Eastern --- Rijeka (Croatia) --- History. --- History --- Sovereignty. --- D'Annunzio, Gabriele, --- Habsburg, House of.
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Lempicka, de, Tamara --- Lempicka, Tamara de. --- D'Annunzio, Gabriele, --- Lempicka, Tamara de
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Comparative literature --- Mario Praz ; vert. door thea Klok --- literatuur --- kunst --- kunstgeschiedenis --- kunsttheorie --- decadentie --- prerafaëlieten --- Rossetti Dante Gabriel --- estheticisme --- Ruskin John --- Pater Walter --- d'Annunzio gabriele --- Rodin Auguste --- Art nouveau --- kitsch --- kokoschka Oskar --- 7.01 --- 830 --- essay --- essai
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The idea of light and darkness is one of the central ideas of the Symbolist movement, since this is a movement of contrasts. It encompasses the major themes of Symbolism, such as good and evil, beauty and ugliness, the visible and the invisible, and the divine and the earthly. This volume brings together a range of studies in order to understand the notion of light and darkness and a variety of its Symbolist interpretations. It also stresses the interdisciplinary nature of the concepts of light and darkness in Symbolism, as well as the cohabitation and symbiosis of both, which are together or
Light in art. --- Symbolism (Art movement) --- Art, Modern --- Light and darkness in art --- Chiaroscuro --- symbolisme --- toegepaste kunsten --- Point, Armand --- Mackintosh, Charles Rennie --- Redon, Odilon --- Klee, Paul --- Rossetti, Dante Gabriel --- Moreau, Gustave --- Burne-Jones, Edward Coley --- De Braekeleer, Henri --- Lévy-Dhurmer, Lucien --- Nietzsche, Friedrich --- Beardsley, Aubrey --- Mallarmé, Stéphane --- Manet, Édouard --- Dostojewski, Fjodor --- D'Annunzio, Gabriele --- Kafka, Franz --- Annenskij, Innokentij --- 19de eeuw --- 20ste eeuw --- Europa --- Amerika --- symbolisme. --- Point, Armand. --- Mackintosh, Charles Rennie. --- Redon, Odilon. --- Klee, Paul. --- Rossetti, Dante Gabriel. --- Moreau, Gustave. --- Burne-Jones, Edward Coley. --- De Braekeleer, Henri. --- Lévy-Dhurmer, Lucien. --- Nietzsche, Friedrich. --- Beardsley, Aubrey. --- Mallarmé, Stéphane. --- Manet, Édouard. --- Dostojewski, Fjodor. --- D'Annunzio, Gabriele. --- Kafka, Franz. --- Annenskij, Innokentij. --- 19de eeuw. --- 20ste eeuw. --- Europa. --- Amerika.
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Motion pictures --- Cinéma --- History --- Histoire --- 791.43 --- 791.44 <45> --- #SBIB:309H1320 --- red. Nelly Voorhuis en Ivo Blome --- film --- Italië --- historische films --- film en literatuur --- peplumfilms --- D'Annunzio Gabriele --- komische film --- Cretinetti --- Polidor --- Pirandello Luigi --- realisme --- neorealisme --- Filmkunst. Films. Cinema --- Filmproductie. Filmindustrie--Italië --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- 791.44 <45> Filmproductie. Filmindustrie--Italië --- 791.43 Filmkunst. Films. Cinema --- Cinéma
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Paris, 1910-1915. Artists, intellectuals, and international celebrities crowd the city as never before. Decadent dreams and avant-garde manifestos celebrate the marriage between art and life. Creative experiments and vital joy dance hand in hand—on the edge of the abyss of WWI. Gabriele D’Annunzio is one of the highly influential yet semi-forgotten protagonists of this season and an emblem of its contradictions. A child of the Decadence, but also a forerunner of Modernism, the Italian poet defies the barriers between art forms, languages, and aesthetic practices. Tellingly, some of the period’s major figures across the arts are involved in D’Annunzio’s projects, including Canudo, Bakst, Brooks, Debussy, Montesquiou, and Rubinstein. In particular, in his sacred drama Le Martyre de Saint Sébastien , the poet combines French, Italian, literature, theater, mime, dance, music, painting, and cinema in a way that fuses old and new. D’Annunzio’s hybrid experiments challenge Wagner’s ‘total artwork’ theories, search for a synthesis between pictorial stillness and filmic movement, and anticipate contemporary multimedia experiences. These artistic collaborations end suddenly at the outbreak of the Great War, when Dannunzian total artworks migrate from the stage to the battlefield, generating a controversial legacy that calls for renewed critical investigations.
Art and literature --- Art and literature. --- Decadence (Literary movement) --- Intellectual life. --- Modernism (Literature) --- Music and literature. --- Literature and music --- Literature --- Crepuscolarismo --- Literary movements --- Postmodernism (Literature) --- Cultural life --- Culture --- Literature, Modern --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- History --- D'Annunzio, Gabriele, --- Annunt͡sio, Gabriėlė d', --- Annunzio, Gabriele d', --- Ariel, --- D'Annunzio, G. --- Montenevoso, Gabriele d'Annunzio, --- Nuncius, Gabriel, --- Annunt︠s︡io, Gabriėlė d', --- ד׳אנונציא׳ס, גאבריעלא, --- ד׳אנונציא, גאבריעלא, --- ד׳אנונציא, גאבריעלע --- ד׳אנונציא, גאבריעלע, --- ד׳אנונציא, גאברעל, --- ד׳אנונציו, גבריאלה --- ד׳אנונציו, ג., --- ד'אנונזיא, גאבריעלע --- ד'אנונציא, גאבריעלא --- Criticism and interpretation. --- Martyre de saint Sébastien (D'Annunzio, Gabriele) --- 1900-1999 --- Paris (France) --- France --- Paris --- Intellectual life --- Parijs (France) --- Pařiž (France) --- Parizh (France) --- Париж (France) --- Parigi (France) --- Bārīs (France) --- باريس (France) --- Lutetia (France) --- Paryż (France) --- Párizs (France) --- Parisioi (France) --- Parisi (France) --- Παρίσι (France) --- Parys (France) --- Parij (France) --- Parĩ (France) --- Bali (France) --- Pa-lí (France) --- 巴黎 (France) --- Horad Paryz︠h︡ (France) --- Горад Парыж (France) --- Paryz︠h︡ (France) --- Парыж (France) --- Парис (France) --- Parighji (France) --- Pariggi (France) --- Pariis (France) --- Париж ош (France) --- Parizh osh (France) --- Parizo (France) --- Páras (France) --- Paarys (France) --- Pâ-lì-sṳ (France) --- 파리 (France) --- Palika (France) --- פריז (France) --- Lutèce (France) --- Seine (France) --- City of Paris --- D'Annunzio, Gabriele
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The Great Black Spider on Its Knock-Kneed Tripod traces the encounter of Italy's writers with cinema, and in doing so offers vibrant new perspectives on the country's early twentieth-century culture.
Motion pictures --- Motion pictures and literature --- Literature and motion pictures --- Moving-pictures and literature --- Literature --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- History and criticism --- Marinetti, F. T., --- D'Annunzio, Gabriele, --- Pirandello, Luigi, --- Bīrāndallū, Luwījī, --- Пиранделло, Луиджи, --- Pirandello, Luidzhi, --- Pirandélo, Luwiji, --- פיראנדלו, לואיג׳י, --- פירנדלו, לואיג׳י --- פירנדלו, לואיג׳י, --- بيراندللو، لويجي، --- Pīrāndillū, Lūʼījī, --- پىراندللو، لوئيجى --- Marinetti, F. T. --- Annunzio, Gabriele d', --- Annunt︠s︡io, Gabriėlė d', --- Montenevoso, Gabriele d'Annunzio, --- Nuncius, Gabriel, --- D'Annunzio, G. --- Ariel, --- ד׳אנונציא׳ס, גאבריעלא, --- ד׳אנונציא, גאבריעלא, --- ד׳אנונציא, גאבריעלע --- ד׳אנונציא, גאבריעלע, --- ד׳אנונציא, גאברעל, --- ד׳אנונציו, גבריאלה --- ד׳אנונציו, ג., --- ד'אנונזיא, גאבריעלע --- ד'אנונציא, גאבריעלא --- Criticism and interpretation. --- Pirandello, Luigi --- D'Annunzio, Gabriele --- Italy. --- Italia --- Italian Republic --- Italianska republika --- Italʹi͡anskai͡a Rėspublika --- Italie --- Italien --- Italii͡ --- Italii͡a Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliy --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia --- Repubblica italiana --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Italy
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Art --- anno 1700-1799 --- anno 1800-1899 --- anno 1900-1999 --- Europe --- gesamtkunstwerken --- utopie --- Europa --- 7.045 --- 7.01 --- 7 <4> "18/19" --- Aesthetics, Modern --- -Arts, European --- -Utopias in art --- Utopias in art --- -kunst --- Gesamtkunstwerk --- negentiende eeuw --- twintigste eeuw --- Sulzer Johann Georg --- Boullée Etienne-Louis --- Fourier Charles --- Runge Philipp Otto --- Schinkel Karl Friedrich --- Wagner Richard --- Ludwig II --- Thoreau Henry David --- Keller Gottfried --- Dunant Henry --- Chaval Ferdinand --- Gaudi Antoni --- Steiner Rudolf --- Appia Adolphe --- d'Annunzio Gabriele --- Wölfli Adolf --- Fidus --- Behrens Peter --- futurisme --- Kandinsky Wassily --- Skrjabin Alexander --- Schönberg Arnold --- Malevich Kazimir --- Mondriaan Piet --- Duchamp Marcel --- Picabia Francis --- Satie Erik --- Dada --- Schwitters Kurt --- Tatlin Vladimir --- El Lissitsky --- von Laban Rudolf --- Die Gläserne Kette --- Bauhaus --- Gropius Walter --- Itten Johannes --- Schlemmer Oskar --- Moholy-Nagy Laszlo --- Artaud Antonin --- Schulthess Armand --- Garcet Robert --- Cage John --- Spengler Alexandre --- Beuys Joseph --- Broodthaers Marcel --- Syberberg Hans Jürgen --- Nitsch Hermann --- Kiefer Anselm --- Mondrian Piet --- 7.035/036 --- European arts --- Modern aesthetics --- Iconografie: allegorieen; symbolen; dodendansen; emblemata --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Europa--Hedendaagse Tijd --- Exhibitions --- -Exhibitions --- Arts, European --- 7 <4> "18/19" Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--Europa--Hedendaagse Tijd --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- 7.045 Iconografie: allegorieen; symbolen; dodendansen; emblemata --- kunst --- CDL --- art [discipline] --- anno 1800-1999 --- Europa.
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