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During the sixteen critical years of tumultuous artistic upheaval from 1932-1948, the Soviet Union's cultural authorities strove diligently to establish and refine a functional administrative infrastructure with which to direct and control Soviet Music. Yet in reality, this music policy system did not function as it had been intended to, which was to ensure the creation of Soviet operas acceptable to the Party. Because the agencies controlling the operas could not define which style best represented Socialist Realism, the music policy failed to establish adequate centralized control of Soviet

Communism and music -- Soviet Union. --- Music -- Political aspects -- Soviet Union. --- Music -- Soviet Union -- History and criticism. --- Music and state -- Soviet Union. --- Opera -- Soviet Union. --- Socialist realism in music. --- Soviet Union -- Cultural policy. --- Music and state --- Music --- Opera --- Socialist realism in music --- Communism and music --- Music, Dance, Drama & Film --- Music Philosophy --- Music and communism --- State and music --- Cultural policy --- Political aspects --- History and criticism --- Social aspects --- Soviet Union --- Cultural policy.

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Thisvolume provides a transnational study of the impact of musical cultures inthe Eastern Baltics--Lithuania, Latvia, Poland, and Russia--at the end of the Cold War and in the early post-Communist period.

Communism and music --- Music --- Political aspects --- History. --- Social aspects --- Eastern Baltics. --- Henryk Mikołaj Górecki. --- Krzysztof Penderecki. --- Lativian Music. --- Lithuanian Music. --- Music and politics. --- Musicology. --- Polish Music. --- Russian Music. --- Wojciech Marczewski. --- culture. --- ethnomusicology. --- music and film. --- musical criticism. --- History --- Baltic States --- Social life and customs.