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Écrivaine inclassable, Hélène Cixous offre une écriture dont les grands thèmes – le père mort, le pays perdu et la mère étrangère –, aux fortes résonances autobiographiques, s’affirment continuellement tout en multipliant les échos poétiques et philosophiques. La question de l’origine, à la fois singulière et plurielle, donne lieu à une écriture-pensée d’une subjectivité qui montre ses enracinements, revisite les lieux et les liens, mais (se) défait aussi des mythes de l’origine. Ce volume se propose d’étudier les marqueurs de la féminité, de l’« algériance » et de la judéité comme les principaux lieux d’interrogation de l’origine, auxquels s’ajoutent la filiation allemande mise en lumière dans les textes les plus récents, Gare d’Osnabrück à Jérusalem et Une autobiographie allemande . Le volume ouvre par un inédit d’Hélène Cixous, « Un legs empoisonné ». Hélène Cixous offers us an unclassifiable oeuvre, the main themes of which - the dead father, the lost country and the foreign mother -, all autobiographically inspired, assert themselves as such while offering the reader continuously new poetical and philosophical insights. The question of origin, either singular or multiple, gives rise to an écriture-pensée of a subjectivity which shows its roots, revisits places and relationships, but also breaks down myths of origin. This collection of essays proposes to study the markers of femininity, “algériance”, Jewishness and, as expressed in Cixous’ latest works of fiction, the German filiation, as the main places of questioning origin. “Un legs empoisonné”, an unpublished text by Hélène Cixous, opens the collection.

Cixous, Hélène --- Cixous, Hélène, --- Criticism and interpretation.

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Helene Cixous is undoubtedly one of the most brilliant and innovative contemporary thinkers. Published here in English for the first time Helene Cixous, Rootprints is an ideal introduction to Cixous's theory and her fiction, tracing her development as a writer and intellectual whose remarkable prespicacity and electrifying poetic force are known world-wide.Unprecedented in its form and content this collection breaks new ground in the theory and practice of auto/biography. Cixous's creative reflections on the past provide occasion for scintillating forays into the future.The te

Authors, French. --- Authors, French - 20th century - Interviews. --- Cixous, Hélène. --- Authors, French --- Cixous, Helene,

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The first translation into English of Mother Homer is Dead, written in the immediate aftermath of the death of the Cixous's mother in the 103rd year of her life.

Authors, French --- Cixous, Hélène, --- Family. --- Mothers of authors --- Death. --- Authors' mothers --- Authors --- Cixous, Hélène --- Cixous, Helene,

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*The Subject of Love: Hélène Cixous and the Feminine Divine* is about abundant, generous, other-regarding love. In the history of Western ideas of love, such a configuration has been inseparable from our ideas about divinity and the sacred; often reserved only for God; and rarely thought of as a human achievement. This book is a substantial engagement with her philosophies of love, inviting the reader to reflect on the conditions of subjectivity that just might open us to something like a divine love of the other. Renshaw follows this thread in this genealogy of abundant love: the thread that

Feminism in literature. --- Love in literature. --- Feminist theory in literature --- Cixous, Helene, --- Criticism and interpretation. --- Cixous, Hélène, --- Cixous, Hélène --- Anders Nygren. --- Hélène Cixous. --- Plato. --- agapic love. --- conditions of subjectivity. --- divinity. --- philosophies of love. --- poetico-philosophy. --- protestant theology. --- sacred.

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hedendaagse kunst --- humor --- thema's in de kunst --- Art --- art [fine art] --- Contemporary [style of art] --- Nauman, Bruce --- Cattelan, Maurizio --- Bowery, Leigh --- Warhol, Andy --- Ruscha, Ed --- Lucas, Sarah --- Weiss, David --- McCarthy, Paul --- Walker, Kara --- Chapman, Jake --- Ström, Annika --- Prince, Richard --- Pope, William L. --- Pettibon, Raymond --- Ader, Bas Jan --- Fischli, Peter --- Shrigley, David --- Fraser, Andrea --- Landers, Sean --- Kippenberger, Martin --- Wit and humor in art --- Arts, Modern --- kunst --- kunsttheorie --- kunst en humor --- twintigste eeuw --- eenentwintigste eeuw --- Ader Bas Jan --- Bowery Leigh --- Cattelan Maurizio --- Chapman Jake & Dinos --- Fischli & Weiss --- Fraser Andrea --- Kippenberger Martin --- Landers Sean --- Lucas Sarah --- McCarthy Paul --- Nauman Bruce --- Pettibon Raymond --- Pope William --- Prince Richard --- Ruscha Ed --- Shrigley David --- Ström Annika --- Walker Kara --- Warhol Andy --- Ball Hugo --- Bergson Henri --- Breton André --- Cameron Dan --- carrington leonora --- Cixous Hélène --- Duchamp Marcel --- Dumas Marlene --- Farquharson Alex --- Fox Dan --- Freud Sigmund --- Guerilla Girls --- Heiser Jörg --- Hickey Dave --- Höch hannah --- Isaak Jo Anna --- Kelley Mike --- Kruger Barbara --- Mellors Nathaniel --- Morton Tom --- Oldenburg Claes --- Picabia Francis --- Rainer Arnulf --- Reinhardt Ad --- Schjeldahl Peter --- Schneemann Carolee --- Sedaris David --- Smithson Robert --- Stark Frances --- Stiles Kristine --- Tilroe Anna --- Walker Hamza --- Wagstaff Sheena --- Zizek Slavoj --- 7.01 --- Wit and humor in art. --- Kunst ; theorie, filosofie, esthetica --- Kunsttheorie ; humor ; ironie ; absurde ; kitch --- Beeldende kunst ; 20ste en 21ste eeuw --- Humor in art --- Kunst --- Pope.L, William --- Kunsttheorie ; humor ; ironie ; absurde ; kitsch --- Arts, Modern - 20th century --- art [discipline]