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The gothic screen : space, sculpture, and community in the cathedrals of France and Germany, ca. 1200-1400
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ISBN: 9781107022959 1107022959 9781139149358 9781139776714 1139776711 1139149350 9781139779753 1139779753 9781139782746 1139782746 1139889001 1139794108 1139783696 1283812479 1139778234 1108430767 9781283812474 Year: 2013 Publisher: New York, N.Y. Cambridge University Press

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Abstract

"In the Catharijneconvent Museum in Utrecht there hangs a panel painting whose diminutive size belies the magnificence of its contents (Plate I). Supporting a soaring canopy of rib vaults, two rows of polished marble columns mark the outer boundaries of the picture; their lower halves are concealed, however, by luminous winged altarpieces - most opened to display their gilt interiors, one decorated with paintings, and one still closed. But the sumptuousness of these material accoutrements carries little weight to the twenty-two tonsured men who fill the central space. With hands tucked into their gleaming white robes and mouths gently open as if in song, they gaze in quiet admiration at the Virgin Mary, dazzling with her loose golden locks and glittering crown, her gown of brocaded gold and purple velvet mantle, and the luminous infant she proffers to St. Dominic, the foremost friar. Whereas the phalanx of men forms a symmetrical buffer around the maiden and baby on the church's central axis, the scene is not wholly static. Following the steep orthogonals created jointly by architecture and figures, we discover the beginnings of movement as the two men farthest from our standpoint, thus deepest in the pictorial space, prepare to enter the choir"--

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