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Renaissance bodies, dressed and undressed, have not lacked attention in art historical literature, but scholarship on the male body has generally concentrated on phallic-oriented masculinity and been connected to issues of patriarchy and power. This original book examines the range of meaning that has been attached to the male backside in Renaissance art and culture, the transformation of the base connotation of the image to high art, and the question of homoerotic impulses or implications of admiring male figures from behind. Representations of the male body's behind have often been associated with things obscene, carnivalesque, comical, or villainous. Presenting serious scholarship with a deft hand, 'Seen from Behind' expands our understanding of the motif of the male buttocks in Renaissance art, revealing both continuities and changes in the ways the images convey meaning and have been given meaning.

Renaissance --- back views --- naakte man --- iconography --- men [male humans] --- Art --- nudes [representations] --- anno 1400-1499 --- anno 1500-1599 --- Art de la Renaisance --- Art, Renaissance. --- Buttocks in art. --- Fesses dans l'art. --- Male nude in art. --- Men in art. --- Nu masculin. --- Thèmes, motifs. --- Iconography --- Men in art --- Male nude in art --- Buttocks in art --- Art, Renaissance --- kunst --- renaissance --- schilderkunst --- beeldhouwkunst --- tekenkunst --- naakt --- mannen --- lichamelijkheid --- vijftiende eeuw --- zestiende eeuw --- 7.041 --- 7.034 --- Renaissance art --- Male nude --- Nude in art --- Male figure in art --- Hommes --- Nu --- Fesse --- Art de la Renaissance --- Dans l'art. --- mannelijk naakt --- modellen --- Michelangelo --- 15de eeuw --- 16de eeuw --- (naakte) menselijke figuur; ‘Corpo humano’ (Ripa) --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- (naakte) menselijke figuur; ‘Corpo humano’ (Ripa). --- modellen. --- mannelijk naakt. --- Michelangelo. --- 15de eeuw. --- 16de eeuw. --- lichaam (van de mens)