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CDL --- 7.01 --- Physiognomy --- Body, Human (Philosophy) --- Face (Philosophy)
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This collection maps the very best efforts to think the body at its limits. Because the body encompasses communities (social and political bodies), territories (geographical bodies), and historical texts and ideas (a body of literature, a body of work), Cohen and Weiss seek trans-disciplinary points of resonance and divergence to examine how disciplinary metaphors materialize specific bodies, and where these bodies break down and/or refuse prescribed paths. Whereas postmodern theorizations of the body often neglect its corporeality in favor of its cultural construction, this book demonstrates the inseparability of textuality, materiality, and history in any discussion of the body.
Human body (Philosophy) --- Human body --- Body, Human (Philosophy) --- Philosophy --- Social aspects. --- Human body (Philosophy).
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A premiere choreographer's compelling argument for the agency of the body in creative processes.
Choreography. --- Human body (Philosophy) --- Modern dance. --- Dance --- Body, Human (Philosophy) --- Philosophy --- Interpretive dancing --- Modern dancing
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In this pathbreaking book, one of Britain's most eloquent and original thinkers writes about the head, what happens in it, and how it is and is not connected to our sense of identity and consciousness. Blending science, philosophy, and humor, Raymond Tallis examines the extraordinarily complex relationship we have with our heads. His aim, as he says, "is to turn readers into astonished tourists of the piece of the world that is closest to them, so they never again take for granted the head that looks at them from the mirror." Readers will delight that this is precisely what he accomplishes. The voyage begins with a meditation on the self-portrait of a mirror image, followed by a consideration of the head's various secretions. Tallis contemplates the air we exhale; the subtle meanings of nods, winks, and smiles; the mysteries of hearing, taste, and smell. He discusses the metaphysics of the gaze, the meaning of kissing, and the processes by which the head comes to understand the world. Along the way he offers intriguing digressions on such notions as "having" and "using" one's head, and enjoying and suffering it. Tallis concludes with his thoughts on the very thing the reader's head has been doing throughout the book: thinking.
Head --- Human body (Philosophy) --- Body, Human (Philosophy) --- Philosophy --- Figure drawing --- Skull --- Anatomy. --- Philosophy.
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The body is at the same time a place where we express duration and/or discontinuity in history, a witness of radical social changes, and a factor of stabilization, but also of the transformation of human life - and therefore an eminent challenge for every human being. This book will contribute in a decisively interdisciplinary and cross-cultural way to a better understanding of the place, role, and connection of the body within social, political, and cultural shifts.
Human body (Philosophy) --- Body, Human (Philosophy) --- Philosophy --- 1550: Hardcover, Softcover / Geschichte --- Fachpublikum/ Wissenschaft --- SOC002010
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"Journal of Embodied Research is the first peer-reviewed, open access, academic journal to focus specifically on the innovation and dissemination of embodied knowledge through the medium of video. With an editorial advisory board drawn from across the arts and humanities, it aims to pioneer the scholarly video article as a new form supporting development of diverse embodied research projects." -- Provided by publisher.
Human body (Philosophy) --- Body, Human (Philosophy) --- Philosophy --- embodied knowledge --- video --- arts practice --- cultural studies --- performance --- Corps humain (Philosophie)
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Tells the story of how long-standing notions about the body as dominated by spirit-like humors were transformed into scientific descriptions of its solid tissues. This book shows how debates over investigative methods and models of body order influence biomedicine and the broader culture.
Medicine --- Human body (Philosophy) --- Health Workforce --- Body, Human (Philosophy) --- Philosophy --- Philosophy. --- History --- Philosophy, Medical --- History of Medicine, 17th Cent. --- history.
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Two concepts of special interest to contemporary theorists--the gaze and the body--approached in a fresh and fascinating way.
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A philosophical inquiry into politics, embodiment and religion takes us straight to some of contemporary culture's most notorious issues: suicide bombing, the veiled and the exposed body, and present-day biopolitics. Interpretations of the body have alway
Human body (Philosophy) --- Human body --- Body, Human (in religion, folk-lore, etc.) --- Body, Human (Philosophy) --- Philosophy --- Religious aspects.
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By using religion to get at the core concepts of Michel Foucault's thinking, this book offers a strong alternative to the way that the philosopher's work is read across the humanities. Foucault was famously interested in Christianity as both the rival to ancient ethics and the parent of modern discipline and was always alert to the hypocrisy and the violence in churches. Yet many readers have ignored how central religion is to his thought, particularly with regard to human bodies and how they are shaped. The point is not to turn Foucault into some sort of believer or to extract from him a fixed thesis about religion as such. Rather, it is to see how Foucault engages religious rhetoric page after page—even when religion is not his main topic. When readers follow his allusions, they can see why he finds in religion not only an object of critique, but a perennial provocation to think about how speech works on bodies—and how bodies resist. Arguing that Foucault conducts experiments in writing to frustrate academic expectations about history and theory, Mark Jordan gives equal weight to the performative and theatrical aspects of Foucault's writing or lecturing. How does Foucault stage possibilities of self-transformation? How are his books or lectures akin to the rituals and liturgies that he dissects in them? Convulsing Bodies follows its own game of hide-and-seek with the agents of totalizing systems (not least in the academy) and gives us a Foucault who plays with his audiences as he plays for them—or teaches them.
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