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philosophy --- philology --- history --- values and artifacts of culture --- Humanities --- Humanities. --- Learning and scholarship --- Classical education

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Antiquities --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Material culture --- Archaeology

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The Anthropological Papers of the University of Arizona is a peer-reviewed monograph series sponsored by the School of Anthropology. Established in 1959, the series publishes archaeological and ethnographic papers that use contemporary method and theory to investigate problems of anthropological importance in the southwestern United States, Mexico, and related areas.

Antiquities. --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Material culture --- Archaeology

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"A new generation of archaeologists has thrown down a challenge to post-processual theory, arguing that characterizing material symbols as arbitrary overlooks the material character and significance of artifacts. This volume showcases the significant departure from previous symbolic approaches that is underway in the discipline. It brings together key scholars advancing a variety of cutting edge approaches, each emphasizing an understanding of artifacts and materials not in terms of symbols but relationally, as a set of associations that compose people's understanding of the world. Authors draw on a diversity of intellectual sources and case studies, paving a dynamic road ahead for archaeology as a discipline and theoretical approaches to material culture"--

Antiquities --- Archaeology --- Archaeological specimens --- Artefacts (Antiquities) --- Artifacts (Antiquities) --- Specimens, Archaeological --- Material culture --- Analysis --- Methodology --- Archéologie --- Methodology. --- Méthodologie --- Analysis.

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The book ‘Magali Reus. Red Roses’ shows the extraordinary artistic practice of this internationally acclaimed London-based artist and winner of the prestigious Prix de Rome 2015. The publication features a range of recent works and exhibitions. Dutch artist Magali Reus (b. 1981) has been creating hyper-realistic sculptures for more than a decade. She represents, redefines, enlarges and deforms everyday objects in various materials and using surprising combinations of digital, manual and industrial processes. Reus’s work explores our relationship with utilitarian objects and the inextricable context of consumer society. Her virtuoso objects appear functional, but do not explicitly reveal what their function actually is. By investigating our relationship with objects, Reus is looking for a strategy to critically interrogate the production and consumption processes of our society. In conjunction with: Museum Dhondt-Dhaenens & Centre d’art contemporain – La Synagogue de Delme – Kunsthalle Bratislava & Atelier Calder.

Art --- sculpture [visual works] --- multimedia works --- jam pots --- assemblages [archaeological artifacts] --- fruit --- social criticism --- Hyperrealist --- Reus, Magali