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tentoonstelling o.a. te Parijs (Galeries nationales du Grand Palais)
Art, Egyptian --- Art égyptien --- Exhibitions --- Expositions --- Egypt --- Egypte --- Antiquities --- Antiquités --- Kunsten --- Oudheid --- Kunst --- Romeinse Rijk --- Hellenisme --- Griekenland --- Hellas --- Filosofie --- Film --- Literatuur --- Muziek --- Schilderkunst --- Tekenkunst --- Vlaanderen --- Vlaams --- Emigratie --- Vrouw --- CDL --- 7.032.2 --- Art egyptien --- Histoire
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Richard A. Fazzini has inspired and mentored many scholars of Egyptology through his tireless efforts as curator and then chairman of the Brooklyn Museum's Deptartment of Egyptian, Classical and Ancient Middle Eastern Art (ECAMEA); field archaeologist of the Pricinct of Mut at Karnak; scholar; and teacher, The 35 contributions to this volume in his honor represent the variety of Professor Fazzini's own research interests namely in ancient Egyptian art, religious iconography, and archaeology, particularly of the New Kingdom, Third Intermediate Period, and Late Period. Reflections on Professor Fazzini's scholarship and teaching are accompanied by an extensive bibliography of his works.
Art, Egyptian. --- Egyptian art --- Mut --- Maut --- Mout --- Egypt --- Antiquities. --- Religion. --- Mut (Egyptian deity) --- Art, Egyptian --- Mut - (Egyptian deity) --- Egypt - Antiquities --- Egypt - Religion --- Art égyptien --- Égypte --- Religion égyptienne --- Antiquités --- Jusqu'à 332 av. J.-C.
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"Egyptologists have been debating for decades about whether or not Egyptian images classify as art. Nevertheless, the term 'art' still serves as a guiding concept for Egyptology. Kai Widmaier offers an overview of how different art-historical interpretive methods influence Egyptological research. His study demonstrates that, due to its adherence to the term art, Egyptology has considerably dissociated Egyptian images from their original contexts. Bilderwelten combines the analysis of Egyptian images from the 6th to the 18th Dynasty with methodological reflection. This leads to both a new terminology of style as well as to an alternative approach to Egyptian images. By differentiating systematically between Egyptian images and Egyptological art, this book lays the foundation for an Egyptology that follows the path of Visual Studies instead of adhering to questionable art-historical methods."--Provided by publisher.
Art, Egyptian --- Art, Ancient --- Art --- Egyptian art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- History&delete& --- Methodology --- Art, Egyptian. --- History --- Methodology. --- Art égyptien --- Art antique --- Histoire --- Méthodologie --- Art, Primitive --- Art, Ancient - Egypt --- Art - History - Methodology
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Art, Egyptian --- Art, Roman --- Art, Egyptian. --- Art, Roman. --- Roman art --- Classical antiquities --- Egyptian art --- Egyptian influences. --- Italy --- Rome (Empire) --- 709.3 --- Catalogs --- Egyptian influences --- Arts Ancient World --- Catalogs. --- Art égyptien --- Art romain --- Catalogues --- Influence égyptienne --- Art, Egyptian - Catalogs --- Art, Egyptian - Italy - Rome --- Art, Roman - Catalogs --- Art, Roman - Egyptian influences
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This book examines the appetite for Egyptian and Egyptian-looking artwork in Italy during the century following Rome's annexation of Aegyptus as a province. In the early imperial period, Roman interest in Egyptian culture was widespread, as evidenced by works ranging from the monumental obelisks, brought to the capital over the Mediterranean Sea by the emperors, to locally made emulations of Egyptian artifacts found in private homes and in temples to Egyptian gods. Although the foreign appearance of these artworks was central to their appeal, this book situates them within their social, political, and artistic contexts in Roman Italy. Swetnam-Burland focuses on what these works meant to their owners and their viewers in their new settings, by exploring evidence for the artists who produced them and by examining their relationship to the contemporary literature that informed Roman perceptions of Egyptian history, customs, and myths.
Art, Egyptian --- Architecture, Egyptian --- Art égyptien --- Architecture égyptienne --- To 476 --- Rome --- Egypt --- Italy --- Egypte --- Italie --- Relations --- Foreign public opinion, Roman. --- History --- Antiquities. --- Intellectual life. --- Civilization --- Egyptian influences. --- Opinion publique romaine --- Histoire --- Antiquités --- Vie intellectuelle --- Civilisation --- Influence égyptienne --- ART / History / Ancient & Classical. --- Foreign public opinion, Roman --- Antiquities --- Intellectual life --- Egyptian influences --- Art égyptien --- Architecture égyptienne --- Antiquités --- Influence égyptienne --- History. --- Egyptian architecture --- Egyptian art --- Rim --- Roman Empire --- Roman Republic (510-30 B.C.) --- Romi (Empire) --- Byzantine Empire --- Rome (Italy) --- Égypte --- Ägypten --- Egitto --- Egipet --- Egiptos --- Miṣr --- Southern Region (United Arab Republic) --- Egyptian Region (United Arab Republic) --- Iqlīm al-Janūbī (United Arab Republic) --- Egyptian Territory (United Arab Republic) --- Egipat --- Arab Republic of Egypt --- A.R.E. --- ARE (Arab Republic of Egypt) --- Jumhūrīyat Miṣr al-ʻArabīyah --- Mitsrayim --- Egipt --- Ijiptʻŭ --- Misri --- Ancient Egypt --- Gouvernement royal égyptien --- جمهورية مصر العربية --- مِصر --- مَصر --- Maṣr --- Khēmi --- エジプト --- Ejiputo --- Egypti --- Egypten --- מצרים --- United Arab Republic
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Art, Egyptian. --- Architecture, Egyptian --- Natural history --- Art égyptien --- Architecture égyptienne --- Sciences naturelles --- Pictorial works. --- Ouvrages illustrés --- Egypt --- Egypte --- Histoire de l'art --- Egyptologie --- 7.032.2 --- Kunstgeschiedenis Oud-Egyptische kunst --- Art égyptien --- Architecture égyptienne --- Ouvrages illustrés --- Art, Egyptian --- History, Natural --- Natural science --- Physiophilosophy --- Biology --- Science --- Egyptian art --- Egyptian architecture --- Kunstgeschiedenis ; Oud-Egyptische kunst --- Égypte --- Ägypten --- Egitto --- Egipet --- Egiptos --- Miṣr --- Southern Region (United Arab Republic) --- Egyptian Region (United Arab Republic) --- Iqlīm al-Janūbī (United Arab Republic) --- Egyptian Territory (United Arab Republic) --- Egipat --- Arab Republic of Egypt --- A.R.E. --- ARE (Arab Republic of Egypt) --- Jumhūrīyat Miṣr al-ʻArabīyah --- Mitsrayim --- Egipt --- Ijiptʻŭ --- Misri --- Ancient Egypt --- Gouvernement royal égyptien --- جمهورية مصر العربية --- مِصر --- مَصر --- Maṣr --- Khēmi --- エジプト --- Ejiputo --- Egypti --- Egypten --- מצרים --- United Arab Republic --- Antiquities --- Architecture, Egyptian - Pictorial works. --- Natural history - Egypt - Pictorial works. --- Antiquites --- Ouvrages illustres --- Descriptions et voyages --- 1789-1815
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Art, Egyptian --- 7.032.2 --- CDL --- Deir el-Medina Site (Egypt) --- Valley of the Kings (Egypt) --- Egypt --- Egypte --- Ägypten --- Egitto --- Egipet --- Egiptos --- Miṣr --- Southern Region (United Arab Republic) --- Egyptian Region (United Arab Republic) --- Iqlīm al-Janūbī (United Arab Republic) --- Egyptian Territory (United Arab Republic) --- Egipat --- Arab Republic of Egypt --- A.R.E. --- ARE (Arab Republic of Egypt) --- Jumhūrīyat Miṣr al-ʻArabīyah --- Mitsrayim --- Egipt --- Ijiptʻŭ --- Misri --- Ancient Egypt --- Gouvernement royal égyptien --- Bībān al-Mulūk (Egypt) --- Tombs of the Kings (Egypt) --- Valley of the Tombs of the Kings (Egypt) --- Dayr al-Madīnah Site (Egypt) --- Social life and customs --- Antiquities --- Egyptian art --- Égypte --- جمهورية مصر العربية --- مِصر --- مَصر --- Maṣr --- Khēmi --- エジプト --- Ejiputo --- Egypti --- Egypten --- מצרים --- United Arab Republic --- Art égyptien. --- Antiquités égyptiennes. --- Moeurs et coutumes --- Deir el-Médineh (Égypte ; site archéologique). --- Art, Egyptian - Exhibitions.
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