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This collection represents a tool to broaden and deepen our geographical, institutional, and historical understanding of the term totalitarianism. Is totalitarianism only found in 'other' societies? How come, then, it emerged historically in 'ours' first? How come it developed in so many countries either in Western Europe (Italy, Germany, Portugal, and Spain) or under implicit Western forms of coercion (Latin America)? How do relations between individual(s), mass and the visual arts relate to totalitarian trends? These are among the questions this book asks about totalitarianism.The volume does not impose a 'one size fits all' interpretation, but opens new spaces for debate on the connection between the visual arts and mass-culture in totalitarian societies. From the Mediterranean to Scandinavia, from Western Europe to Latin America, from the fascism of the early 20th century to contemporary forms of totalitarian control, and from cinema to architecture, the chapters included in TotArt bring expertise, historical sensibility and political awareness to bear on this varied range of phenomena.This collection offers international contributions on visual, performing and plastic arts. The chapters range from examination of comics to study of YouTube videos and American newsreels, from Italian, Spanish, Portuguese, and Uruguayan cinemas to more contemporary American films and TV series, from painters and sculptors to the study of urban spaces.
Fascism and art. --- Totalitarianism and art. --- Art and fascism --- Art --- Art and totalitarianism
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"Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how photographer Lee Miller, filmmaker Leni Riefenstahl, writer Gertrude Stein and journalist Janet Flanner interpret, dramatize and exploit Hitler, Goring and Petain. Within their own artistic medium, each of these modernists explore confrontations between private and public identity, and historical narrative and the construction of myth. This study makes use of extensive archival material, such as letters, photographs, journals, unpublished manuscripts and ephemera and includes ten illustrations. This interdisciplinary perspective opens up wider discussions of the relationship between artists and dictators, modernism and fascism, and authority and representation"--
Fascism and art. --- Dictators in art. --- Modernism (Art) --- Arts, Modern --- Themes, motives. --- Themes, motives --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Art and fascism --- Art --- Arts and Humanities --- Literature
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Fascism and art --- Fascisme en kunst --- Fascisme et art --- Art --- Ideologieën --- Idéologies --- Kunst --- National socialism and art --- Art, Modern --- World War, 1939-1945 --- Art and the war --- Fascism and art. --- National socialism and art. --- Art and the war. --- World War, 1939-1945, in art --- Art and national socialism --- Nazi art --- Art and fascism --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Art, Modern - 20th century --- World War, 1939-1945 - Art and the war --- 7.044 --- 7.037 --- Kunst en fascisme --- Kunst en nazisme --- Kunst en totalitarisme --- Iconografie ; historische voorstellingen --- Kunstgeschiedenis ; 1900 - 1950 --- Mouvement antinazi --- National-socialisme et art --- Totalitarisme
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