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What kind of being did a sailor see, when he was confronted with a mermaid? A demon, a fairy, a monster, or only an extraordinary marine mammal? Transmitted by the tradition of ancient natural history the European universities faced many creatures belonging to natural science as well as to mythology, which still could be observed throughout the world. While medieval sholarship treated those beings as subjects for demonology, early modern scholars started to rationalize the sirens and satyrs and developed new models of explanation. Throughout hundreds of academical disputations the debate on hybrid creatures can be followed up to the time of Linné and Buffon and the zoological classifications of the 18th century. This study reconstructs the discussions of hybrid creatures as part of the Early Modern change of paradigms and the longue durée of ancient and medieval natural history with the help of five examples, sirens, satyrs, giants, pygmies, and dragons.
Comparative religion --- Animals, Mythical --- Natural history --- Animals, Mythical, in literature --- Demonology --- Identification --- History --- Study and teaching (Higher) --- Animals, Mythical - Europe - Identification - History --- Natural history - Study and teaching (Higher) - Europe --- Demonology - Europe - History --- Animals, Mythical, in literature. --- History.
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Betrayed by her fleeting first love and her father's cold rejection, Aglaia the Oceanide conceives at a very young age a fierce hatred of men. She is by turns a reluctant wife, a passionate lover, an absent mother, a heroic fighter, and a revolutionary queen--and through it all, her destiny is inexorably linked to the complexity of her character in this deeply human, contemporary, and iconoclastic comedy. Cartoonist Anne Simon showcases a deft touch in this astute dissection of human relationships, which weaves 19th century France, biting feminism, and the pop imagination of the Beatles into one deliciously philosophical farce, full of subversive twists and comical turns.
Nymphs (Greek deities) --- Animals, Mythical --- Voyages and travels
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"From the common household cat to horses that can fly, a surprisingly wide range of animals feature in religions both ancient and modern and in mythologies all across the world. The same animal can take on different roles depending upon the sacred tradition. For example, the raven can be a symbol of evil, a harbinger of death, a wise messenger, or a shape-changing trickster. In Norse mythology, Odin's magical ravens Huginn (thought) and Muninn (memory) come to perch on his shoulders and bring him news. This informative and entertaining compendium draws upon religious texts and myths to explore the different ways that sacred traditions incorporate animal images, themes, and associations into rituals, ceremonies, texts, myths, literature, and folklore from across the world. Sections are organized by the main animal classifications such as mammals, birds, reptiles, fish, amphibians, and insects. Within each section, each chapter covers one significant grouping such as dogs, cats, and horses. Each chapter first describes the animal scientifically and details the general mythological attributes. Then the chapter provides numerous examples, citing the text or myth. A final section provides additional coverage of references to animal hybrids, animal monsters, and mythical animals. An appendix about "animals in the sky" covers stars, constellations and Zodiac symbols named after animals. Another appendix lists and describes basic details of the religions and mythologies covered in the book. A glossary defines uncommon religious terms and offers explanations of scientific animal names."--
Animals --- Animals, Mythical. --- Religious aspects. --- Mythology. --- Symbolic aspects.
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"This guide to identifying lions, unicorns and other creatures real and fanciful in Chinese and Japanese artwork explains how these and other animal depictions were introduced to the East, and how their portrayals changed over time. Stories and descriptions are provided along with numerous photographs and drawings"--
Animals in art --- Animals, Mythical, in art --- Art, Japanese --- Art, Chinese --- Themes, motives --- Animals in art. --- Animals, Mythical, in art. --- Themes, motives.
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The ‘Corner Country’, where Queensland, South Australia and New South Wales now converge, was in Aboriginal tradition crisscrossed by the tracks of the mura, ancestral beings, who named the country as they travelled, linking place to language. Reproduced here is the story of the two Ngatyi, Rainbow Serpents, who travelled from the Paroo to the Flinders Ranges and back as far as Yancannia Creek, where their deep underground channels linked them back to the Paroo. Jeremy Beckett recorded these stories from George Dutton and Alf Barlow in 1957. Luise Hercus, who has worked on the languages in the area for many years, has collaborated with Jeremy Beckett to analyse the names and identify the places.
Rainbow serpent. --- Aboriginal Australians --- Rainbow snake --- Serpent, Rainbow --- Animals, Mythical --- Religion. --- Anthropology --- Social Sciences --- Folklore
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The werewolf in popular fiction has begun to change rapidly. Literary critics have observed this development and its impact on the werewolf in fiction, with theorists arguing that the modern werewolf offers new possibilities about how we view identity and the self. Although this monograph is preoccupied with the same concerns, it represents a departure from other critical works by analysing the werewolf's subjectivity/identity as a work-in-progress, where the fixed and final form is yet to be arrived at – and may never be fully accomplished. Using the critical theories of Deleuze and Guattari and their concepts of ‘multiplicities'and ‘becoming', this work argues that the werewolf is in a state of constant evolution as it develops new modes of being in popular fiction. Following on from this examination of lycanthropic subjectivity, the book goes on to examine the significant developments that have resulted from the advent of the werewolf as subject, few of which have received any sustained critical attention to date.
Werewolves in literature. --- Werewolves --- Lycanthropes --- Were-wolves --- Werwolves --- Animals, Mythical --- Wolves --- Shapeshifting --- History and criticism.
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"This guide to identifying lions, unicorns and other creatures real and fanciful in Chinese and Japanese artwork explains how these and other animal depictions were introduced to the East, and how their portrayals changed over time. Stories and descriptions are provided along with numerous photographs and drawings"--
Animals in art. --- Animals, Mythical, in art. --- Art, Japanese --- Art, Chinese --- Themes, motives.
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Animals played a crucial role in many aspects of Celtic life: in the economy, hunting, warfare, art, literature and religion. Such was their importance to this society, that an intimate relationship between humans and animals developed, in which the Celts believed many animals to have divine powers. In Animals in Celtic Life and Myth, Miranda Green draws on evidence from early Celtic documents, archaeology and iconography to consider the manner in which animals formed the basis of elaborate rituals and beliefs. She reveals that animals were endowed with an extremely high status, consi
Animals, Mythical, in art. --- Animals, Mythical. --- Celts. --- Celts - Domestic animals. --- Mythology, Celtic. --- Celts --- Animals, Mythical --- Animals, Mythical, in art --- Mythology, Celtic --- Gender & Ethnic Studies --- Ethnic & Race Studies --- Social Sciences --- Celtic mythology --- Creatures, Fabled --- Fabled creatures --- Fabulous animals --- Fabulous creatures --- Fantastic animals --- Fictitious animals --- Imaginary animals --- Legendary animals --- Mythical animals --- Zoological mythology --- Animals --- Dragons --- Celtic peoples --- Gaels --- Ethnology --- Indo-Europeans --- Alpine race --- Domestic animals --- Hunting --- Folklore --- Mythology --- Animals [Mythical ] --- Mythology [Celtic ] --- CELTS --- DOMESTIC ANIMALS --- Domestic animals. --- Hunting.
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