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Motion picture producers and directors --- Coppola, Francis Ford, --- American cinema films --- Directing --- Coppola, Francis Ford, 1939-

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"A comparative history of Latin America's national cinemas over the course of five major periods: silent cinema, studio cinema, neorealism/art cinema, the New Latin American Cinema, and contemporary cinema. Close readings of approximately fifty films illustrate the major aesthetic, economic, and technological trends that define each period and the transitions between them. The selection of films reflects the tripartite division of film production in the region: 75 percent are from Brazil, Mexico, and Argentina; 25 percent are from countries other than the big three"--Provided by publisher.

Motion pictures --- Motion picture industry --- Film industry (Motion pictures) --- Moving-picture industry --- History. --- Cultural industries --- Film --- Latin America --- History --- Motion picture industry - Latin America - History. --- Lateinamerika --- Iberoamerika --- Lateinamerikaner --- american cinema. --- art cinema. --- comparative cinema. --- contemporary cinema. --- contemporary latin american cinema. --- film and cinema. --- film studies. --- film theory. --- latin american cinema. --- latin american cinematography. --- latin american motion pictures. --- latin american silent cinema. --- latin american studio cinema. --- latinx cinema. --- neorealism latin american cinema. --- new latin american cinema. --- silent films. --- studio films. --- the church and latin american cinema.

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#SBIB:309H241 --- #SBIB:309H524 --- Andere media: functies, genres, historiek --- Audiovisuele communicatie: semiotiek --- Musical films --- History and criticism --- Theatrical science --- performing arts --- Motion pictures, Musical --- Motion pictures --- CDL --- 791.43 --- History --- American cinema films --- Musicals --- Critical studies --- performing arts [discipline]

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"Brian Henderson's introduction provides an overview of Sturges criticism and brief biographical material. Each script is preceded by a prefatory essay discussing its evolution. The insights provided by this volume will be useful to film students and aspiring screenwriters, and fascinating to anyone interested in screen comedy..."--Publisher description.

Motion picture plays, American. --- film --- scenario --- scenario's --- twintigste eeuw --- Verenigde Staten --- Sturges Preston --- 791.471 STURGES --- American motion picture plays --- American drama --- American cinema films - Scripts --- Motion picture plays, American

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Hollywood at the Intersection of Race and Identity explores the ways Hollywood represents race, gender, class, and nationality at the intersection of aesthetics and ideology and its productive tensions. This collection of essays asks to what degree can a close critical analysis of films, that is, reading them against their own ideological grain, reveal contradictions and tensions in Hollywood’s task of erecting normative cultural standards? How do some films perhaps knowingly undermine their inherent ideology by opening a field of conflicting and competing intersecting identities? The challenge set out in this volume is to revisit well-known films in search for a narrative not exclusively constituted by the Hollywood formula and to answer the questions: What lies beyond the frame? What elements contradict a film’s sustained illusion of a normative world? Where do films betray their own ideology and most importantly what intersectional spaces of identity do they reveal or conceal?

Identity (Psychology) in motion pictures. --- Race in motion pictures. --- Motion pictures --- Intersectionality (Sociology) --- History. --- Hollywood, race, identity, intersectionality, ethnicity, gender, sexuality, nationality, cinema, movies, film, camera, video, aesthetics, ideology, film analysis, United States cinema, American cinema, Hollywood formula, representation.