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Jazz --- Sound recordings --- Album covers
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Sound recordings --- Graphic arts --- Album covers --- H5 (Design studio)
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Musicians in art --- Musicians --- Sound recordings --- Album covers --- Crumb, R.
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Sound recordings --- Sound recordings in art --- Sound recordings and the arts --- Album covers
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Art and music. --- Rock music --- Sound recordings --- History and criticism. --- Posters. --- Album covers. --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- muziek --- kunst en muziek --- popmuziek --- rock --- New York --- CBGB --- Groot-Brittannië --- concept rock --- punk --- Graham Dan --- Europa --- neue Wilden --- Los Angeles --- Kelley Mike --- Elms Anthony --- 7.038/039 --- 7.049 --- 7.038 --- 7.039 --- 766:78 --- Kunst en muziek ; rockmuziek ; 1967-2007 --- Covers --- Hoezen ; audio cd's ; grammofoonplaten --- Muziek en kunst ; pop-muziek ; 20ste en 21ste eeuw --- Iconografie ; verschillende onderwerpen --- Kunstgeschiedenis ; 1950 - 2000 --- Kunstgeschiedenis ; 2000 - 2050 --- Gebruiksgrafiek ; reclame voor muziekuitgaven, platenhoezen --- Exhibitions --- hedendaagse kunst --- Contemporary [style of art] --- Art --- anno 1900-1999 --- anno 2000-2099 --- Art and music --- Album covers, Record --- Jackets, Record --- Phonorecord jackets --- Record album covers --- Record jackets --- Record sleeves --- Record slipcases --- Sleeves, Record --- Slipcases, Record --- Packaging --- Rock and roll music --- Rock-n-roll music --- Popular music --- Music and art --- Music --- History and criticism --- Posters --- Album covers
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Cet ouvrage propose des créations graphiques innovantes dans le domaine de la musique contemporaine (emballages, pochettes de CD). Il présente le travail de plusieurs graphistes. Il est une source d'inspiration pour les artistes travaillant dans le domaine de la communication.
Compact-disc --- Couverture de disque --- Graphisme --- Illustration --- Musique --- Sound recordings --- Album covers --- grafische vormgeving --- grafisch design --- Grafische vormgeving ; 1997-2000 ; muziekindustrie --- muziek --- Hoezen ; audio cd's ; grammofoonplaten --- grafiek en muziek --- 766:78 --- kunst en muziek --- geluid --- klank --- grafiek --- grafische vormgeving en muziek --- verpakkingen --- internet --- platenhoezen --- cd's --- Sagmeister Stefan --- Designers Republic --- Saville Peter --- VanderLans Rudy --- websites --- 766.044 --- Gebruiksgrafiek ; reclame voor muziekuitgaven, platenhoezen --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Sound recordings - Album covers - Catalogs --- 766.32.043 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; cover design --- Média --- Arts graphiques
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This is the definitive overview of the artwork of the seminal Manchester-based Factory label, covering its iconic record sleeves, posters, venues and packaging and also discussing the label's role in bringing design to the mainstream.
Matthew Robertson --- grafische vormgeving --- grafische- en reclamevormgeving --- Groot-Brittannië --- grafische vormgeving en muziek --- verpakkingen --- platenhoezen --- affiches --- Factory Records --- Manchester --- Saville Peter --- Atkins Martyn --- Central Station Design --- Farrow Mark --- Kelly Ben --- Johnson Trevor --- Panas Johnson --- 8vo --- 766.044 --- Graphisme --- Couverture de disque --- Factory records --- Sound recordings --- 766:78 --- Album covers ; platen ; elpees ; langspeelplaten --- Gebruiksgrafiek; verpakkingen; platenhoezen --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Album covers --- Gebruiksgrafiek ; reclame voor muziekuitgaven, platenhoezen --- Factory Records (Firm) --- 766.32.043 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; cover design
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PXL-Music 2018 --- muziekdesign --- covers --- Platenhoezen --- Muziekgrafiek --- 766:78 --- Hoezen ; grammofoonplaten ; ontworpen door kunstenaars --- Muziek en kunst ; pop-muziek ; 20ste en 21ste eeuw --- Covers ; vinyl --- Beeldende kunst en muziek ; 20ste en 21ste eeuw --- Album covers ; platen ; elpees ; langspeelplaten --- Gebruiksgrafiek ; reclame voor muziekuitgaven, platenhoezen --- Albert Oehlen --- Banksy --- Basquiat --- Christian Marclay --- Kim Gordon --- Plattencover --- Raymond Pettibon --- Shepard Fairey --- Tauba Auerbach --- Vinyl --- (VLB-WN)1590: Hardcover, Softcover / Musik --- Platenhoes --- 766.32.043 --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; cover design
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The complete, definitive and never-before-published catalogue of Hipgnosis, Vinyl * Album * Cover * Art finally does justice to the work of the most important design collective in music history, which, according to Roddy Bogawa, director of the documentary Taken by Storm (2011), 'designed half your record collection'. Founded in 1967 by Storm Thorgerson, Aubrey 'Po' Powell and Peter Christopherson, Hipgnosis gained legendary status in graphic design, transforming the look of album art forever and winning five Grammy nominations for package design. Their revolutionary cover art moved away from the conventional group shots favoured by record companies of the day, resulting in the ground-breaking, often surreal designs which define the albums of many of the biggest names in the history of popular music: 10cc, AC/DC, Black Sabbath, Peter Gabriel, The Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Robert Plant, Syd Barrett, Throbbing Gristle.
Graphic arts --- Sound recordings --- 766.07 --- 766:78 --- Grafische vormgevers ; 2de helft 20ste eeuw ; Hypgnosis --- Hoezen ; covers voor muziekalbums ; grammofoonplaten --- Rock-'n-roll --- Audio discs --- Audio recordings --- Audiorecordings --- Discs, Audio --- Discs, Sound --- Disks, Sound --- Phonodiscs --- Phonograph records --- Phonorecords --- Recordings, Audio --- Recordings, Sound --- Records, Phonograph --- Records, Sound --- Sound discs --- Audio-visual materials --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Album covers --- History --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators --- Gebruiksgrafiek ; reclame voor muziekuitgaven, platenhoezen --- Hipgnosis (Design studio) --- History. --- Muziekgrafiek --- Platenhoezen --- Platenhoes --- 766.32.07 --- 766.32.043 --- Grafische industrie en ontwerp ; beeld ; illustratie ; illustratoren ; cover designers ; concept artists --- Grafische industrie en ontwerp ; beeld ; illustratie ; thema's ; cover design
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The Reverend Howard Finster (1916-2001) was called the "backwoods William Blake" and the "Andy Warhol of the South," and he is considered the godfather of contemporary American folk and visionary art. This book is the first interpretive analysis of the intertwined artistic and religious significance of Finster's work within the context of the American "outsider art" tradition. Finster began preaching as a teenager in the South in the 1930s. But it was not until he received a revelation from God at the age of sixty that he began to make sacred art. A modern-day Noah who saw his art as a religious crusade to save the world before it was too late, Finster worked around the clock, often subsisting on a diet of peanut butter and instant coffee. He spent the last years of his life feverishly creating his environmental artwork called Paradise Garden and what would ultimately number almost fifty thousand works of "bad and nasty art." This was visionary work that obsessively combined images and text and featured apocalyptic biblical imagery, flying saucers from outer space, and popular cultural icons such as Elvis Presley, Marilyn Monroe, Henry Ford, Mona Lisa, and George Washington. In the 1980s and 90s, he developed cult celebrity status, and he appeared in the Venice Biennale and on the Tonight Show. His work graced the album covers of bands such as R.E.M. and Talking Heads. This book explores the life and religious-artistic significance of Finster and his work from the personal perspective of religion scholar Norman Girardot, friend to Finster and his family during the later years of the artist's life.
Outsider art --- Art and religion --- Folk artists --- Artists --- Art --- Arts in the church --- Religion and art --- Religion --- Naive art --- Religious aspects --- Finster, Howard, --- Finster, William Howard, --- Criticism and interpretation. --- Religion. --- alabama. --- album covers. --- american art. --- apocalypse. --- art criticism. --- art history. --- artist. --- biblical imagery. --- biography. --- cult artist. --- cultural icons. --- divine inspiration. --- elvis presley. --- environmental art. --- eschatology. --- flying saucers. --- folk art. --- george washington. --- henry ford. --- marilyn monroe. --- mona lisa. --- nature. --- nonfiction. --- outer space. --- outsider art. --- paradise garden. --- popular culture. --- religious art. --- religious symbolism. --- rem. --- revelation. --- reverend howard finster. --- sacred art. --- south. --- spirituality. --- talking heads. --- tonight show. --- visionary art.
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