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The 1920s constituted a decade of change and contrast, when modern America began to emerge from the shadow of World War I. Updated and expanded from the last edition with new information in many sections, "The Roaring Twenties, Revised Edition" offers new coverage of the social, political, and economic history of this decade, including developments in science, from astrophysics to laboratory science to discoveries and inventions; the creation of new professional sports leagues; the labor union movement; censorship, and writers, artists, and moviemakers are looked at in more depth. This volume captures the complexities of the 1920s and brings to life the various events that occurred during this tumultuous yet exhilarating decade. "The Roaring Twenties, Updated Edition" provides hundreds of firsthand accounts of the period - from diary entries, letters, speeches, and newspaper accounts - that illustrate how historical events appeared to those who lived through them. New eyewitness testimonies to this edition include J. Edgar Hoover, Emma Goldman, Calvin Coolidge, William Randolph Hearst, Eugene O'Neill, William Faulkner, Walt Disney, Thomas Edison, John D.
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The Reception of Aeschylus' Plays through Shifting Models and Frontiers addresses the need for an integrated approach to the study and staging of Aeschylus’ plays. It offers an invigorating discussion about the transmission and reception of his plays and explores the interrelated tasks of editing, translating, adapting and remaking them for the page and the stage. The volume seeks to reshape current debates about the place of his tragedies in the curriculum and the repertory in a scholarly manner that is accessible and innovative. Each chapter makes a significant and original contribution to its selected topic, but the collective strength of the volume rests on its simultaneous appeal to readers in theatre studies, classical studies, performance studies, comparative studies, translation studies, adaptation studies, and, naturally, reception studies.
Aeschylus --- Aeschylus. --- Appreciation. --- Criticism and interpretation.
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Scholia. --- Criticism --- Philology --- Aeschylus.
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Mythology, Greek, in literature. --- Tragedy. --- Drama --- Aeschylus.
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The major part of Conacher's work is a detailed running commentary on, and dramatic analysis of, the three plays. It is supplemented in notes and appendixes by discussions of the philological problems relevant to the interpretation, and by a sampling of other scholaraly views on a number of controversial points.
Tragedy. --- Drama --- Aeschylus. --- Orestes, --- Orest, --- Orestas, --- Oreste, --- Oresti, --- Oresto, --- Oresztész, --- オレステース, --- אורסטס --- 오레스테스, --- اورستس --- Орест, --- Ὀρέστης, --- Aeschylus --- In literature. --- Oresteia (Aeschylus)
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"This is a literary study of Aeschylus' Persians alongside Herodotus' Histories, which offers a comprehensive understanding what actually happened at the battle of Salamis and afterwards. Thomas Harrison examines the political and ideological motivating factors underpinning Persai in the context of the times. Aeschylus' Persians is not only the first surviving Greek drama. It is also the only tragedy to take for its subject historical rather than mythical events: the repulse of the army of Xerxes at Salamis in 480 B.C. It has frequently been mined for information on the tactics of Salamis or the Greeks' knowledge of Persian names or institutions, but it also has a broader value, one that has not often been realised. What does it tell us about Greek representations of Persia, or of the Athenians' self-image? What can we glean from it of the politics of early fifth-century Athens, or of the Athenians' conception of their empire? How, if at all, can such questions be approached without doing violence to the Persians as a drama? What are the implications of the play for the nature of tragedy?"--Bloomsbury Publishing This is a literary study of Aeschylus' Persians alongside Herodotus' Histories, which offers a comprehensive understanding what actually happened at the battle of Salamis and afterwards. Thomas Harrison examines the political and ideological motivating factors underpinning Persai in the context of the times. Aeschylus' Persians is not only the first surviving Greek drama. It is also the only tragedy to take for its subject historical rather than mythical events: the repulse of the army of Xerxes at Salamis in 480 B.C. It has frequently been mined for information on the tactics of Salamis or the Greeks' knowledge of Persian names or institutions, but it also has a broader value, one that has not often been realised. What does it tell us about Greek representations of Persia, or of the Athenians' self-image? What can we glean from it of the politics of early fifth-century Athens, or of the Athenians' conception of their empire? How, if at all, can such questions be approached without doing violence to the Persians as a drama? What are the implications of the play for the nature of tragedy?
War and literature. --- Greek drama (Tragedy) --- Aeschylus. --- Greece.
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Brill’s Companion to the Reception of Aeschylus explores the various ways Aeschylus’ tragedies have been discussed, parodied, translated, revisioned, adapted, and integrated into other works over the course of the last 2500 years. Immensely popular while alive, Aeschylus’ reception begins in his own lifetime. And, while he has not been the most reproduced of the three Attic tragedians on the stage since then, his receptions have transcended genre and crossed to nearly every continent. While still engaging with Aeschylus’ theatrical reception, the volume also explores Aeschylus off the stage--in radio, the classroom, television, political theory, philosophy, science fiction and beyond.
Aeschylus --- E-books --- Criticism and interpretation --- Appreciation --- Influence --- Aischylos --- Eschilo --- Eschyle --- Eschylus --- Criticism and interpretation. --- Appreciation. --- Influence. --- Eskhil --- Esquilo --- Aiskhilos --- Eshil --- Æskílos --- Ajschylos --- Eschil --- Esḳilos --- Äschylos --- Eskili --- Aiszkhülosz --- Eschylos --- Iskilos --- Эсхил --- אייסכילוס --- איסכילאס --- איסכילוס --- إيسخولوس --- ايسخيلوس --- Αἰσχύλος --- Aeschylus - Criticism and interpretation --- Aeschylus - Appreciation --- Aeschylus - Influence
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Based on the conviction that only translators who write poetry themselves can properly re-create the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Aeschylus' Oresteia, the only ancient tragic trilogy to survive, is one of the great foundational texts of Western culture. It begins with Agamemnon, which describes Agamemnon's return from the Trojan War and his murder at the hands of his wife Clytemnestra
Electra (Greek mythology) --- Aeschylus --- Agamemnon, --- Orestes, --- Agamemnon (Greek mythology) --- Orestes (Greek mythology)
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Tragedy --- Nåo plays --- Comparative literature --- History and criticism --- Greek and Japanese --- Japanese and Greek --- Aeschylus --- Zeami, --- Criticism and interpretation.
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Drama --- Mythology, Greek, in literature --- Openings (Rhetoric) --- Rhetoric, Ancient --- Theater --- Tragedy --- Technique --- History --- Aeschylus --- Technique. --- Closure (Rhetoric)
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