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Penser la question de la valeur en art, la question des valeurs de l'art, à un moment où la promotion semble massivement prendre la place de la critique, cela revient à articuler après d'autres (et profitant de leurs acquis, du recul sur leurs réflexions) art et éthique. La traversée de ce questionnement se fera en trois temps. D'abord en revenant sur les instruments de mesure que l'on doit mobiliser pour interroger à nouveaux frais une économie de la valeur esthétique. Puis, en analysant certaines mises en œuvres exemplaires de la Modernité, des petits Romantiques aux Situationnistes. Car il y a bien une spécificité moderne de ce questionnement, qui n'est pas seulement théorique puisqu'il conditionne le contenu même des œuvres de Mallarmé, Proust ou Péguy. C'est cette fabrique des valeurs qu'il faut enfin décrire et analyser : en élargissant le champ du côté de la paralittérature, de la valorisation récente de la littérature de jeunesse, des enjeux de la traduction ; en examinant comment Jules Verne a été ou non reçu comme texte véritablement « littéraire » ; en laissant à King Kong, ce monstre ambivalent du cinéma parlant, non pas le mot de la fin mais le pouvoir de reconduire l'envoûtement des œuvres qui nous ravissent. Pouvoir sans lequel il n'y aurait simplement aucun sens à reposer la question de la valeur, c'est-à-dire de la force, de l'art.
French literature --- Art --- General ethics --- Literature --- 82.01 --- 82.01 Esthetica --- Esthetica --- Literary Theory & Criticism --- esthétique --- philosophie --- littérature --- valeur
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"George Hagman looks anew at psychoanalytic ideas about art and beauty through the lens of current developmental psychology that recognizes the importance of attachment and affiliative motivational systems. In dialogue with theorists such as Freud, Ehrenzweig, Kris, Rank, Winnicott, Kohut, and many others, Hagman brings the psychoanalytic understanding of aesthetic experience into the 21st century. He amends and extends old concepts and offers a wealth of stimulating new ideas regarding the creative process, the ideal, beauty, ugliness, and -perhaps his most original contribution-the sublime.
Aesthetics. --- Psychoanalysis. --- Psychology --- Psychology, Pathological --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- 82.01 --- 82.01 Esthetica --- Esthetica --- Aesthetics --- Radio broadcasting Aesthetics
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Literaire kritiek ; taalfilosofie ; R. Barthes --- 82.01 --- Roland Barthes --- cultuurfilosofie --- schrijven --- teksten --- Barthes Roland --- twintigste eeuw --- 130.2 --- Literatuur ; essays over literatuur --- 1.07 --- Filosofie ; filosofen (A - Z)
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What does eating have to do with aesthetic taste? While most accounts of aesthetic history avoid the gustatory aspects of taste, this book rewrites standard history to uncover the constitutive and dramatic tension between appetite and aesthetics at the heart of British literary tradition. From Milton through the Romantics, the metaphor of taste serves to mediate aesthetic judgment and consumerism, gusto and snobbery, gastronomes and gluttons, vampires and vegetarians, as well as the philosophy and physiology of food. The author advances a theory of taste based on Milton's model of the human as consumer (and digester) of food, words, and other commodities-a consumer whose tasteful, subliminal self remains haunted by its own corporeality. Radically rereading Wordsworth's feeding mind, Lamb's gastronomical essays, Byron's cannibals and other deviant diners, and Kantian nausea, Taste resituates Romanticism as a period that naturally saw the rise of the restaurant and the pleasures of the table as a cultural field for the practice of aesthetics.
Aesthetics, British. --- English literature --- Food habits in literature. --- Food in literature. --- Gastronomy in literature. --- Taste in literature. --- History and criticism. --- 82.01 --- 82.091 --- 82.091 Vergelijkende literatuurstudie --- Vergelijkende literatuurstudie --- 82.01 Esthetica --- Esthetica --- Aesthetics, British --- Food habits in literature --- Food in literature --- Gastronomy in literature --- Taste in literature --- Aesthetics, English --- British aesthetics --- English aesthetics --- History and criticism
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Aesthetics --- Femininity (Philosophy) --- 7.01 --- CDL --- 82.01 --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- 82.01 Esthetica --- Esthetica --- Philosophical anthropology --- Psychology --- Sociology of the family. Sociology of sexuality --- Fiction --- Sociology of literature --- Radio broadcasting Aesthetics
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Aesthetics. --- Aestheticism (Literature) --- Aesthetics --- Philosophy --- Philosophy & Religion --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Decadence (Literary movement) --- Literary movements --- Literature, Modern --- Psychology --- History and criticism --- 82.01 --- 82:3 --- 82:3 Literatuur en maatschappijwetenschappen --- Literatuur en maatschappijwetenschappen --- 82.01 Esthetica --- Esthetica --- Aestheticism (Literature). --- Radio broadcasting Aesthetics
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Aesthetics --- Aesthetics. --- Representation (Philosophy) --- Mimesis in literature. --- Esthétique --- Représentation (Philosophie) --- Mimésis dans la littérature --- mimesis --- kunsttheorie --- esthetica --- voorstelling --- representatie --- fictie --- figuratie --- 7.01 --- 82.01 --- Mimesis in literature --- Representationalism (Philosophy) --- Representationism (Philosophy) --- Culture --- Philosophy --- Representation (Literature) --- Imitation in literature --- Realism in literature --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Esthetica --- Psychology --- 82.01 Esthetica --- Representation (Philosophy). --- Esthétique --- Représentation (Philosophie) --- Mimésis dans la littérature --- philosophy of art --- Radio broadcasting Aesthetics
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What is the relationship between contemporary intellectual culture and the European Enlightenment it claims to reject? In Consequences of Enlightenment, Anthony Cascardi revisits the arguments advanced in Horkheimer and Adorno's seminal work Dialectic of Enlightenment. Cascardi argues against the view that postmodern culture has rejected Enlightenment beliefs and explores instead the continuities contemporary theory shares with Kant's failed ambition to bring the project of Enlightenment to completion. He explores the link between aesthetics and politics in thinkers as diverse as Habermas, Derrida, Arendt, Nietzsche, Hegel, and Wittgenstein in order to reverse the tendency to see works of art simply in terms of the worldly practices among which they are situated.
Aesthetics --- Aesthetics, Modern --- Enlightenment. --- Political aspects. --- History of philosophy --- Philosophy and psychology of culture --- anno 1900-1999 --- anno 1700-1799 --- Enlightenment --- Esthétique --- Esthétique moderne --- Siècle des lumières --- Political aspects --- Aspect politique --- Horkheimer, Max, --- Adorno, Theodor W., --- 82.01 --- 111.85 --- 111.85 Metafysica: schoonheid; metafysische esthetica --- Metafysica: schoonheid; metafysische esthetica --- 82.01 Esthetica --- Esthetica --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- History --- Arts and Humanities --- Literature --- Radio broadcasting Aesthetics --- Aesthetics - Political aspects. --- Aesthetics, Modern - 20th century.
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Interpreting Visual Culture brings together original writings from leading experts in art history, philosophy, sociology and cultural studies. Ranging from an analysis of the role of vision in current critical discourse to discussion of specific examples taken from the visual arts, ethics and sociology, it presents the latest material on the interpretation of the visual in modern culture.Among topics covered are:* the visual rhetoric of modernity* the drawings of Bonnard* recent feminist art* practices and perception in arts and ethics.
Aesthetics. --- Vision. --- Hermeneutics. --- Art --- Art and society. --- Art and sociology --- Society and art --- Sociology and art --- Beautiful, The --- Beauty --- Aesthetics --- Art and philosophy --- Interpretation, Methodology of --- Criticism --- Eyesight --- Seeing --- Sight --- Senses and sensation --- Blindfolds --- Eye --- Physiological optics --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Literature --- Proportion --- Symmetry --- Philosophy. --- Social aspects --- Analysis, interpretation, appreciation --- Psychology --- Art and society --- Hermeneutics --- Vision --- 82.01 --- 82:3 --- Esthetica --- Literatuur en maatschappijwetenschappen --- 82.01 Esthetica --- 82:3 Literatuur en maatschappijwetenschappen --- Radio broadcasting Aesthetics --- Art - Philosophy.
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This ambitious study, first published in 1999, argues that our conception of the aesthetic sphere emerged during the era of British and German Romanticism from conflicts between competing models of the liberal state and the cultural nation. The aesthetic sphere is thus centrally connected to 'aesthetic statism', which is the theoretical project of reconciling conflicts in the political sphere by appealing to the unity of the symbol. David Kaiser traces the trajectory of aesthetic statism from Schiller and Coleridge, through Arnold, Mill and Ruskin, to Adorno and Habermas. He analyses how the concept of aesthetic autonomy shifts from being a supplement to the political sphere to an end in itself; this shift lies behind the problems that contemporary literary theory has faced in its attempts to connect the aesthetic and political spheres. Finally, he suggests that we rethink the aesthetic sphere in order to regain that connection.
Literature --- Aesthetics, Modern. --- Romanticism. --- Nationalism in literature. --- Politics and literature. --- Literature and politics --- Pseudo-romanticism --- Romanticism in literature --- Aesthetics --- Fiction --- Literary movements --- Modern aesthetics --- Appraisal of books --- Books --- Evaluation of literature --- Criticism --- Literary style --- History and criticism. --- Political aspects --- Appraisal --- Evaluation --- Aesthetics, Modern --- Nationalism in literature --- Politics and literature --- Romanticism --- 82.01 --- 82:32 --- History and criticism --- Esthetica --- Literatuur en politiek --- 82:32 Literatuur en politiek --- 82.01 Esthetica --- Thematology --- Arts and Humanities --- Aesthetics [Modern ]
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