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Music --- Rousseau, Jean-Jacques --- 571 --- Muziekpsychologie --- 78.25

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Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone-as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible

Performance practice (Music) --- History --- 78.25 --- Music --- Performance. --- Musical performance --- Performance of music

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" La musique baroque a désormais conquis son public, un public étonnamment large et divers : et c'est un autre aspect, non moins curieux, et non moins inexplicable, de sa résurrection, où se croisent psychologie, sociologie, et quelques autres domaines des sciences humaines. Pourquoi aime-t-on tellement cette musique ? Pourquoi une telle demande ? " Philippe Beaussant, dans cette nouvelle édition de son livre paru chez Actes Sud en 1988, complète sa réflexion sur le renouveau du baroque, dont il fut l'un des principaux artisans, par une analyse de son succès... En atteste, avec Tous les matins du monde, " l'intrusion de la viole de gambe dans le paysage audiovisuel français ". Mais loin de crier triomphe, l'auteur interroge l'avenir, ouvre des perspectives, pose de nouvelles questions. D'où il ressort que le " baroque " pourrait bien cesser d'être une mode pour continuer de gagner la place qui lui revient dans le patrimoine musical et artistique.

Music --- Music appreciation --- Musique --- Appréciation --- CDL --- 78 --- Appréciation --- Music appreciation. --- Histoire et critique --- 78.25 --- Musique - 17e siècle - Histoire et critique --- Musique - 18e siècle - Histoire et critique

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Claudia R. Jensen presents the first unified study of musical culture in the court and church of Muscovite Russia. Spanning the period from the installation of Patriarch Iov in 1589 to the beginning of Peter the Great's reign in 1694, her book offers detailed accounts of the celebratory musical performances for Russia's first patriarch -- events that were important displays of Russian piety and power. Jensen emphasizes music's varied roles in Muscovite society and the equally varied opinions and influences surrounding it. In an attempt to demystify what has previously been an enigma to Western readers, she paints a clear picture of the dazzling splendor of musical performances and the ways in which 17th-century Muscovites employed music for spiritual enlightenment as well as entertainment.

Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- History and criticism. --- Social aspects --- History --- 78.21.2 Moscow --- 78.25 --- 78.34.5

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520 --- Theorie: compositie --- Music --- compositieleer --- anno 1700-1799 --- Music Theory --- Composition (Music) --- History --- Music theory --- Théorie musicale --- Composition (Musique) --- Histoire --- 78.68 --- 78.25 --- 78.26 --- 541 --- Compositie --- Music Theory - History - 18th century. --- Composition (Music) - History - 18th century. --- Muziektheorie --- Compositietechnieken --- 18e eeuw