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Prominent in the canonical texts and traditions of Judaism, Christianity, and Islam is the claim that God speaks. Nicholas Wolterstorff argues that contemporary speech-action theory, when appropriately expanded, offers us a fascinating way of interpreting this claim and showing its intelligibility. He develops an innovative theory of double-hermeneutics - along the way opposing the current near-consensus led by Ricoeur and Derrida that there is something wrong-headed about interpreting a text to find out what its author said. Wolterstorff argues that at least some of us are entitled to believe that God has spoken. Philosophers have never before, in any sustained fashion, reflected on these matters, mainly because they have mistakenly treated speech as revelation.

Speech acts (Linguistics) --- Word of God (Christian theology) --- 21*015 --- 21*015 Theologie en taal --- Theologie en taal --- Illocutionary acts (Linguistics) --- Speech act theory (Linguistics) --- Speech events (Linguistics) --- Language and languages --- Linguistics --- Speech --- God's Word (Christian theology) --- Word of God (Theology) --- Word of the Lord (Christian theology) --- Theology, Doctrinal --- Word (Theology) --- Religious aspects&delete&&delete& --- Christianity --- Philosophy --- Religious aspects --- Christianity. --- Direct discourse in the Bible --- Parole de Dieu (Théologie) --- Discours direct dans la Bible --- Langage et langues --- Actes de parole --- Aspect religieux --- Christianisme --- Arts and Humanities --- Religion --- Speech acts (Linguistics) - Religious aspects - Christianity.

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Religions teach their adherents how to see and feel at the same time; learning to see is not a disembodied process but one hammered from the forge of human need, social relations, and material practice. David Morgan argues that the history of religions may therefore be studied through the lens of their salient visual themes. The Forge of Vision tells the history of Christianity from the sixteenth century through the present by selecting the visual themes of faith that have profoundly influenced its development. After exploring how distinctive Catholic and Protestant visual cultures emerged in the early modern period, Morgan examines a variety of Christian visual practices, ranging from the imagination, visions of nationhood, the likeness of Jesus, the material life of words, and the role of modern art as a spiritual quest, to the importance of images for education, devotion, worship, and domestic life. An insightful, informed presentation of how Christianity has shaped and continues to shape the modern world, this work is a must-read for scholars and students across fields of religious studies, history, and art history.

Imagination --- Christianity and art --- Protestant churches --- Word (Theology) --- Christianity --- Church history --- 246 --- Religion --- Art and Christianity --- Art --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Educational psychology --- Intellect --- Psychology --- Reproduction (Psychology) --- Protestant sects --- Christian sects --- Protestantism --- Religious aspects&delete& --- History --- Catholic Church&delete& --- Protestant churches&delete& --- Relations&delete& --- Catholic Church --- Philosophy --- Christelijke kunst en symbolisme --- Jesus Christ --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- ‏عيسىٰ‏ --- History. --- Relations --- Protestant churches. --- Christian dogmatics --- Christian church history --- anno 1500-1799 --- anno 1800-1999 --- anno 2000-2099 --- Christianity and the arts --- Idols and images --- Visualization --- Visualisation --- Visual perception --- Imagery (Psychology) --- Iconography --- Images and idols --- Religious images --- Statuettes --- Animism --- Art, Primitive --- Art and religion --- Fetishism --- Magic --- Sculpture, Primitive --- Symbolism --- Gods in art --- Arts and Christianity --- Arts --- Religious aspects --- Art. --- Catholic Church. --- Church of Rome --- Roman Catholic Church --- Katholische Kirche --- Katolyt︠s︡ʹka t︠s︡erkva --- Römisch-Katholische Kirche --- Römische Kirche --- Ecclesia Catholica --- Eglise catholique --- Eglise catholique-romaine --- Katolicheskai︠a︡ t︠s︡erkovʹ --- Chiesa cattolica --- Iglesia Católica --- Kościół Katolicki --- Katolicki Kościół --- Kościół Rzymskokatolicki --- Nihon Katorikku Kyōkai --- Katholikē Ekklēsia --- Gereja Katolik --- Kenesiyah ha-Ḳatolit --- Kanisa Katoliki --- כנסיה הקתולית --- כנסייה הקתולית --- 가톨릭교 --- 천주교 --- art historians. --- art history. --- art. --- artists. --- catholic art. --- catholicism. --- christian art. --- christianity. --- christians. --- church history. --- church. --- divine art. --- early modern religion. --- faith. --- history of christianity. --- history. --- holy art. --- holy images. --- holy vision. --- image of christ. --- likeness of jesus. --- modern art. --- modern christianity. --- protestantism. --- religion. --- religious art. --- religious education. --- religious imagination. --- religious studies. --- sacred art. --- sacred images. --- visible word. --- visual culture.