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Tracing subculture back to its foundations in the works of Tonnies and Durkheim and, to a lesser extent, Marx and Weber this work provides an analysis of subculture in American urban sociology and criminology, through the traditions of the Chicago School and structural functionalism.

#SBIB:054.AANKOOP --- Subculture. --- Subcultures --- Culture --- Ethnopsychology --- Social groups --- Counterculture --- Subculture

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Fan Culture: Theory/Practice brings together the most current scholarship on fan studies, in a way that makes it accessible and usable for both students and teachers. The essays in this collection explore the relative influence of academic and fan perspectives in the current group of scholar-fans and the ethical dilemmas that sometimes emerge from this interplay of identities, the impact of the increasingly reciprocal relationship between textual producers and consumers, and gender difference...

Fans (Persons) --- Subculture. --- Subcultures --- Culture --- Ethnopsychology --- Social groups --- Counterculture --- Aficionados --- Devotees --- Enthusiasts (Fans) --- Supporters (Persons) --- Persons --- Hobbyists

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In this book, Stephen Graham examines the largely unexplored terrain of underground music-exploratory forms of music-making, such as noise, free improvisation, and extreme metal, that exist outside or on the fringes of mainstream culture, generally independent from both the market and from traditional high-art institutions. Until now there has been little scholarly discussion of underground music and its cultural, political, and aesthetic importance. In addition to providing a much-needed historical outline of this diverse scene, Stephen Graham focuses on the digital age, showing the underground and its fringes as based largely in radical anti-capitalist politics and aesthetics, tied to the political contexts and structures of late-capitalism. Sounds of the Underground explores these various ideas of separation and capture through interviews and analysis, developing a critical account of both the music and its political and cultural economy.

Underground music --- Subculture. --- Social aspects. --- Political aspects. --- History and criticism. --- Subcultures --- Culture --- Ethnopsychology --- Social groups --- Counterculture --- Music

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Violence --- Social conflict --- Subculture --- Subcultures --- Culture --- Ethnopsychology --- Social groups --- Counterculture --- Class conflict --- Class struggle --- Conflict, Social --- Social tensions --- Interpersonal conflict --- Social psychology --- Sociology --- Violent behavior --- History.

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Fight back examines the different ways punk - as a youth/subculture - may provide space for political expression and action. Bringing together scholars from a range of academic disciplines (history, sociology, cultural studies, politics, English, music), it showcases innovative research into the diverse ways in which punk may be used and interpreted. The essays are concerned with three main themes: identity, locality and communication. These, in turn, cover subjects relating to questions of class, age and gender; the relationship between punk, locality and socio-political context; and the ways in which punk's meaning has been expressed from within the subculture and reflected by the media. Jon Savage, the foremost commentator and curator of punk's cultural legacy, provides an afterword on punk's impact and dissemination from the 1970s to the present day.

Subculture. --- Punk culture. --- Punk (Mouvement) --- Subculture --- Cyberpunk culture --- Subcultures --- Culture --- Ethnopsychology --- Social groups --- Counterculture --- Punk culture --- Politics --- Political Activism --- POLITICAL SCIENCE / Political Ideologies / General --- Political activism --- Subcultures Network. --- age. --- class identity. --- communication. --- cultural change. --- film. --- gender. --- political change. --- punk. --- race. --- social change.