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For many years the domain of specialists in early Latin, in complex metres, and in the reconstruction of texts, Roman comedy is now established in the mainstream of Classical literary criticism. Where most books stress the original performance as the primary location for the encountering of the plays, this book finds the locus of meaning and appreciation in the activity of a reader, albeit one whose manner of reading necessarily involves the imaginative reconstruction of performance. The texts are treated, and celebrated, as literary devices, with programmatic beginnings, middles, ends, and intertexts. All the extant plays of Plautus and Terence have at least a bit part in this book, which seeks to expose the authors' fabulous artificiality and artifice, while playing along with their differing but interrelated poses of generic humility.
Plautus, Titus Maccius --- Terentius Afer, Publius --- Latin drama (Comedy) --- Comédie latine --- History and criticism. --- Histoire et critique --- Terence --- Criticism and interpretation. --- Plaute, --- Térence --- History and criticism --- Criticism and interpretation --- Comédie latine --- Plaute --- Plauto, Tito Maccio --- Terenz --- Terenzio Afro, Publio --- Afer, Publius Terentius --- Terentius, P. --- Afro, Publio Terencio --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס --- Comedia latina --- Historia y crítica --- Crítica e interpretación --- Terenci --- Terenci, Publi --- Tereci Àfer, Publi --- Terencio, Publio --- Terencio Africano, P. --- Terencio Afer, Publio --- Plauto --- Plauto, T. M. --- Plauto, Tito Macio --- Arts and Humanities --- History --- Latin drama (Comedy) - History and criticism --- Plautus, Titus Maccius - Criticism and interpretation --- Terence - Criticism and interpretation --- Plaute, 254-184 av JC --- Térence 190-159 av JC --- Terentius
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The plays of Plautus have long been recognized as a unique mine of information about the spoken Latin of the 3rd and 2nd centuries BC. But detailed and up-to-date linguistic treatments of the Plautine meters and other phenomena in his plays have hitherto been lacking. This book seeks to remedy that gap by presenting a series of case-studies to glean information about the synchronic grammar of Plautine Latin, in particular the rhythmic organization of Latin speech and the effects of syntactic processes on Latin prosodic phonology. Some of the topics, such as enjambement and the aphaeresis of "est", have never before received such treatment, while others, such as Meyer's and Luchs's laws, split resolutions, and iambic shortening, are provided a firmer linguistic footing, and fuller discussion of allied issues, than hitherto. Topics in Italic syntax (such as the syntactic structure of adpositional phrases and their history) and in Indo-European morphophonology (such as the prosodic status of finite verbs) are dealt with as well, as is an investigation into the effects of pragmatics on the rhythmic organization of phrases. The book will be of interest to classicists, comparative philologists, and general linguists.
Classical Latin language --- Plautus, Titus Maccius --- Prosodic analysis. --- Plaute --- Plauto, Tito Maccio --- Latin language --- Classical languages --- Italic languages and dialects --- Classical philology --- Latin philology --- Versification. --- Language. --- Criticism and interpretation. --- Prosodic analysis --- Versification --- Language --- Criticism and interpretation --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס --- Latin language - Prosodic analysis --- Plautus, Titus Maccius - Versification --- Plautus, Titus Maccius - Language --- Plautus, Titus Maccius - Criticism and interpretation --- Indo-European. --- Latin. --- Linguistics. --- Metrics. --- Plautus. --- Plaute (0254-0184-av.-J.-C.) --- Latin (langue) --- Langue --- Métrique et rythmique
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Comedy. --- Latin drama (Comedy) --- Plautus, Titus Maccius. --- Comic literature --- Literature, Comic --- Plaute --- Plauto, Tito Maccio --- Plautus, Titus Maccius --- Latin drama --- Drama --- Wit and humor --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס
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This reissue of a book in English devoted to the work of the Roman comedy writer (c. 254 - 184 BC) includes a new preface and additional appendices covering the plays 'Amphitryon' and 'Captivi'.
Theater --- Comedy. --- Comic literature --- Literature, Comic --- Drama --- Wit and humor --- History --- Plautus, Titus Maccius --- Plaute --- Plauto, Tito Maccio --- Criticism and interpretation. --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס
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This book provides a theoretical and philosophical framework for the analysis of Plautus within a performative and philosophical perspective on language and theatrical performance. The book offers an insightful understanding of Plautus' texts as more than simple literary remains of "archaic" Latin literature, but as witnesses of a process of using language to perform an entire world through the recognition of the power of language itself as a creative and constitutive agent of theatrical codification and variation of its own rules and conventions. The analyses of several of Plautus' plays are
Latin drama (Comedy) --- History and criticism. --- Plautus, Titus Maccius --- Plauto, Tito Maccio --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plaute --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס --- Language. --- Criticism and interpretation.
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Plautine Trends: Studies in Plautine Comedy and its Reception, a collective volume published as a Festschrift in honour of Prof. D. Raios (University of Ioannina), aims to contribute to the current, intense discussion on Plautine drama and engage with most of the topics which lie at the forefront of recent scholarship on 'literary Plautus'. 13 papers by experts on Roman Comedy address issues concerning a) the structure of Plautine plot in its social, historical and philosophical contexts, b) the interfaces between language and comic plot, and c) plot and language as signs of reception. Participants include (in alphabetical order): A. Augoustakis, R.R. Caston, D.M. Christenson, M. Fontaine, S. Frangoulidis, M. Hanses, E. Karakasis, D. Konstan, K. Kounaki-Philippides, S. Papaioannou, A. Sharrock, N.W. Slater, and J.T. Welsh. The papers of the volume are preceded by an introduction offering a review of the extensive literature on the subject in recent years and setting the volume in its critical context. The preface to the volume is written by R.L. Hunter. The book is intended for students or scholars working on or interested in Plautine Comedy and its reception.
Antike Komödie. --- Plautus. --- Roman Comedy, Plautus. --- LITERARY CRITICISM / Ancient & Classical. --- Plautus, Titus Maccius --- Plaute --- Plauto, Tito Maccio --- Criticism and interpretation. --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס
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What pleasures did Plautus' heroic tricksters provide their original audience? How should we understand the compelling mix of rebellion and social conservatism that Plautus offers? Through a close reading of four plays representing the full range of his work (Menaechmi, Casina, Persa, and Captivi), Kathleen McCarthy develops an innovative model of Plautine comedy and its social effects. She concentrates on how the plays are shaped by the interaction of two comic modes: the socially conservative mode of naturalism and the potentially subversive mode of farce. It is precisely this balance of the naturalistic and the farcical that allows everyone in the audience--especially those well placed in the social hierarchy--to identify both with and against the rebel, to feel both the thrill of being a clever underdog and the complacency of being a securely ensconced authority figure. Basing her interpretation on the workings of farce and naturalism in Plautine comedy, McCarthy finds a way to understand the plays' patchwork literary style as well as their protean social effects. Beyond this, she raises important questions about popular literature and performance not only on ancient Roman stages but in cultures far from Plautus' Rome. How and why do people identify with the fictional figures of social subordinates? How do stock characters, happy endings, and other conventions operate? How does comedy simultaneously upset and uphold social hierarchies? Scholars interested in Plautine theater will be rewarded by the detailed analyses of the plays, while those more broadly interested in social and cultural history will find much that is useful in McCarthy's new way of grasping the elusive ideological effects of comedy.
Authority in literature. --- Comedy. --- Literature and society - Rome. --- Literature and society -- Rome. --- Master and servant in literature. --- Plautus, Titus Maccius -- Criticism and interpretation. --- Slavery in literature. --- Languages & Literatures --- Greek & Latin Languages & Literatures --- Plautus, Titus Maccius --- Criticism and interpretation. --- Plaute --- Plauto, Tito Maccio --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס
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Dieses Werk stellt die Publikationen des verstorbenen Wiener Klassischen Philologen auf dem Gebiet der Komödienforschung gesammelt zur Diskussion. Durch die Zusammenschau sämtlicher Publikationen, eines Vortrags und bislang nicht gedruckter Strukturpläne zu diesem Thema wird Primmers Suche nach Aufbauprinzipien der griechischen wie der römischen Komödie nachvollziehbar, die als Grundlage für seine unitarisch-analytische Forschung dienen sollte. Primmer’s Papers on the Structure of Action in the Nea and Palliata brings together the writings of the late Viennese classical philologist in the field of research on comedy. Reviewing the full corpus of his work on this topic makes it possible to track Primmer’s quest for structural principles in Greek and Roman comedy, which formed the foundation for his unitary analytic research.
Greek drama (Comedy) --- Griechisch. --- Handlung (Literatur). --- Komödie. --- Latein. --- Latin drama (Comedy) --- Adolf Primmer. --- Nea. --- Palliata. --- LITERARY CRITICISM / Ancient & Classical. --- History and criticism. --- Menander, --- Plautus, Titus Maccius --- Menandros, --- Athens, Menander of --- Menandro, --- Ménandre, --- Menandorosu, --- מינאנדרוס --- Plaute --- Plauto, Tito Maccio --- Criticism and interpretation. --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס --- Менандр, --- Menander --- Menander Comicus --- Menandro --- Ménandre --- Menandros
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First critical edition of Burmeister's newly discovered Aulularia Joannes Burmeister of Lüneburg (1576–1638) was among the greatest Neo-Latin poets of the German Baroque. His masterpieces, now mostly lost, are Christian ‘inversions’ of the Classical Roman comedies of Plautus. With only minimal changes in language and none in meter, each transforms Plautus’s pagan plays into comedies based on biblical themes. Fascinating in their own right, they also bring back to attention forgotten genres of Renaissance literature. This volume offers the first critical edition of the newly discovered Aulularia (1629), which exists in a sole copy, and the fragments of Mater-Virgo (1621), which adapts Plautus’s Amphitryo to show the Nativity of Jesus. The introduction offers reconstructions of Susanna (based on Casina) and Asinaria (1625), Burmeister's two lost or unpublished inversions of Plautus. Fontaine also provides the only biography of Burmeister based on archival sources, along with discussions of his inimitable Latinity and the perilous context of war and witch-burning in which Burmeister wrote. Burmeister's inversions bear witness to the special talent of his age for the creative reworking of Classical literature, such as Monteverdi's Poppea or Purcell's Dido and Aeneas, as well as to his tumultuous times, with his views on military abuses in the Thirty Years' War prefiguring those of Grimmelshausen's Simplicius Simplicissimus.
Neo-Latin literature --- Latin drama, Medieval and modern --- History and criticism. --- Burmeister, Joannes, --- Plautus, Titus Maccius, --- adaptacje --- historia i krytyka. --- Greek & Latin Languages & Literatures --- Languages & Literatures --- Latin drama [Medieval and modern ] --- History and criticism --- Latin drama --- Latin literature --- Medieval and modern --- Plautus, Titus Maccius --- Burmeister, Johann, --- Plauto, Tito Maccio --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plaute --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס --- Joannes Burmeister --- Autobiography --- Burmeister, Joannes --- Latin drama, Medieval and modern - History and criticism.
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Die Römische Tragödie der archaischen Epoche, der augusteischen Klassik und der frühen Kaiserzeit ist mit Ausnahme der Tragödien Senecas nur in zahlreichen Fragmenten erhalten. In über 30 Aufsätzen aus den Jahren 1972 bis 2014, von denen eine Reihe unpubliziert ist, zeigt der Verfasser, dass die politische Grundierung ein durchgehendes Charakteristikum der Römischen Tragödie ist. Die Sagen von den zahlreichen griechischen Helden, die seit Homers Zeit nach Italien kamen, lieferten dankbare Stoffe, um die römische Frühgeschichte aufzubessern. Diese aitiologischen Tendenzen verliehen der republikanischen und augusteischen Tragödie einen panegyrischen Grundzug. Es ist durch die politischen Verhältnisse der Kaiserzeit bedingt, dass die Panegyrik vielfach in Opposition umschlug. Weiterhin wird herausgestellt, dass aufgrund dieser Entwicklung Seneca aus stoischem Blickwinkel den Einzelnen in den Mittelpunkt rückte und einerseits seine Unfähigkeit zu einer disziplinierten Lebensweise, andererseits seine Fähigkeit, ein widriges Schicksal souverän zu meistern, zur Darstellung brachte. The collected papers in this volume, many of them previously unpublished, demonstrate the politcial character of Roman tragedy and show that, during the Imperial period, panegyrics often shifted to opposition.
Latin drama (Tragedy) --- Latin drama (Tragedy). --- History and criticism. --- Plautus, Titus Maccius. --- Terence. --- Terence --- Terenz --- Terenzio Afro, Publio --- Plaute --- Plauto, Tito Maccio --- Plautus, Titus Maccius --- Terentius, P. --- Afer, Publius Terentius --- Afro, Publio Terencio --- Terencjusz --- Terent︠s︡iĭ, Publiĭ --- Terencio --- Terencio Afro, Publio --- Terentios --- Terenzio --- Terentius Apher, Publius --- Apher, Publius Terentius --- טרנטיוס --- Terentius Afer, Publius --- Komödie. --- Latein. --- Lucius Annaeus Seneca. --- Roman literature. --- Römische Literatur. --- LITERARY CRITICISM / Ancient & Classical. --- Plavt, Tit Makt︠s︡iĭ --- Plautus, M. Accius --- Plautus --- Plautus, M. Attius --- Plautus, Marcus Actius --- Plautus, Marcus Accius --- Plautus, Marcus Attius --- Plauto, Marco Accio --- Plautos, Titos Makkios --- פלאוטוס --- Terentius
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