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"A key work in contemporary media theory, this study is a step toward readjusting the question of the media in today's debates. Kittler's blend of a Heideggerian history of Being and Nietzschean genealogy is meticulously retraced. And -- even more importantly -- Winthrop-Young addresses a fascination with technology, the beloved twentieth-century enemy of philosophy and the humanities." Rudiger Campe, Yale University. "Witty, concise and insightful, Kittler and the Media covers the three major phases of Kittler's career, including Kittler's recent work on the Greek alphabet, and traces connecting threads through the different phases. Deeply thought through, Kittler and the Media covers essential points of media theory in its German and international contexts." Katherine Hayles, Duke University. With books such as Discourse Networks and Gramophone, Film, Typewriter, and the collection Literature, Media, Information Systems, Friedrich Kittler has established himself as one of the world's most influential media theorists. He is also one of the most controversial and misunderstood. Kittler and the Media offers students of media theory an introduction to Kittler's basic ideas. Following an introduction that situates Kittler's work against the tumultuous background of German twentieth-century history (from World War Il and the cultural upheaval of the late 1960s to reunification), the book provides succinct summaries of Kittler's early discourse-analytical work inspired by French poststructuralism, his media-related theorizing, and his most recent writings on cultural techniques and the notation systems of ancient Greece. This clear and engaging overview of a fascinating theorist will be welcomed by students and scholars alike of media, communication, and cultural studies. --Book Jacket.
Kittler Friedrich --- mediatheorie --- 82:659.3 --- cultuurtheorie --- twintigste eeuw --- filosofie --- Duitsland --- 130.2 --- 82:659.3 Literatuur en massacommunicatie --- Literatuur en massacommunicatie --- Mass media --- Philosophy --- Kittler, Friedrich A. --- Kittler, Friedrich A., --- Mass media - Philosophy --- Kittler, Friedrich A., - 1943-2011
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Sociology of culture --- Philosophy and psychology of culture --- Semiotics --- Academic collection --- #A9501A --- #KVHA:Beeldcultuur --- #KVHA:Fotografie --- #KVHA:Film --- #KVHA:Televisie --- #KVHA:Video --- film --- televisie --- massamedia --- filmtheorie --- film en literatuur --- cultuurfilosofie --- 791.41 --- 82:659.3 --- Literatuur en massacommunicatie --- 82:659.3 Literatuur en massacommunicatie
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""To be continued... "" Whether these words fall at a season-ending episode of Star Trek or a TV commercial flirtation between coffee-loving neighbors, true fans find them impossible to resist. Ever since the 1830's, when Charles Dickens's Pickwick Papers enticed a mass market for fiction, the serial has been a popular means of snaring avid audiences. Jennifer Hayward establishes serial fiction as a distinct genre -- one defined by the activities of its audience rather than by the formal qualities of the text. Ranging from installment novels, mysteries, and detective fiction of the 1800's
Authors and readers --- Serialized fiction --- Television serials --- Readers and authors --- Authorship --- Fiction --- Series, Television --- Television programs --- History. --- History and criticism. --- 82:3 --- 82:659.3 --- 82:659.3 Literatuur en massacommunicatie --- Literatuur en massacommunicatie --- 82:3 Literatuur en maatschappijwetenschappen --- Literatuur en maatschappijwetenschappen --- History --- History and criticism --- Television series
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In his 1987 work Paratexts, the theorist Gérard Genette established physical form as crucial to the production of meaning. Here, experts in early modern book history, materiality and rhetorical culture present a series of compelling explorations of the architecture of early modern books. The essays challenge and extend Genette's taxonomy, exploring the paratext as both a material and a conceptual category. Renaissance Paratexts takes a fresh look at neglected sites, from imprints to endings, and from running titles to printers' flowers. Contributors' accounts of the making and circulation of books open up questions of the marking of gender, the politics of translation, geographies of the text and the interplay between reading and seeing. As much a history of misreading as of interpretation, the collection provides novel perspectives on the technologies of reading and exposes the complexity of the playful, proliferating and self-aware paratexts of English Renaissance books.
Literature --- anno 1400-1499 --- anno 1500-1599 --- Europe --- 001.81 --- 82.08 --- 82:659.3 --- 659.3 --- Techniek van de intellectuele arbeid --- Literaire activiteiten. Literaire technieken --- Literatuur en massacommunicatie --- Mass communication. Informing, enlightening of the public at large --- 659.3 Mass communication. Informing, enlightening of the public at large --- 82:659.3 Literatuur en massacommunicatie --- 82.08 Literaire activiteiten. Literaire technieken --- 001.81 Techniek van de intellectuele arbeid --- European literature --- Paratext --- Books --- History and criticism --- Paratext. --- History and criticism. --- Arts and Humanities
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Together, the essays in this book suggest that the digital humanities is uniquely positioned to contribute to the revival of the humanities and academic life.
Computer. Automation --- Higher education --- Mass communications --- Humanities --- Digital media --- Study and teaching (Higher) --- Data processing --- Technological innovations --- 82:659.3 --- Literatuur en massacommunicatie --- Digital media. --- Education --- Data processing. --- Technological innovations. --- Educational Policy & Reform --- General. --- Higher. --- 82:659.3 Literatuur en massacommunicatie --- Learning and scholarship --- Classical education --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Study and teaching (Higher)&delete& --- Humanities - Study and teaching (Higher) - Data processing --- Humanities - Technological innovations
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Literature, Modern --- Literature and the Internet --- History and criticism --- Theory, etc --- 82.09 --- 82:659.3 --- 82:62 --- 82.0 --- #KVHA:Electronische literatuur --- Academic collection --- Edited by Jan Van Looy and Jan Baetens --- nieuwe media --- literatuur --- kunst --- internet --- cybercultuur --- 791.5 --- Literaire kritiek --- Literatuur en massacommunicatie --- Literatuur en technologie --- Literatuurtheorie --- 82.0 Literatuurtheorie --- 82:62 Literatuur en technologie --- 82:659.3 Literatuur en massacommunicatie --- 82.09 Literaire kritiek --- Modern literature --- Arts, Modern --- Internet and literature --- Internet --- History and criticism&delete&
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Narration (Rhetoric) --- Interactive multimedia --- narratologie --- televisie --- reality tv --- filmtheorie --- internet --- computerspellen --- literatuur --- interactiviteit --- nieuwe media --- multimedia --- 791.5 --- 82:659.3 --- 82:62 --- 82-3 --- Literatuur en massacommunicatie --- Literatuur en technologie --- Proza. Fictie. Narratologie --- Interactive multimedia. --- Narration (Rhetoric). --- 82-3 Proza. Fictie. Narratologie --- 82:62 Literatuur en technologie --- 82:659.3 Literatuur en massacommunicatie --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Hypermedia systems --- Interactive media --- Computer software --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative
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"Reminding us that all media were once new, this book challenges the notion that to study new media is to study exclusively today's new media. Examining a variety of media in their historic contexts, it explores those moments of transition when new media were not yet fully defined and their significance was still in flux. Examples range from familiar devices such as the telephone and phonograph to unfamiliar curiosities such as the physiognotrace and the zograscope. Moving beyond the story of technological innovation, the book considers emergent media as sites of ongoing cultural exchange. It considers how habits and structures of communication can frame a collective sense of public and private and how they inform our apprehensions of the "real.""--Jacket.
Mass media --- Communication & Mass Media --- Journalism & Communications --- History. --- History --- DIGITAL HUMANITIES & NEW MEDIA/New Media History --- SCIENCE, TECHNOLOGY & SOCIETY/History of Science --- Mass media and technology --- Technology and mass media --- Technology --- 791.5 --- achttiende eeuw --- communicatie --- cultuurgeschiedenis --- Edited by Lias Gitelman and Geoffrey B. Pingree --- filmgeschiedenis --- fotografie --- geschiedenis --- media --- negentiende eeuw --- nieuwe media --- stereoscopie --- telecommunicatie --- theorie --- twintigste eeuw --- virtual reality --- zograscoop --- 82:659.3 --- 82:659.3 Literatuur en massacommunicatie --- Literatuur en massacommunicatie
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The 'narrative turn' in the humanities, which expanded the study of narrative to various disciplines, has found a correlate in the 'medial turn' in narratology. Long restricted to language-based literary fiction, narratology has found new life in the recognition that storytelling can take place in a variety of media, and often combines signs belonging to different semiotic categories: visual, auditory, linguistic and perhaps even tactile. The essays gathered in this volume apply the newly gained awareness of the expressive power of media to particular texts, demonstrating the productivity of a medium-aware analysis. Through the examination of a wide variety of different media, ranging from widely studied, such as literature and film, to new, neglected, or non-standard ones, such as graphic novels, photography, television, musicals, computer games and advertising, they address some of the most fundamental questions raised by the medial turn in narratology: how can narrative meaning be created in media other than language; how do different types of signs collaborate with each other in so-called 'multi-modal works', and what new forms of narrativity are made possible by the emergence of digital media.
Literary rhetorics --- Fiction --- Art --- Mass communications --- Mass media --- Narration (Rhetoric) --- Discourse analysis, Narrative --- Intermediality --- Digital media --- Mass media and the arts --- Influence --- 82:659.3 --- Literatuur en massacommunicatie --- 82:659.3 Literatuur en massacommunicatie --- Mass media. --- Discourse analysis, Narrative. --- Intermediality. --- Mass media and the arts. --- Influence. --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Narratees (Rhetoric) --- Arts and mass media --- Arts --- Mass communication --- Media, Mass --- Media, The --- Communication --- Semiotics --- Influence (Literary, artistic, etc.) --- Narrative discourse analysis --- Electronic media --- New media (Digital media) --- Digital communications --- Online journalism --- MAD-faculty 13 --- literaire techniek --- literaire analyse --- Digital media - Influence --- Image and Text. --- Media. --- Storytelling.
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Des frères Tharaud à Philippe Soupault, de Cendrars à Saint-Exupéry ou de Kessel à Simenon... nombreux sont les écrivains de l'entre-deux-guerres qui, dans le sillage du mythique Albert Londres, se sont lancés dans l'aventure géographique, médiatique, esthétique et idéologique, du grand reportage. Cet essai retrace l'histoire de ce "genre" mitoyen du journal et du livre, dont il éclaire la dynamique, les formes et les enjeux, à mi-chemin de l'Histoire des médias et de la théorie littéraire.
French literature --- anno 1930-1939 --- Journalism and literature --- Reporters and reporting --- Reportage literature, French --- Journalism --- Presse et littérature --- Reporters et reportage --- Littérature de reportage française --- Littérature française --- Journalisme --- History --- History and criticism --- Histoire --- Histoire et critique --- European literature --- Littérature --- --Journalisme --- --History --- 82:659.3 --- Literatuur en massacommunicatie --- 82:659.3 Literatuur en massacommunicatie --- Presse et littérature --- Littérature de reportage française --- Littérature française --- Writing (Authorship) --- Literature --- Publicity --- Fake news --- Literature and journalism --- 20th century --- France --- Reporters and reporting - History - 20th century --- European literature - 20th century - History and criticism --- History and criticism. --- littérature --- écrivain --- reporter --- voyageur
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