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Book
Humphrey Jennings and British documentary film : a re-assessment
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ISBN: 9780754667261 9781409427391 1409427390 075466726X 1283090430 9781283090438 131711938X 1317119371 9786613090430 9781315587653 9781317119364 9781317119371 1315587653 Year: 2011 Publisher: Farnham, England ; Burlington, Vt. : Ashgate,

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Abstract

During a short career between 1939 and 1950, Humphrey Jennings produced a number of outstanding films documenting everyday life in Britain. In this new book, Philip Logan offers a thorough reassessment of Jennings's intellectual background and the factors that informed his life. Through an understanding of the historical context within which Jennings's films were produced and directed Logan suggests we can begin to much better understand the propaganda messages that inform them, and thus gain a fuller insight into the nature, character and purpose of the films he produced for the British war e

The finest years : British cinema of the 1940s.
Author:
ISBN: 9781845114114 1845114116 Year: 2007 Publisher: London I.B. Tauris


Book
The projection of Britain : a history of the GPO.

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Abstract

"This Reader provides a comprehensive resource guide to the films, filmmakers and social and cultural importance of the GPO Film Unit. In addition to original essays by leading film and cultural historians, the volume reprints rare archival material about the work of the Unit, as well as a GPO filmography and profiles of key figures"--

Fires were started.
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ISBN: 0851707734 Year: 1999 Publisher: London British Film Institute

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Abstract

Humphrey Jennings (1907-50) was perhaps the most gifted filmmaker of the British documentary movement. Involved in the Mass Observation project of the 1930s, Jennings' talent lay in picturing ordinary life in ways that were inventive yet authentic. 'Fires Were Started' (1943) is his major achievement. A film about a day's work for a unit of the National Fire Service at the height of the blitz, it blends observation with fictional reconstruction to achieve a particularly poignant kind of propaganda. Lindsay Anderson expressed the opinion of many commentators and viewers when he wrote in 'Sight and Sound '(in a 1954 article reprinted as an appendix to this volume) that Jennings was "the only real poet the British cinema has yet produced." But how could a documentarist also be a poet? This is one of the questions addressed by Brian Winston in his highly engaging study of 'Fires Were Started'--a question that is particularly relevant today in the wake of the massive public controversies surrounding "faked" documentaries. For Winston documentary filmmaking is always "creatively treated actuality" and must be taken as such if it's to be properly valued and understood.

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