Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Le Salon was an editorial and curatorial platform active between 2011 and 2016. Founded by Devrim Bayar, in collaboration with Virginie Devillez and Valerie Verhack, it was designed as a meeting point where art lovers and professionals could discover new work and ideas and share their knowledge. This anthology, published by Triangle Books, commemorates a long adventure that brought together the artists, critics, curators, collectors, gallerists, art lovers, and organisations that we were privileged to have worked with. This book allows us to preserve some trace of the synergies that went into making Le Salon what it was, and to continue to champion and share the content that we were proud to have generated with everyone..." - Texts by Mai Abu ElDahab, Harold Ancart, Emiliano Battista, Devrim Bayar, Jean-Baptiste Bernadet, Eva Bialek, Piero Bisello, Jean-Baptiste Carobolante, Florence Cheval, Elke Couchez, François Curlet, Virginie Devillez, Dessislava Dimova, Clément Dirié, Saskia Gevaert, Jessica Gysel, Pauline Hatzigeorgiou, Nicolas Jolly, Lola Kramer, Gabriel Kuri, Valérie Mannaerts, Francis Mary, Anne-Claire Schmitz, Christopher Schreck, Robin Vanbesien, Michael Van den Abeele, Valerie Verhack, Oriol Vilanova. Visual essays by Harold Ancart, Sébastien Bonin, Nicolas Bourthoumieux, Guillaume Bleret & Patrick Carpentier, Eric Croes, Dougie Eynon, Georg Petermichl & Antoine Turillon, Harald Thys, Olivier Vandervliet.

kunst --- eenentwintigste eeuw --- België --- galeries --- 7.039 --- 069 --- museologie --- tentoonstellingen --- Le Salon --- Exposition --- Installation-art --- Bruxelles --- Aesthetics of art --- contemporary [generic time frame] --- art galleries [institutions] --- philosophy of art --- Art, Belgian --- Art --- Computer network resources.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This series of 27 double-sided cards depicts the life of Dieter Roth, Dorothy Iannone’s beloved and muse, in the early period of their relationship. During 1968–69, Iannone worked on the cards while they were living in Düsseldorf where Dieter was professor at the Kunstakademie. The original drawings were censored during the exhibition Friends curated by Harald Szeemann at the Kunsthalle Bern in 1969. Because of my love for him, Dieter was a source of inspiration for my work. (…) In the (Ta)Rot cards, I documented, in a way, every one of his activities — Dieter teaching, writing, making love, shopping, cooking, sitting on the toilet even, Dieter drinking, having a hangover, going to the laundry, Dieter with his children, in a gallery, fishing, hunting, and even dreaming.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The Barefoot Promise is a study on foot fetishism trough set photographs of Western films. From Hollywood Golden Age to French Nouvelle Vague, the motif of the foot reveals the hidden fantasies and gender norms conveyed by European and American filmmakers. Structured as a film itself, the book is the first printed version of the Promise of the Screen, a screening device developed by Pierre Leguillon since 2007 to look at the marginal aspects of cinema. All lobby cards and press photographs reproduced in this publication belong to the collections of the Museum of Mistakes, Brussels. The book comes with an intermission and a bonus by Louise Lawler!