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De cultuursector staat onder druk: de overheid verwacht dat kunstinstituten zich als concurrerende bedrijven gedragen, dat ze zoveel mogelijk in hun eigen middelen voorzien en toch geen amusementsindustrie worden. Anders gaat de subsidiekraan dicht. Ze moeten ook opbrengen: citymarketing, creatieve economie of het uitdragen van zoiets als de nationale trots. Robrecht Vanderbeeken bestempelt die politieke houdgreep als versmachtend. Kunstenaars worden merken en kunst wordt koopwaar. En de neoliberale vervreemding neemt ook toe in de gesubsidieerde sector en het kunstonderwijs. Cultuurmanagers verliezen zich in een kapitalistische bureaucratie: een vals bewustzijn van kunstmatige criteria. Zelfs cultuur- minnende politici vinden de vermarkting evident. Wie tegenpruttelt, loopt hopeloos achterop en is 'onprofessioneel'. Dit boek leest als een J'accuse over het kunstenbeleid. Het pleit voor een fundamenteel andere houding: die van verzet tegen de recuperatie en vervlakking.
kunstfilosofie --- Philosophy and psychology of culture --- art market --- kunstbeleid --- economics --- Art --- economie --- Cultuurbeleid --- Economic aspects --- cultuur --- kunst --- 7.01 --- cultuurfilosofie --- Gatz Sven --- neoliberalisme --- België --- politiek --- kunst en politiek --- activisme --- kunst en economie --- kunstmarkt --- kunsttheorie --- marketing --- cultuurbeleid --- 694 --- 008 --- 7 --- Esthetica en filosofie --- MAD-faculty 16 --- kunstkritiek --- Kunst --- Cultuur --- Management --- Privatisering --- Marketing --- Kunsttheorie ; over kunst en economie --- Kunstenaars en kunstmarkt --- Kunstbeleid ; cultuurbeleid ; Vlaanderen ; 21ste eeuw --- Arteconomy --- Kunst ; theorie, filosofie, esthetica --- Cultuur, sponsoring --- 700.6 --- cultuursector --- kunstensector --- samenleving --- kapitalisme --- maatschappij --- beeldende kunst, filosofie, esthetiek en kritiek der beeldende kunst --- Afrika --- Azië --- Nederland --- China --- Toerisme --- Financiewezen --- Autisme --- Kind --- Samenleving --- Technologie --- Wetenschap --- Historische kritiek --- Vietnam --- Zuid-Afrika --- Kust --- Overheidsbedrijf --- Maatschappij --- Geschiedenis --- Voorlichting --- Literatuur
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With The Good Shepherd and other sculptures for the not so converted, Sven `t Jolle returns to his work of the past twenty years in search of Biblical imagery and Christian iconography. This quest leads him through a labyrinth of images, from a Shiite Pietà and the joyous arrival of Jesus in Malibu to detention on Christmas Island. Associative links are made between disparate cultural elements and socio-political subjects. For the artist, religious references form merely a foundation of meaning in working towards a broader societal story. The artist draws upon his vast sketchbook archive, among other sources, to create a book that affords insight into his artistic process as well as the train of thought behind his multi-faceted oeuvre.00Exhibition: Voorkamer, Lier, Belgium (10.10.-22.11.2015).
politics --- iconography --- Christianity --- sculpture [visual work] --- humor --- refugees --- drawings [visual works] --- Art --- globalization --- Jolle, 't, Sven --- kunst --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- 't Jolle Sven --- 77.071 T.JOL --- Exhibitions --- sculpture [visual works] --- 'T Jolle, Sven --- 7.07 --- Kunst en maatschappijkritiek --- 't Jolle, Sven °1966 (°Antwerpen, België) --- Belgische kunstenaars ; 21ste eeuw --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Sculpture, Belgian --- Drawing, Belgian --- Jolle, Sven 't, --- social criticism
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This fascinating volume explores the theme of mutating and adapting media in its relation to theatre and performance. Bringing together international scholars and artists, the editors offer a comprehensive overview of the changing nature of theater, focusing on interactivity, corporeality, liveness, surveillance, spectacle, performativity, and theatricality. 'Bastard or Playmate' shows how dismantling the medium of theater has led to a fertile ground for new art. This wide-ranging and vibrant book provides an excellent guide for readers unfamiliar with the field of intermediality, as well as researchers and experienced theater artists.
Theatrical science --- Experimental theater. --- Massamedia. --- Toneelvoorstellingen. --- Vernieuwing. --- Voorstellingen (uitvoerende kunsten). --- Alternative theater --- Avant-garde theater --- Theater --- Experimental theater --- Performing arts --- 21st century --- theatre --- Surveillance
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This volume brings together the lectures presented at the 5th Metaphysics of Science Workshop held from June 2 to 3, 2005, in Ghent, Belgium. The aim of this volume is twofold. First, it fields a selection of ongoing discussions on a central topic in contemporary analytical metaphysics. Authors were asked to encapsulate their lecture topic into a pr�ecis, highlighting the contesting views, accentuating the pro and contra of the main arguments, and shedding light on the origin, the evolution and the eventual offspring of a respective discussion. Second, this volume addresses the methodological question by examining what can be learned if we compare these discussions from a methodological perspective. What are the red herrings and shortcomings? Is an integrated methodology possible? Does each discussion finally await a pluralism of plausible positions or will an overall convincing account be expected? And finally, can analytical metaphysics methodologically assert and investigate their basic assumptions, if not from a common sense stance?
Analysis (Philosophy) --- Metaphysics --- Philosophy and science
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Telecommunication technology --- computers --- virtual reality --- cybercultuur --- Youtube --- nieuwe media --- film --- filmtheorie --- mediatheorie --- mediakunst --- video --- online video --- videokunst --- kunst --- fotografie --- sociale netwerken --- mobiele media --- 791.5 --- Webcasting. --- Information society.
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The FAIR Almanac 2019 is aimed as a tool that gathers practices, knowledge and perspectives in form of a year calendar, generated during the State Of The Arts' Summer Camp. It shall discuss and develop five core fields of fairness in the arts: solidarity, ethics, diversity, ecology, and empowerment. The annually renewed Almanach shall be come a key instrument for a continuous discussion about working conditions in the arts.
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