Listing 1 - 4 of 4 |
Sort by
|
Choose an application
Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon.Rifkin sets out to show how, by thinking of the historical archive as a form
Painting --- History. --- Ingres, Jean-Auguste-Dominique, --- Criticism and interpretation. --- Ingres, Jean Auguste Dominique
Choose an application
This collection of some 32 articles and essays by Adrian Rifkin were written over a period of forty years. It contains innovative and influential studies of the archives of art, urbanism, music and popular life in France and Britain during the nineteenth and twentieth centuries. Arranged around a number of studies of the representation of the Paris Commune, the book also contains chapters on Edith Piaf’s role in French culture, histories of art education, opera and queer life in the city as well as analytical accounts of the commodity and cultural theory in Adorno and Benjamin. An extended introduction by Steve Edwards works over the questions of uneven time in Marxist cultural theory and the disciplinary formations that underpin many of Rifkin’s essays.
Arts --- Arts and society --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Political aspects --- History --- Social aspects --- Arts, Primitive
Choose an application
Choose an application
Listing 1 - 4 of 4 |
Sort by
|