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kunst --- twintigste eeuw --- Roemenië --- conceptuele kunst --- concept art --- Cadere André --- Frankrijk --- performances --- installaties --- 7.071 CADERE --- Polen --- Exhibitions --- Cadere, André --- Conceptual art --- Conceptual art. --- Artists --- Cadere, André, --- 7.07 --- Beeldende kunst ; 20ste eeuw ; André Cadere --- Cadere, André 1934-1978 (°Warschau, Polen) --- Conceptuele kunst ; 2de helft 20ste eeuw --- Minimal Art --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A-Z

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"Unconcealed describes the emergence of Conceptual art in Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. The publication is a detailed account of the decade 1967-77. The relationships, support structures and strategies of dealer galleries such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner, are revealed. The central section of the book brings to life many of the important figures of the art world of this period with a selection of Jacques Charlier's Vernissage des Expositions photographs from 1974-75 that were first shown at the Palais des Beaux-Arts, Brussels in 1975. Previously unpublished data recording the exhibitions and sales of Conceptual artworks to galleries, public institutions and private collections is a major feature of the book. For example, Richard has gathered data from the archives of leading European museums, charting purchases of international artists from dealers to museums, highlighting the power of these relationships. Some of the databases reveal a correlation between temporary exhibitions and museum purchases, suggesting that we need to consider the role of 'dealer-curators' as prime protagonists of this period. Richard's also conducted interviews with dealers, curators, artists and collectors of the period which further highlights the importance of the relationships brought to light in Unconcealed"--Publisher's website.

Conceptual art --- Art, European --- Art museums --- Art galleries, Commercial --- Art --- Collectors and collecting --- collecties --- verzamelaars --- Maenz Paul --- Fischer Konrad --- Darboven Hanne --- minimal art --- minimalisme --- Siegelaub Seth --- Lippard Lucy R. --- Sperone Gian Enzo --- Wide White Space --- König Walther --- Op losse schroeven --- When attitudes become form --- Kosuth Joseph --- Huebler Douglas --- Greenwood Nigel --- Wendler Jack --- Ludwig Peter --- Ströher Karl --- Speck Reiner --- Hahn Wolfgang --- Herbig Jost --- Hock Wolfgang --- Matthys Roger --- Peeters Hubert --- Goeminne André --- Perlstein Sylvain --- Fiszman I9si --- Daled herman --- Herbert Annick --- Becht Frits --- Becht Agnes --- van Eelen Herman --- van Eelen Henriëtte --- Visser Martin --- Visser Mia --- Palumbo Peter --- Gordon Max --- Power Ted --- Power Alan --- Rausmüller Urs --- Marzona Egidio --- Baldassare Angelo --- Panza Giuseppe --- Ammann Jean-Christophe --- Charlier Jacques --- De Decker Anny --- Fuchs Rudi --- Harrison Charles --- Honnef Klaus --- Logsdail Nicholas --- Preisig Rolf --- Serota Nicholas --- Szeemann Harald --- Tremlett David --- Daled Herman --- Conceptual art. --- Art museums. --- Art galleries, Commercial. --- Collectors and collecting. --- 7.038 --- Andre Carl --- Art & Language --- Broodthaers Marcel --- Buren Daniel --- concept art --- conceptuele kunst --- Dibbets Jan --- galeries --- Gilbert & George --- kunst --- LeWitt Sol --- Lippard Lucy R --- Long Richard --- Merz Mario --- twintigste eeuw --- Weiner Lawrence --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Commercial art galleries --- Print galleries --- Prints --- Galleries and museums --- Art styles --- anno 1970-1979 --- anno 1960-1969 --- Europe --- Art conceptuel --- Histoire --- Histoire. --- Art, European. --- Ausstellung. --- Concept-art. --- Kunstbetrieb. --- Kunstgalerie. --- Kunsthandel. --- Künstler. --- Soziales Netzwerk. --- Serota, Nicholas. --- 1900-1999. --- Geschichte 1967-1977. --- Europa. --- Europe. --- Art, Primitive --- Conceptual art - Europe --- Art, European - 20th century --- Conceptual art - Europe - Exhibitions --- Art museums - Europe --- Art galleries, Commercial - Europe --- Art - Collectors and collecting - Europe

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From September 25, 2016 onwards, Herbert Foundation presents the exhibition Time Extended / 1964 - 1978. The presentation forms the first part of a diptych that unites the Collection and the Archive in a flexible, yet lasting manner. Time Extended / 1964 - 1978 focuses on the period surrounding the historic events of 1968, which also constitutes the outset of the Herbert Collection. The social shifts occurring in these years, as well as the contact with the artists and a number of progressive gallery owners, determined Annick and Anton Herbert's vision with regards to collecting. The title of the exhibition refers to Time Extended / Distance Extended, a work from 1969 by Dan Graham, which is part of the Herbert Collection. The apparent opposition between, on the one hand, outlining the period 1964-1978 and, on the other hand, 'extending' time, characterises the intention of the exhibition. Because, even though the presented works and documents are unmistakably connected to the period in which they were created, their content is also very valuable from a contemporary perspective. Exhibition: Herbert Foundation, Ghent, Belgium (September 25, 2016 - ).

Archivistics --- fonds [collections] --- art [fine art] --- Art --- Herbert Foundation [Ghent] --- anno 1960-1969 --- anno 1970-1979 --- LeWitt, Sol ; Judd, Donald ; Roth, Dieter ; Barry, Robert ; Richter, gerard ; Siegelaub, Seth ; gevaert, Yves ; Darboven, Hanna;Morris, Lynda ; Moseley, Catherine, Merz, Mario ; Stanley Brouwn --- Art archives --- Private collections --- Herbert Foundation --- Archives --- kunst --- Verenigde Staten --- België --- 7.074 --- 7.038 --- arte povera --- minimal art --- minimalisme --- Herbert Annick --- Herbert Anton --- collecties --- verzamelingen --- concept art --- conceptuele kunst --- twintigste eeuw --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Exhibitions --- Art, Primitive --- art [discipline]

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This book constitutes the first comprehensive monograph dedicated to the work of the Belgian artist Jacqueline Mesmaeker. A catalog first presents forty one of her works by means of illustrations and notices. The book also includes a dozen essays addressing her singular artistic approach, as well as a biography and a bibliography.Jacqueline Mesmaeker (born 1929 in Brussels) started her career as fashion designer from 1962 till 1972, before she turned to visual and artistic issues. Drawing, an art form she teached in several art schools (ERG, La Cambre…), runs throughout her rich work that includes installation, video, photography, writing and design. She won the Norwich East Award, in 1996.

Mesmaeker, Jacqueline, --- Mesmaeker, Jacqueline --- Mesmaeker Jacqueline --- 7.071 MESMAEKER --- kunst --- België --- twintigste eeuw --- eenentwintigste eeuw --- installaties --- Art --- visual arts [discipline] --- tekenkunst --- installatiekunst --- multimediakunst --- fotografie --- installations [visual works] --- multimedia works --- 7.07 --- Mesmaeker, Jacqueline °1929 (°Ukkel, België) --- Vrouwelijke kunstenaars --- Belgische kunstenaars --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z