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Abe, Hitoshi ; Acconci, Vito ; Alsop, William ; Architecture Office : Casagrande & Rintala ; Architekturbüro Böhm : Michael Bell ; Michael Chan / EDGE Architects Ltd ; Chang, Gary ; Chang, Yung Ho ; Chi, Ti Nan ; Coop Himmelb(l)au ; City, E ; Architects, Gigantes Zenghelis ; Hasegawa, Itsuko ; Hecker, Zvi ; Hollein, Hans ; Architekten, Ulrich Königs & Ilse Maria Königs ; Vassal, Anne Lacaton & Jean Philippe ; Dudon, Duncan Lewis + Hervé Potin & Pir II Architektkontor AS & Ogmund Sorli & Mette Melandso & Dominique Lamande & Michel Bertreux & Michel ; Lim, William ; Linke, Armin ; Metápolis - M. Gausa & V. Guallart & W. Müller ; Nannucci, Maurizio ; Paragon Architects ; Perrault, Dominique ; Piano, Renzo ; Rahlff, Sixten ; R. & Sie.D/BL ; Rogers, Richard ; Romero, Fernando ; Sang, Seung H. ; Soleri, Paolo ; Testa, Clorindo ; Wiel Arets & Associates BV ; SITE, James Wines / ; Yamamoto, Riken ; AMIS ; ART'M Architecture - Poitevin & Reynaud ; Ban, Shigeru ; Barry, Judith ; Piazza, Marlo ; Boeri, Stefano ; Jodice, Francesco ; Brenac & Gonzalez ; Scofidio, Diller + ; Faustino, Didier Fiuza ; Gazeau, Philippe ; Rouillard, Dominique ; Guiheux, Alain ; Hondelatte, Jacques ; Isozaki, Arata ; Kasimir, Marin ; Hugon, Nicolas ; Maupin, Stéphane ; Minn, Sohn Joo ; NACO - Alain Renk & Marcelo Joulia ; Nouvel, Jean ; Pesco, Gaetano ; Prawoto, Eko ; Purini, Franco ; Briand, Mathieu ; Ricciotti, Rudy ; Stalker ; Steidle, Otto ; Brown, Denise Scott ; Venturi, Robert ; Wodiczko, Krzysztof ; Lasserre, Michel ; Yacoub, Paola ; Asymptote - Hani Rashid & Lise Anne Couture ; Cook, Peter ; Cornette, Benoît ; Decq, Odile ; Goulthorpe, Decoi Mark ; y2k, Futurama ; Gruppo A 12 ; Hadid, Zaha ; Ito, Toyo ; Matsui, Hiroaki Kitano & Tatsuya ; Malone, Kovac ; Kuma, Kengo ; Lynn, Greg ; etc.
Art styles --- City planning --- Architecture, Modern --- Avant-garde (Aesthetics) --- Urbanisme --- Architecture --- Avant-garde (Esthétique) --- Exhibitions --- Exhibitions. --- History --- Expositions --- Histoire --- Biennale di Venezia --- International Architectural Exhibition --- -Avant-garde (Aesthetics) --- -City planning --- 72.036 --- Biënnale Venetië --- Biennale Venezia --- 2000 --- 72.078 --- Venezia --- Venetië --- Biennale van Venetië (2000) ; 7de internationale architectuurtentoonstelling --- Architectuurtentoonstellingen --- Stedenbouw ; architectuur ; 1990-2000 --- 72.038 --- (069) --- Cities and towns --- Civic planning --- Land use, Urban --- Model cities --- Redevelopment, Urban --- Slum clearance --- Town planning --- Urban design --- Urban development --- Urban planning --- Land use --- Planning --- Art, Municipal --- Civic improvement --- Regional planning --- Urban policy --- Urban renewal --- Aesthetics --- Modernism (Art) --- Modern architecture --- -Twintigste eeuw (architectuur) --- 20ste eeuw (architectuur) --- Architectuurgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Government policy --- Management --- Avant-garde (Esthétique) --- Kunststijlen --- Architectuur --- Biënnale van Venetië --- Biennale di Venezia. --- International Architectural Exhibition. --- architecture [discipline] --- anno 2000-2009 --- Venice --- tentoonstellingen --- -Architecture, Modern --- -Art styles --- biennials [exhibitions]
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72.07 --- 711.4(B) --- Architectuur en stedenbouw van de toekomst --- Action Space! Studio --- Stedenbouw de evolutionaire stad --- Steden voor vliegende wagens MVRDV --- Skycar City --- Architectuur stedenbouw 2006 MVRDV --- Vliegende vervoersmiddelen ontwerpen prototypes --- Architectuur en (im)mobiliteit steden en mobiliteit --- Maas, Winy --- 711.4 --- 711.427 --- 711.7 --- Scycars --- Scycar City --- MVRDV --- 72.072 --- Architecten. Stedenbouwkundigen A - Z --- Stedenbouw. Ruimtelijke ordening ontwerpen van de steden --- Stedenbouw (theorie) --- Futuristische steden --- Visionaire steden --- Virtuele steden --- Denkbeeldige steden --- Mobiliteit --- Architectuurwedstrijden --- Wedstrijden (architectuur) --- Conferences - Meetings --- Competitions --- International Architectural Exhibition --- Biennale van Venetië (2000) ; 7de internationale architectuurtentoonstelling --- Stedenbouw ; architectuur ; 1990-2000 --- Architectuurgeschiedenis ; 1950 - 2000 --- Experimental automobiles. --- MVRDV (Firme) --- Stedenbouw ; de evolutionaire stad --- Steden ; voor vliegende wagens ; MVRDV --- Architectuur ; stedenbouw ; 2006 ; MVRDV --- Vliegende vervoersmiddelen ; ontwerpen ; prototypes --- Architectuur en (im)mobiliteit ; steden en mobiliteit --- Stedenbouw. Ruimtelijke ordening ; ontwerpen van de steden --- 21st century --- City planning. --- Experimental design. --- Architecture --- City planning --- Architecture, Modern --- Urbanisme --- Exhibitions. --- Exhibitions --- History --- Concours --- Expositions --- Histoire --- Biennale di Venezia --- 71.072 --- Biënnale Venetië --- Biennale Venezia --- Venetië --- Venezia --- Architectuurtentoonstellingen --- 72.038 --- (069) --- Stedenbouw --- Stedenbouw (wedstrijden) --- Wedstrijden (stedenbouw) --- (Musea. Collecties) --- Contains audio-visual material --- Biennale di Venezia. --- International Architectural Exhibition.
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With a Biennale centered on research, titled Less Aesthetics, More Ethics, Massimiliano Fuksas abandons the usual set up of the previous Biennali. The exhibition is no longer based on the idea of architecture as buildings, but develops a 360° perspective on contemporary city, especially the megalopolis of the 21st century. As the title itself points out, it is essential for Fuksas to find a new way to relate to architecture, favoring the research of new ethical responses, rather than simply aesthetics, when developing a project. From the 90’s onward, the largeness and the speed in urban transformations, especially in Latin America, Asian South-East and Africa, have determined, along with pollution and a huge development of dimensions, new social discontent and disparity. This is why Fuksas decided to “use the Biennale as a lab to analyze the new planetary dimension of urban behaviors and transformations”, highlighting three main themes: the Environment, both as an object and a subject for thinking; Society, which represents the attention to urban changes; Technology, as information, communication, virtual dimensions. The Corderie, the Artiglierie, the empty spaces at the Arsenale up to the Vergini (recovered by the Biennale presided by Paolo Baratta in 1999, and used for Architecture for the first time) and the Padiglione Italia, hosted a selection of architects, artists and photographers that had investigated metropolitan changes in the last years. More specifically, the set up at the Corderie dell’Arsenale, revising the continuous perspective of the Strada Novissima in 1980, is a significant example of fusion between digital technology and the architectural debate. In the 300 meters of the Corderie, a mega screen would present twelve videos of contemporary megalopolis: Bogotà, Buenos Aires, Bucharest, Budapest, Mexico City, New Delhi, Paris, São Paulo, Quito, Cairo, Athens and Montréal. The megalopolis appears to be a sort of global magma, where cultural stereotypes, turistic and economic flows all live together along with urban decay situations, which are often ignored or understated. The spaces of the Padiglione Italia hosted the works of architects, artists and photographers that, through different practices and methods, have questioned the evolution of the metropolis, underlining the necessity o fan interdisciplinary approach to catch up with the challenges present times may hold.
Architecture, Modern --- City planning --- Architecture --- Urbanisme --- Exhibitions --- History --- Exhibitions. --- Expositions --- Histoire --- International Architectural Exhibition --- Biennale van Venetië (2000) ; 7de internationale architectuurtentoonstelling --- Architectuurtentoonstellingen --- Stedenbouw ; architectuur ; 1990-2000 --- 72.038 --- (069) --- Architectuurgeschiedenis ; 1950 - 2000 --- (Musea. Collecties) --- Visionary architecture --- Architecture and technology --- Digital art --- Designs and plans
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